Sound permeates our daily lives and shapes our existence. From 'ear yoga' to Buddhist-inspired opera, talks and programs this fall build on themes in Rubin Museum's newest exhibition, The World Is Sound. For more about the exhibition, visit RubinMuseum.org/Wavelength, and scroll down for related talks, films and experiences, including a panel with David Henry Hwang about Broadway's M. Butterfly!
It's 'deja vu all over again' goes the quip attributed to the NY Yankees pitcher Yogi Berra. But that's the feeling I had with Thomas Ades's THE EXTERMINATING ANGEL, with libretto based on the Luis Bunuel film, 'El angel exterminador,' by Tom Cairns and the composer. (Cairns also directed.) Not that the opera looks or sounds like anything else recently produced on the Met's stage, except perhaps for Ades's own TEMPEST. Rather, it's because it seems like the operatic arm of France's Nouvelle Vague, the New Wave, of the late '50s and '60s.
The first book about Weir Farm National Historic Site, Connecticut's first national park unit and the only one dedicated to American painting, will be authored by Xiomaro, the park's Visiting Artist, in a deal he signed with Arcadia Publishing. About 150 of Xiomaro's photographs will be accompanied with captions that, he explains, 'tells the big story of a small park.' The 60-acre site, nestled in Wilton and Ridgefield, is where J. Alden Weir (1852-1919), the father of American Impressionist painting, lived and created iconic works now seen at the Met, the Smithsonian and other world-class museums.
Ehrenkranz Artistic Director Jane Moss today announced Lincoln Center's 2017 White Light Festival, which runs from October 18 through November 15. With more than 35 events presented in 13 venues throughout the city, including U.S. and New York premieres and nine commissions, the eighth annual international festival will explore transcendence, interior illumination, and faith in the human spirit, as exhibited through artistic expression across continents and centuries. The multidisciplinary festival takes its name from a quotation by Estonian composer Arvo Part: "Icouldcomparemymusic to white light, which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener."
Thomas Ad s conducts the Metropolitan Opera premiere of The Exterminating Angel with eight performances from October 26 to November 21, 2017. The critically acclaimed opera, staged by the librettist Tom Cairns, is a co-commission and co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden; Royal Danish Theatre; and Salzburg Festival, where the production premiered in 2016.
For Kritzerland's 80th show - let's repeat that - for the 80th show and seventh anniversary of Kritzerland shows, the longest-running cabaret show of its kind in LA history, Kritzerland presents The Songs That Got Away VII, its super-duper, crazy mixed-up anniversary show.
The Chicago Philharmonic spins the wheel of fortune and fate alongside spectacular guest vocalists this October in 'Body and Soul', the opening concert of the 2017-2018 Season: Glorious Earth.
Audiences have under a month left to enjoy the multi award-winning Robert Icke's (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984) innovative production of Hamlet, starring Andrew Scott (Sherlock, Denial, Spectre, Pride and Cock) live on stage, which must end on 2 September 2017 at the Harold Pinter Theatre.
One of the nation's leading organizations for the advancement of early music, the San Francisco Early Music Society (SFEMS) has announced the program for its 2017-18 Concert Season featuring some of the most exciting early music practitioners here and abroad in seven wide-ranging programs. The season runs from October 20 through May 6, with each program presented in Palo Alto, Berkeley and San Francisco.
Almeida Artistic Director Rupert Goold said: 'We are thrilled to present three major new productions at the Almeida, including two world premieres and one rare revival. Spanning the Atlantic and beyond, this season is a timely and limitless interrogation into contemporary cultural anxieties and the power we have over our own lives.'
Beginning in the 2017-18 season, the Metropolitan Opera's Lindemann Young Artists Development Program welcomes five new young artists into the acclaimed program established by Met Music Director Emeritus James Levine in 1980. Along with the returning nine participants, the program will train a new generation of artists, including opera singers, coaches, and pianists.
Ehrenkranz Artistic Director Jane Moss today announced Lincoln Center's 2017 White Light Festival, which runs from October 18 through November 15. With more than 35 events presented in 13 venues throughout the city, including U.S. and New York premieres and nine commissions, the eighth annual international festival will explore transcendence, interior illumination, and faith in the human spirit, as exhibited through artistic expression across continents and centuries. The multidisciplinary festival takes its name from a quotation by Estonian composer Arvo Part: "Icouldcomparemymusic to white light, which contains all colors. Only a prism can divide the colors and make them appear; this prism could be the spirit of the listener."
Following a critically acclaimed, sold-out season at the Almeida in 2016-17, Robert Icke's new adaptation of Mary Stuart transfers to the Duke of York's Theatre in London's West End from Saturday 13 January for a limited run.
The New York Premiere of Meira Warshauer's In Memoriam for solo cello and strings will be given by The North/South Chamber Orchestra, Max Lifchitz, conductor, with soloist Leo Grinhauz today, June 20 at 8 PM at Christ & St. Stephen's Church, 120 West 69th St. (between Broadway & Columbus Ave.) in Manhattan.