San Francisco Opera Center Director Sheri Greenawald announced today the twelve recipients of the 2015 Adler Fellowship, a multi-year performance-oriented residency offering advanced young artists intensive individual training, coaching, and professional seminars, as well as a wide range of performance opportunities. Adler Fellows are selected from the young artists who have participated in the Merola Opera Program.
Lyric Opera of Chicago's 60th anniversary starts in style with a brand-new production of Mozart's Don Giovanni, conducted by Sir Andrew Davis, Lyric's music director, and staged by director Robert Falls, artistic director of Chicago's Goodman Theatre. It opens on Saturday, September 27 with 10 performances through Wednesday, October 29. Performance dates are Sept. 27, 30, Oct. 11, 14, 17, and 29 at 7:30pm; Oct. 2, 5, 8, and 24 at 2pm.
Lyric Opera of Chicago is proud to present the all-new exhibition DON GIOVANNI: Past to Present at the Civic Opera House. The exhibit will open onSaturday, September 27, coinciding with opening night of Lyric's new production ofDon Giovanni, conducted by Sir Andrew Davis, Lyric's music director, and directed by Robert Falls, artistic director of the Goodman Theatre.
The power of the witch has always gripped the artistic imagination. This is the first exhibition at the British Museum to present a survey of the subject in this rich and innovative exploration of the representation of the witch and malevolent female figures in the graphic arts. Spanning from the 1400s through to the end of the Victorian age, 'Witches and Wicked Bodies' will delve into the origins of the traditional image of the witch and how this developed as artists fed off public attitudes and current events. Prints and drawings will be shown alongside additional objects that illustrate that the imagery of sorcery and magic extends back to antiquity. Some examples of Greek vases and oil flasks with paintings of sirens, harpies and the famous classical sorceresses, Circe and Medea are included to emphasise this link.
From the first bombastic notes of Richard Wagner's "Prelude to Act III from Lohengrin" to the last pieces of gold confetti raining down onto the stage after the show-stopping finale, "Twisted: A Trio of Excellence" delighted opening night audiences with a unique fusion of movement and sound set to classic music from beloved operas.
Opera Philadelphia opens its 40th Anniversary Season in grand fashion this September, with a New Production of The Barber of Seville. Rossini's comic masterpiece will be presented in five performances at the Academy of Music, today, Sept. 26 through Oct. 5, with a FREE HD broadcast on a giant screen at Independence National Historical Park on Saturday, Sept. 27.
In an unprecedented collaboration, more than 200 artists from BalletMet, the Columbus Symphony, and Opera Columbus will join forces to open the 2014-15 season with what will undoubtedly be the arts event of the season, Twisted.
Why Not Theatre presents Suburban Beast's world premiere production of Concord Floral, a new play written by acclaimed young playwright Jordan Tannahill.
The series about an immortal coroner and the bereaved detective who plays Watson to his Sherlock has a second go around this week. The pilot aired as a special yesterday and episode two premiered tonight in its regular time slot.
Dan Novak, director of The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago, have announced that soprano Diana Newman, mezzo-sopranos Lindsay Metzger and Annie Rosen, tenors Alec Carlson and Mingjie Lei, baritone Takaoki Onishi, and bass Patrick Guetti have been accepted into the prestigious program beginning April 27, 2015.
Anna Netrebko sings her first North American performances of the charismatic villainess of Verdi's Macbeth this season, in starry cast that also includes Željko Lu?i? as Macbeth, Joseph Calleja as Macduff, and René Pape as Banquo. Met Principal Conductor Fabio Luisi will lead all seven performances of the opera, which opens tonight, September 24 in a revival of noted Shakespeare director Adrian Noble's 2007 production. The October 11 matinee performance will launch the ninth season of the Met's Live in HD series when it is transmitted worldwide to more than 2,000 movie theaters in 68 countries around the world.
The Kitchen and the Brown Institute for Media Innovation at Columbia University's Graduate School of Journalism are pleased to present the U.S. premiere of Gaia Global Circus, a one-of-a-kind theatrical experiment that explores society's ambivalence toward mankind's greatest threat: global warming.
Dan Novak, director of The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago, is pleased to announce that soprano Diana Newman, mezzo-sopranos Lindsay Metzger and Annie Rosen, tenors Alec Carlson and Mingjie Lei, baritone Takaoki Onishi, and bass Patrick Guettihave been accepted into the prestigious program beginning April 27, 2015.
Houston Chamber Choir will present its debut performance at Miller Outdoor Theatre of Love Me Do! Love Songs of the '60s on Sunday, October 5, 2014 at 8:00 pm.
Opera San José (OSJ) continues its season with Gioachino Rossini's The Italian Girl in Algiers. This sparkling and fast-paced opera weaves a madcap story full of twists and turns into a comic adventure to a land of magnificent palaces, swashbuckling pirates and lavish harems. The Italian Girl in Algiers will be sung in Italian with English supertitles. Six performances are scheduled from November 15 through 30 at the California Theatre, 345 South First Street in downtown San José.
This fall, Seattle Opera brings audiences one of the most popular operas of all time: Don Giovanni. Set to glorious music, Don Giovanni tells a cautionary tale of an unrepentant Casanova who must pay the price for his misdeeds. Seattle Weekly called Seattle Opera's production "Sleek, chic and colorful" when it first played to packed houses in 2007. The Everett Herald wrote: "Seattle's production pulses with scenic delights and compelling staging that never drags. It's a big story to tell: Don Juan seduces and worse, even murders, without remorse.… In this production, it's a great ride."
The Canadian Opera Company'sFree Concert Series in the Richard Bradshaw Amphitheatre returns for a ninth season today, September 23, 2014, boasting a varied roster of established artists and rising stars from around the world in a wide range of art forms. The highly anticipated first performance of the 2014/2015 season introduces the young artists of the COC Ensemble Studio in a program of their favourite operatic gems.
Anna Netrebko sings her first North American performances of the charismatic villainess of Verdi's Macbeth this season, in starry cast that also includes Željko Lu?i? as Macbeth, Joseph Calleja as Macduff, and René Pape as Banquo. Met Principal Conductor Fabio Luisi will lead all seven performances of the opera, which opens September 24 in a revival of noted Shakespeare director Adrian Noble's 2007 production. The October 11 matinee performance will launch the ninth season of the Met's Live in HD series when it is transmitted worldwide to more than 2,000 movie theaters in 68 countries around the world.
The Dallas Opera's thrilling season-opening production of the 2014-2015 'Heights of Passion' Season is Wolfgang Amadeus Mozart's The Marriage of Figaro, a revolutionary romantic comedy filled with memorable music and unforgettable characters. The Marriage of Figaro opens on Friday, October 24, 2014 at 8:00 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District at 2403 Flora Street.
DALLAS, SEPTEMBER 17, 2014 —The Dallas Opera's thrilling season-opening production of the 2014-2015 “Heights of Passion” Season is Wolfgang Amadeus Mozart's The Marriage of Figaro, a revolutionary romantic comedy filled with memorable music and unforgettable characters. The Marriage of Figaro opens on Friday, October 24, 2014 at 8:00 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District at 2403 Flora Street.
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