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Cabaret Sensation LA SOIREE Returns To The West End

Featuring world-class performers from across the globe, get ready to be enticed once more by the truly unique and irresistible world of LA SOIREE, in a Spiegeltent in Leicester Square. The jaw-dropping, Olivier Award-winning cabaret sensation returns to London for its seventh season in the capital this Christmas, from 11 November 2016 until 8 January 2017.  

BWW Review: SILENCE! slays the spoof at Standing Room Only Productions

From the bodily fluid throwing Miggs to the naked and tucked Buffalo Bill, expect to see everything you witnessed in the movie recreated live onstage by a company who at times don Lambchop hand puppets to narrate the action. It's fast, furious, and like being blasted by hits of nitrous oxide constantly without the pain of dental work.

POP POP'S TRAIN RIDE is Released

A wonderful and exciting family outing from June 2015 takes published author Mary Kay Worth on another adventure as she pens her latest nonfiction children's book 'Pop Pop's Train Ride' (published by AuthorHouse). This original work employs rhyming poetry, with emphasis on colors and sound, along with the author's illustrations taken from her photos of the fascinating rail ride. Worth calls to readers: 'Let's take a train ride!'

BWW Review: AMERICAN BALLET THEATRE's 'La Fille mal gardée' Revives The Spirits With Bucolic Charm

'La Fille mal gardee', Frederick Ashton has given us folksy innocence, clever games, and sunny smiles. That smile was perfectly embodied by soloist Jeffrey Cirio, making a splendid debut as Colas in the opening performance of this life affirming ballet. He is more than ably assisted by a cast of tremendous artists who give of themselves completely to making these simple country characters sparkle. And what characters! With an opening danced by five chickens -- four hens and one manic rooster -- how could it be otherwise?

BWW Review: Ohio State's SWEENEY TODD a Demonic Dive into Thrilling Theater

A chill in the air in Ohio State's Mershon Auditorium Friday evening was not entirely due to the unseasonable snowflakes that fell from the sky outside. Rather, a hair-raising performance of "Sweeney Todd: The Demon Barber of Fleet Street" by the Ohio State University Opera and Lyric Theatre greatly contributed to the spooky atmosphere, sending shivers up the spines of those who dared to delve into the world of this dark musical thriller.

Photo Flash: VILLAIN: DEBLANKS Wraps Residency at The Triad

Sunday night's performance of Villain: DeBlanks SPACE HOLE! closed out the comedy-benefit's monthly run at The Triad NYC. Produced by Tony-nominee Brenda Braxton, who also starred in the latest performance, Villain: DeBlanks has been a genuine fan-favorite, offering audiences the chance to meet & mingle with the all-star casts while also providing them ridiculous words to add to the show's unpredictability.

BWW Review: Butoh Artist VANGELINE Collaborates with Contortionist JONATHAN NOSAN

As executed by Vangeline (who defines her work as rooted in Japanese Butoh while carrying it into the future), Butoh enhances commonplace moments riddled throughout a framework of ornate scenarios. Working from a script of staged tableaux that explore the lengths to which an abject man will go to win over an indifferent woman, I would say that '7643' certainly fulfills this mission. I have never seen Butoh executed in a theatrical setting and though a traditional play or ballet might dispatch this entire evening of events in a matter of minutes, I don't think that it would have plumbed the emotional depths quite as movingly.

BWW Interview: Jenny Winton on Transition from Ballet Dancing to DIRTY DANCING

Though there are obvious similarities, the life of a professional ballet dancer and the life of a musical theatre actor are quite different. From the physical demands to the number of performances, transitioning from one to the other is no small feat.  Just ask Jennifer Winton, who plays Johnny Castle's original dance partner, Penny Johnson, in the DIRTY DANCING musical that opens its week-long run at Orlando's Dr. Phillips Center for the Performing Arts tonight. 

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