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Review: EDWARD II, Swan Theatre

'I'll bandy with the barons and the earls, and either die or live with Gaveston.' There has been much conjecture over the centuries as to the true nature of Edward II’s relationship with Piers Gaveston; were they friends, committed partners, or something in between? It’s not something for which we can ever have conclusive proof, thanks to the passing of time and the fact that sexuality wasn’t as rigidly defined in medieval times as it is now. Christopher Marlowe had his own thoughts about the pair, and that is what we see brought to life in his history play.

Review: MORE LIFE, The Royal Court

Botox and Ozempic can make anyone beautiful and AI will outthink us all. What is left for the human race? That’s the question that’s unravelled in More Life

Review Roundup: THE YEARS Makes Its West End Transfer

The five-star sold out production of The Years has transferred to the West End for 12 weeks only. Based on Nobel Prize winner Annie Ernaux’s fearless masterpiece, five actors create an unapologetic portrait of a woman shaped by her rapidly-changing world.

Review: THE YEARS, Harold Pinter Theatre

Critics raved about its initial run at the Almedia last year. Can it make the leap from intimate space to grand West End playhouse?

Review Roundup: ELEKTRA, Starring Brie Larson

Starring Brie Larson, Daniel Fish directs the first major revival in over a decade of Sophokles’ electrifying and timeless play, Elektra, with a translation by poet Anne Carson, at the Duke Of York’s Theatre.

Photos: THE YEARS at the Harold Pinter Theatre

Internationaal Theater Amsterdam’s new Artistic Director Eline Arbo returns to direct her five-star, sold out  adaptation of Nobel Prize winner Annie Ernaux’s critically acclaimed semi-autobiographical novel The Years. Check out all new photos here!

Photos: RSC's EDWARD II in Rehearsals

All new rehearsal photos have been released for the RSC’s production of Christopher Marlowe’s rarely performed tragedy, Edward II, which runs in the Swan Theatre, Stratford-upon-Avon beginning next month.

Review: THE INVENTION OF LOVE, Hampstead Theatre

Don’t be fooled. It’s midwinter and a rotund man with a big white beard is centre stage. But this is no schmultz-fest panto. It’s Simon Russell Beale as A.E Housman in Blanche Mcintyre’s sober new production of Tom Stoppard’s portrait of the artist as an old man, The Invention Of Love.

Review: ALICE IN WONDERLAND, Brixton House

Alice In Wonderland? More like Alice Goes Underground as Poltergeist Productions’ take on the Lewis Carroll classic sees our heroine trapped on a tube.

Review: WOLVES ON ROAD, Bush Theatre

Director, Daniel Bailey, follows up his hit Red Pitch with a play that cannot locate the detail it needs to step out of a generic plot

Review: BRACE BRACE, Royal Court Theatre

Digging deep into human nature, Oli Forsyth’s Brace Brace combines the pace and excitement of a thriller with an unexpectedly perceptive intelligence. Ambitiously designed and skillfully directed, it’s a deeply engrossing piece of theatre writes our critic.

Review: KING TROLL (THE FAWN), New Diorama

This co-production between the New Diorama Theatre and Kali Theatre is a visceral investigation of how migrant communities transform under the layers of anger, fear, and resilience they adopt - products of survival in a vexatious state.

Review: NOWHERE, Battersea Arts Centre

The world is a dark place. Every day, we seem to edge closer to the start of another global conflict. Nowhere is safe. War and destruction have become steady protagonists on our television screens, to the point where we’re growing increasingly desensitised to violence.

Review: THE REAL ONES, Bush Theatre

At once intimate and expansive, The Real Ones follows the friendship of Zaid and Neelam from age nineteen to thirty-six. Once kindred spirits, moving in sync, they fall out of step when the harsh reality of adult life sends them in different directions. Waleed Akhtar (Olivier winner for The P Word) pens a sharply observed look into whether platonic love can last.

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