Queer|Art|Mentorship was launched in 2011 to develop an intergenerational and interdisciplinary network of support and shared knowledge for LGBTQ artists. Now beginning its eighth year, the program brings together early-career and advanced-career artists for a year-long exchange across five different fields: Film, Literature, Performance, Visual Art, and Curatorial Practice.
Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director), in association with Berkeley Repertory Theatre, presents the world premiere of Jackie Sibblies Drury's Fairview, directed by Soho Rep. Artistic Director Sarah Benson, May 29 - July 1. Following her "inventive," "pulse-pounding" We Are Proud to Present…(The New York Times, Time Out New York, and New York Magazine Critics' Picks), Sibblies Drury returns to Soho Rep. with Fairview, a play that shows us that nothing's funnier than "family drama."
The New York Drama Critics' Circle today named Mary Jane by Amy Herzog best play of the 2017-18 season. Hangmen by Martin McDonagh was named best foreign play. No award was given for best musical. The selections were made at the organization's 83rd annual voting meeting.
The winners of the 2018 New York Drama Critics' Circle Awards will be announced Thursday, May 3, 2018 at approximately 5:30pm. The selections will be made at the organization's 83rd annual voting meeting.
Queer|Art, NYC's home to creative and professional development for LGBTQ artists, is pleased to announce "BLACK SUMMER NIGHTS 2: SUMMER IN THE CITY," a special season of Queer|Art|Film at IFC Center (323 Sixth Avenue at West 3rd St.), May 14-August 20.
The Kitchen presents Sasquatch Rituals, a cycle of performance ritual installations initiated by Sibyl Kempson and her 7 Daughters of Eve Thtr. & Perf. Co., tracking and responding to her consuming experiences as an investigator for the Bigfoot Field Research Organization (April 24-28).
The GRAMMY Award-winning Brooklyn Youth Chorus presents Silent Voices: If You Listen, the second installment of its multimedia, multi-composer, and multi-year Silent Voices series of concert works with spoken word, conceived, produced and performed by Brooklyn Youth Chorus (April 27-28, at National Sawdust). Silent Voices: If You Listen builds on the success of Silent Voices' 2017 premiere at BAM's Howard Gilman Opera House. Here, eight composers, all women, collaborate with the choristers in amplifying the voices of the marginalized and confronting the challenges of division and categorization, racism, sexism, social and economic disparity, immigration, our environment, and threats to our understanding of truth. Commissioned composers for Silent Voices: If You Listen include Julia Adolphe, Olga Bell, Anna Clyne, Paola Prestini, Toshi Reagon, Shelley Washington, Bora Yoon, and Pulitzer winner Du Yun; the concert will also feature a work with guest artist Shaina Taub. Unifying this work is the distinctively versatile and beautiful sound of the rigorously-trained singers - a chorus of culturally and socioeconomically diverse New York City young people, ages 12-18 - joined by International Contemporary Ensemble (ICE). These are young voices set on resisting the socio-politically retrograde elements of the present in a move towards a more inclusive and compassionate vision of the future.
The Kitchen, founded in 1971, has continued to serve as an important catalyst for a broad community of groundbreaking artists working across disciplines. In today's landscape, where contemporary artists and arts institutions are collaborating in new ways and generating new contexts for the continuing evolution of multi-disciplinary art, The Kitchen, as a nimble, smaller-scale organization, plays an especially vital role. It provides emerging and established artists a hot-house environment for the presentation and discussion of their work, supporting and seeking to foster a vibrant, living dialogue among artists from every field and area of culture. Engaging both The Kitchen veterans and newcomers who challenge the given formations of art and politics, lifestyle and social structures, the Spring 2018 (March 28-July 27) season probes everything from the police state to the racial imaginary to self-construction and identity, utilizing the flexibility of the institution's spaces for art that itself eludes definition.
A Noise Within (ANW) presents A Raisin in the Sun by Lorraine Hansberry, directed by Gregg T. Daniel, the sixth production of its 26th season performing February 25 to April 8 (Press Opening March 3). Now added - three performances - Wednesday, March 14 at 7:30 pm, Wednesday March 29 at 7:30 pm, and Sunday, April 8 at 7 pm.
