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BWW Dance Review: Pushing the Boundaries of Ballet with AMERICAN BALLET THEATRE

For a limited two week engagement at the David H. Koch Theater, the American Ballet Theatre (ABT) kicked off its fall season with spectacular pieces that truly push the boundaries traditionally found in classical ballet. On the evening of October 21st, the program featured Twyla Tharp's audience favorite The Brahms-Haydn Variations, the world premiere of Her Notes by the acclaimed Jessica Lang, and the company premiere of Daphnis and Chloe with choreography by Benjamin Millepied.

Arts Theatre to Present FOLLOW THE FAUN

Follow The Faun brings its unique blend of ancient Bacchanalian rite and participatory theatre to the West End's Arts Theatre. Guided by swirling projections and a banging electronic soundtrack, the audience travel through new worlds and dimensions to experience ecstasy, transformation, and a serious attack of the giggles. Dress to dance. Expect to sweat.

Comedy Sportz Heads to Warrington

Now in its 15th year Comedy Sportz is an all-ages, all-improvised show where two teams battle it out for laughs which is sure to entertain the Warrington audience.

BWW Review: IMOGEN, Shakespeare's Globe, 23 September 2016

The Globe is breaking bad. Cymbeline comes to us as Imogen - subtitled Renamed and Reclaimed, properly recognising that Imogen has far more to say than her royal father - but that's just the start of Matthew Dunster's bold, urban revamp. The king runs a coke empire. The exiles have a weed greenhouse. The court dresses in Adidas tracksuits, Cloten is a football hooligan, while Skepta and Sicario soundtrack each strip lighting-illuminated tableau, revealed by the parting of slaughterhouse plastic curtains.

BWW Review: BROWNSVILLE SONG (B-SIDE FOR TRAY) Sounds a Call for Justice and Healing at Theatre Alliance

'He was not.' A grieving grandmother repeatedly belts that powerful phrase across the audience from the opening scene of 'Brownsville Song (b-side for tray)'-an emphatic repudiation of the 10 second newsflash that has gutted the soul out of her dead grandson, Tray (Sideeq Heard). Another young, black life cut short on the jagged streets of Brooklyn's Brownsville neighborhood--same old story that flashes across TV screens and dots the local section of newspapers every day. But he, she insists, was not. Was not what? The phrase is never fully finished, but as 'Brownsville Song' plays on, you find yourself wondering less about what Tray wasn't, and reveling more in what he was.

Indiana Rep to Stage THE THREE MUSKETEERS This Fall

Indiana Repertory Theatre (IRT) theatre-goers might be delighted to find musketeers off the stage and dueling in front of the historic building for the opening night celebration of The Three Musketeers, which runs September 20 through October 15 on the OneAmerica Mainstage.

BWW Review: Broadway Artists Blur the Lines Between Theatre and Mainstream in BROADWAY SINGS THEIR OWN at Feinstein's/54 Below

It is an actor's intent as old as time not to become boxed into a certain type of role or performative style, be it the ingenue, the sassy sidekick, or the bad boy too smolderingly handsome for his own good (not the worst problem to have, frankly). One essential key to eluding that conundrum is the laser-sharp understanding of who you are as a performer, outside of a given character or show. So what happens, then, when actors known primarily for their roles in musical theatre take to the stage to perform purely as themselves? The question was answered at Feinstein's/54 Below's Broadway Sings Their Own concert on August 29, as eight vastly disparate performers stepped into the spotlight, each to perform two original songs they wrote themselves, stripped of characters to hide behind.

American Composers Orchestra Announces 40th Season - Tickets Now Available

Tickets are now on sale for American Composers Orchestra's (ACO) 40th Anniversary Season, under the leadership of Artistic Director Derek Bermel and Music Director George Manahan. This season includes eight world premieres by a diverse set of composers performed by ACO at Carnegie Hall and Symphony Space, and continues the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Founded in 1977, ACO remains the only orchestra in the world dedicated exclusively to the creation, performance, preservation, and promulgation of music by American composers. To date, ACO has performed music by 800 American composers, including 350 world premieres and newly commissioned works. ACO takes its commitment to fostering new work beyond the stage in its annual Underwood New Music Readings for emerging composers, now in its 26th year in New York, and through its program EarShot, the National Orchestra Composition Discovery Network, which brings the Readings experience to orchestras across the country in partnership with American Composers Forum, the League of American Orchestras, and New Music USA.

Indiana Rep to Stage THE THREE MUSKETEERS This Fall

Indiana Repertory Theatre (IRT) theatre-goers might be delighted to find musketeers off the stage and dueling in front of the historic building for the opening night celebration of The Three Musketeers, which runs September 20 through October 15 on the OneAmerica Mainstage.

BWW Review: ERASING BORDERS FESTIVAL Transports The Audience To A Higher Plane

A highlight of this year's Erasing Borders Festival was that it took place on Indian Independence Day; perhaps that is why each artist infused the work with such celestial splendor. We opened with Carolina Prada of Colombia - who is based in New Dehli, India - performing the choreography of her Guru, Janmejoy Sai Babu in the Mayurbhanj Chhau style. It should be noted that each artist seemed to personify a specific human virtue. In the case of Ms. Prada, that virtue was intimacy. I felt as if she were dancing for me alone during her majestic solo. This piece showed the embodiment of feminine and masculine energy in one godly being. With her extreme extension, gravity defying barrel turns, leaps and bounds, perfect balances, and tremendous expression, Ms. Prada proved the perfect incarnation of God as a dual gendered being.

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