Dieser Don Giovanni ist ein ganz schöner Schwerenöter. Ein Hans-Dampf in allen Gassen, ein Schelm, ein Herzensbrecher. Aber er ist auch ein Mörder und Vergewaltiger. Zusammen mit seinem Diener und Weggefährten Leporello, einem Drogen konsumierenden Junkie, hat er sich in die Wälder zurückgezogen. Seiner Naturgewalt und seinem animalischen Trieben, verfallen die Damen reihenweise. Da hätten wir die bürgerliche Donna Anna, gelangweilt von ihrem Verlobten und seiner und ihr selbst aufgebauten Spießerwelt. Donna Elvira, die vornehbare Dame und edlem Haus, die ihrem Verflossenem Don Giovanni nachtauert und ihm überall hin bedingungslos folgt. Alkohol, Drogen und Gewalt spielen eine große Rolle in Claus Guth's Inszenierung von Mozart's 'Don Giovanni', die 2008 bei den Salzburger Festspielen Premiere feierte.
Tonight, June 10 at 7:30am EST, medici.tv will present, live from Beijing, the final round of the 20th annual installment of Placido Domingo's Operalia, the iconic international competition that reveals the world's top young operatic talent. This is the third consecutive year medici.tv will be presenting Operalia in partnership with Rolex.
On June 10 at 7:30am EST, medici.tv will present, live from Beijing, the final round of the 20th annual installment of Placido Domingo's Operalia, the iconic international competition that reveals the world's top young operatic talent. This is the third consecutive year medici.tv will be presenting Operalia in partnership with Rolex.
Anna Netrebko kann leider aus persönlichen Gründen nicht mehr an Claus Guths Inszenierung von Mozarts „Don Giovanni“ an der Staatsoper im Schiller Theater teilnehmen.
Die Partie der Donna Anna übernimmt Maria Bengtsson.
Die Produktion in Zusammenarbeit mit den Salzburger Festspielen ist mit der Staatskapelle Berlin unter der musikalischen Leitung von Daniel Barenboim am 24., 27. und 30. Juni sowie am 3. und 6. Juli 2012 in Berlin zu sehen. Die Vorstellung am 30. Juni wird im Rahmen der Reihe „Staatsoper für alle“ live auf den Bebelplatz übertragen.
Offenbach's Les Contes d'Hoffmann ("The Tales of Hoffmann") returns to the Met stage in last season's acclaimed production directed by Tony Award-winner Bartlett Sher, with Giuseppe Filianoti singing the title role for the first time at the Met. Ildar Abdrazakov, who sang the title role in last season's Met premiere of Verdi's Attila, makes his career role debut as the four villains.
Giuseppe Verdi's popular masterpiece Rigoletto returns to the Met this season featuring five artists in their Met debuts and four performers singing major roles for the first time with the company. On September 29, Lado Ataneli sings the hunchback court jester and Christine Schäfer is his daughter Gilda, both adding new roles to their Met repertory. Conductor Paolo Arrivabeni makes his Met debut, as does Francesco Meli as the Duke of Mantua, Nino Surguladze as Maddalena, and Andrea Silvestrelli as Sparafucile. On October 5, George Gagnidze returns to the role of Rigoletto which he sang at the Met in 2009.
Giuseppe Verdi's popular masterpiece Rigoletto returns to the Met this season featuring five artists in their Met debuts and four performers singing major roles for the first time with the company. On September 29, Lado Ataneli sings the hunchback court jester and Christine Schäfer is his daughter Gilda, both adding new roles to their Met repertory. Conductor Paolo Arrivabeni makes his Met debut, as does Francesco Meli as the Duke of Mantua, Nino Surguladze as Maddalena, and Andrea Silvestrelli as Sparafucile. On October 5, George Gagnidze returns to the role of Rigoletto which he sang at the Met in 2009.
Giuseppe Verdi's popular masterpiece Rigoletto returns to the Met this season featuring five artists in their Met debuts and four performers singing major roles for the first time with the company. On September 29, Lado Ataneli sings the hunchback court jester and Christine Schäfer is his daughter Gilda, both adding new roles to their Met repertory. Conductor Paolo Arrivabeni makes his Met debut, as does Francesco Meli as the Duke of Mantua, Nino Surguladze as Maddalena, and Andrea Silvestrelli as Sparafucile. On October 5, George Gagnidze returns to the role of Rigoletto which he sang at the Met in 2009.