The Martin E. Segal Theatre Center, located at The Graduate Center, City University of New York, announces its Spring 2018 season of public programs. The season features free public programs throughout the fall and winter, with contemporary theatre and performing artists from around the world.
The Martin E. Segal Theatre Center, located at The Graduate Center, City University of New York, announces its Spring 2018 season of public programs. The season features free public programs throughout the fall and winter, with contemporary theatre and performing artists from around the world.
Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director), has extended the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar, a second time, through March 31.
The GRAMMY Award-winning Brooklyn Youth Chorus presents Silent Voices: If You Listen, the second installment of its multimedia, multi-composer, and multi-year Silent Voices series of concert works with spoken word, conceived, produced and performed by Brooklyn Youth Chorus (April 27-28, at National Sawdust). Silent Voices: If You Listen builds on the success of Silent Voices' 2017 premiere at BAM's Howard Gilman Opera House. Here, eight composers, all women, collaborate with the choristers in amplifying the voices of the marginalized and confronting the challenges of division and categorization, racism, sexism, social and economic disparity, immigration, our environment, and threats to our understanding of truth. Commissioned composers for Silent Voices: If You Listen include Julia Adolphe, Olga Bell, Anna Clyne, Paola Prestini, Toshi Reagon, Shelley Washington, Bora Yoon, and Pulitzer winner Du Yun; the concert will also feature a work with guest artist Shaina Taub. Unifying this work is the distinctively versatile and beautiful sound of the rigorously-trained singers - a chorus of culturally and socioeconomically diverse New York City young people, ages 12-18 - joined by International Contemporary Ensemble (ICE). These are young voices set on resisting the socio-politically retrograde elements of the present in a move towards a more inclusive and compassionate vision of the future.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) has added a performance (February 8 at 9pm) to its critically lauded world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box, directed by Evan Yionoulis. The run will conclude, as a scheduled, on February 11.
In response to popular demand, Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) extends the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar by two weeks, through March 25. In this play, which dauntlessly cracks jokes as it eviscerates, twin sisters Anaia (Alfie Fuller) and Racine (Dame-Jasmine Hughes) undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.
A Noise Within (ANW) presents A Raisin in the Sun by Lorraine Hansberry, directed by Gregg T. Daniel, the sixth production of its 26th season performing February 25 to April 8 (Press Opening March 3).
In response to popular demand, The Acting Company (Ian Belknap, Artistic Director; Elisa Spencer-Kaplan, Executive Director) extends their acclaimed production of playwright/poet Marcus Gardley's X: Or, Betty Shabazz v. the Nation through February 25, 2018. Coinciding with African Heritage Month, the Ian Belknap-directed play deepens our understanding of one of America's most complex, compelling historical figures, and explores the tumultuous landscape of ideology and activism in the 1960s.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces a free post-performance discussion moderated by Pulitzer Prize-winning theatre critic and Negroland: A Memoir author Margo Jefferson in connection with TFANA's world premiere production of Adrienne Kennedy's He Brought Her Heart Back in a Box. The talk, which begins at 8.30 PM is open to all and features director Charlotte Braithwaite and playwrights Lydia Diamond and Jackie Sibblies Drury, follows the January 20 performance of Kennedy's first new play in a decade, which begins at 7:30 that evening, at Polonsky Shakespeare Center (262 Ashland Place, Brooklyn, NY 11217). The discussion will also be streamed live on Theatre for a New Audience's Facebook page. He Brought Her Heart Back in a Box runs January 18-February 11. To reserve a seat to this panel, visit www.tfana.org/heartpanel.
Soho Rep. (Sarah Benson, Artistic Director; Cynthia Flowers, Executive Director) today announces the complete cast and creative team for the world premiere of Aleshea Harris's Relentless Award-winning Is God Is, directed by Taibi Magar (Ars Nova's Underground Railroad Game), February 6 - March 11, 2018. The play, with which Soho Rep. reopens its longtime Tribeca theater, dauntlessly cracks jokes as it eviscerates. Alfie Fuller and Dame-Jasmine Hughes play Anaia and Racine, twin sisters who undertake a murderous journey from the Dirty South to the California desert, seeking payback for a horrendous act. Is God Is treats both morality and genre as notions to be exploded, drawing on the ancient, the modern, the tragic, the Spaghetti Western, hip-hop and Afropunk in its subversion of theatrical constructs.
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