Artistic Director, Gregory Doran, today announced the Royal Shakespeare Company's (RSC) Winter 2019 season which includes the world stage premiere of a new musical adaptation of The Boy in the Dress, based on the best-selling novel by David Walliams with songs by Robbie Williams and Guy Chambers. The new musical, directed by Gregory Doran, plays for eighteen weeks in the Royal Shakespeare Theatre from November 2019 to March 2020.
The collaborative, cross-cast company is announced for the Royal Shakespeare Company's (RSC) productions of As You Like It, The Taming of the Shrew and Measure for Measure, playing in a newly reconfigured Royal Shakespeare Theatre next summer. All three productions will then tour in repertoire for the first time to six regional theatres in 2019 and 2020. The actors will each appear in two of the three plays performed as part of the Summer 2019 repertoire. Design for all three productions is by Stephen Brimson Lewis, Director of Design for the Royal Shakespeare Company.
Sundance Institute spotlights work at the dynamic crossroads of film, art and technology with the New Frontier selections for the 2019 Sundance Film Festival, announced today. This curated collection of cutting-edge independent and experimental media works are by creators who are pushing artistic innovation across new mediums that include VR, AR, mixed reality (MR) and AI. Programmers assembled a global slate of work from a mix of invitations and submissions to an open call for VR work earlier this year.
Royal Shakespeare Company Associate Artist Alexandra Gilbreath returns to the company in Phillip Breen's riotous new production of John Vanbrugh's restoration comedy The Provoked Wife. Alexandra last appeared at the RSC as feisty courtesan Angellica Bianca in the 2016 production of The Rover by Aphra Behn. Other leading roles for the RSC include Hermione in The Winter's Tale, Juliet in Romeo and Juliet, Rosalind in As You Like It, Kate in The Taming of the Shrew and Mistress Ford in The Merry Wives of Windsor.
Edward Bennett returns to the Royal Shakespeare Company for his third season, appearing in Polly Findlay's Macbeth.
As the production comes to London, Bennett gives us an insight into Findlay's rehearsal room, discusses how Macduff is similar to previous roles he's played here, and also shares his own superstitions surrounding the Scottish Play and theatre...
RSC Artistic Director Gregory Doran announced today his ambition for a new collaborative cross-cast ensemble which reflects the nation, to play three Shakespeare productions in a newly reconfigured Royal Shakespeare Theatre next summer. All three productions will then tour in repertoire for the first time to six regional theatres in 2019.
There are only 5 weeks remaining to see IMPERIUM (I: Conspirator and II: Dictator) which must end its strictly limited run at the West End's Gielgud Theatre on 8 September 2018. Presented by the Royal Shakespeare Company (RSC) and Playful Productions, this historical two-part thriller opened in the West End to major critical acclaim last month with Richard McCabe's tour de force performance as Cicero drawing particular attention.
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) is pleased to announce that Gregory Doran, artistic director, Royal Shakespeare Company, has invited Michael Boyd to stage his edit of Tamburlaine, Boyd's version of Christopher Marlowe's two-part epic, Tamburlaine the Great, which will open the Swan Theatre season at the Stratford-Upon-Avon based RSC.
Since they published their first title, Mrs Klein by Nicholas Wright, alongside its National Theatre production in 1988, Nick Hern Books (NHB) has gone from strength to strength. The company now boasts over 1500 titles on their list, and a staff of thirteen based at their London office in Shepherd's Bush. In honor of their 30th birthday the company threw a party to celebrate. Check out the photos below!
Following on from a timely Rome Season, the Royal Shakespeare Company again looks to the past to inform the present, with a West End transfer of Imperium - I: Conspirator & II: Dictator. And who can blame them?
With politics and personages all too familiar, Rome and its Republic make the perfect subject for audiences today. A historical (and hysterical) retelling, one particular detail unfortunately remains the same between then and now.
The Royal Shakespeare Company (RSC) and Playful Productions have today released brand new production photography and a trailer for the West End transfer of the acclaimed, historical two-part thriller IMPERIUM - I: Conspirator and II: Dictator, running for a limited engagement at London's Gielgud Theatre until 8 September 2018.
It is announced today that the Royal Shakespeare Company's Don Quixote, which originally premiered at the RSC's Swan Theatre in Stratford-upon-Avon in spring 2016, will transfer to the Garrick Theatre in London's West End from 27 October 2018 to 2 February 2019.
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a ground-breaking musical to a mighty modern classic, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!
Theatre for a New Audience (TFANA; Jeffrey Horowitz, Founding Artistic Director) announces four TFANA Talks in connection with its new, critically lauded production of William Shakespeare's tragicomedy The Winter's Tale, directed by OBIE Award-winner Arin Arbus. These free post-performance discussions take placeat Polonsky Shakespeare Center (262 Ashland Place), TFANA's home in the Brooklyn Cultural District, where The Winter's Tale runs through April 15
With The Assassination of Katie Hopkins in rehearsals, Artistic Director of Theatr Clwyd, Tamara Harvey and Executive Director, Liam Evans-Ford today announce the 2018 Autumn Season for the company. This includes an all-female cast in a co-production with Sherman Theatre of Lord of the Flies and a first-time co-production with Clean Break of the world premiere of Thick as Thieves from award-winning Welsh playwright Katherine Chandler.
Antony Sher details his journey as he prepares for the Royal Shakespeare Company's production of King Lear directed by Gregory Doran, his partner and Artistic Director of the company. Year of the Mad King: The Lear Diaries draws a fascinating, detailed picture, taking the reader through the doubts Sher encountered and the fears he faced.
The Royal Shakespeare Company (RSC) and Playful Productions announce the West End transfer for acclaimed, historical two-part thriller IMPERIUM - I: Conspirator and II: Dictator, running for a limited engagement at London's Gielgud Theatre from 14 June to 8 September 2018.
The incomparable Sir Antony Sher and the legendary Royal Shakespeare Company return to BAM with their acclaimed new production of King Lear. Directed by Artistic Director Gregory Doran and presented at BAM in its US premiere, it is the last Shakespearean role for Sher.