Offenbach's Les Contes d'Hoffmann ("The Tales of Hoffmann") returns to the Met stage in last season's acclaimed production directed by Tony Award-winner Bartlett Sher, with Giuseppe Filianoti singing the title role for the first time at the Met. Ildar Abdrazakov, who sang the title role in last season's Met premiere of Verdi's Attila, makes his career role debut as the four villains.
Seven new productions, including two company premieres and the first two parts of a new Ring cycle, featuring many of the world's greatest singers and conductors, will highlight the Metropolitan Opera's 2010-11 season.
Operatic comedy at its most appealing opens the 2009/10 L.A. Opera season. A magic love potion and destiny decide the fate of a love triangle involving a small-town bumpkin, a dashing sergeant and the bewitching town flirt in one of opera's most popular comedies. Filled with light-hearted charm and bursting with feel-good laughs, Gaetano Donizetti's The Elixir of Love features effervescent Italian melodies and plenty of bel canto vocal fireworks.
Operatic comedy at its most appealing opens the 2009/10 L.A. Opera season. A magic love potion and destiny decide the fate of a love triangle involving a small-town bumpkin, a dashing sergeant and the bewitching town flirt in one of opera's most popular comedies. Filled with light-hearted charm and bursting with feel-good laughs, Gaetano Donizetti's The Elixir of Love features effervescent Italian melodies and plenty of bel canto vocal fireworks.
Operatic comedy at its most appealing opens the 2009/10 L.A. Opera season. A magic love potion and destiny decide the fate of a love triangle involving a small-town bumpkin, a dashing sergeant and the bewitching town flirt in one of opera's most popular comedies. Filled with light-hearted charm and bursting with feel-good laughs, Gaetano Donizetti's The Elixir of Love features effervescent Italian melodies and plenty of bel canto vocal fireworks.
Piotr Beczala will sing Edgardo in Donizetti's Lucia di Lammermoor on Saturday, February 7 at 1:00 p.m., replacing Rolando Villaz?n who is ill. The performance is being transmitted worldwide as part of The Met: Live in HD series.
Mr. Beczala sang the role of Edgardo this past October at the Met to both public and critical acclaim. He is currently singing Lensky in Tchaikovsky's Eugene Onegin at the Met, with remaining performances on February 5, 9, 14 matinee, 18, and 21 evening.
Verdi's popular masterpiece Rigoletto returns to the repertory on January 24 with baritone Roberto Frontali making his Met role debut as the hunchback jester and conductor Riccardo Frizza in his company debut. They are joined by Aleksandra Kurzak as Gilda and Giuseppe Filianoti as the Duke of Mantua, both of whom are also singing their roles for the first time at the Met. Viktoria Vizin makes her Met debut as Maddalena, and Mikhail Petrenko sings his first Sparafucile with the company.
Georgian bass George Gagnidze makes his Met debut on January 27 in the title role and sings the following five performances through February 12. Piotr Beczala, whose performances as Edgardo in Lucia di Lammermoor last fall drew wide acclaim, sings the Duke on February 12.
A second run of performances begins April 1 and features the first Met Gilda of Diana Damrau, who earlier this season created a sensation with her interpretation of the title role of Lucia di Lammermoor. She will be partnered with Joseph Calleja as the Duke and Roberto Frontali as Rigoletto. Frontali returns for the April performances which run through April 17. Tamara Mumford sings Maddalena and Raymond Aceto is Sparafucile in the April cast.
About the performers
Today, November 29, the Metropolitan Opera Radio Saturday Matinee Broadcasts launches its 78th season of world-class opera heard over the Toll Brothers-Metropolitan Opera International Radio Network with the network premiere of Berlioz's La Damnation de Faust.
On November 29, the Metropolitan Opera Radio Saturday Matinee Broadcasts launches its 78th season of world-class opera heard over the Toll Brothers-Metropolitan Opera International Radio Network with the network premiere of Berlioz's La Damnation de Faust.
Theatre directors Mary Zimmerman, Adrian Noble, Richard Jones and John Doyle will be among those staging operas at the Met during the opera company's 2007-2008 season.
