Three years ago, Pan Asian Repertory Theatre made history when they presented their Vietnam Project, featuring the first professional production to be performed in Vietnamese on a New York stage. This spring, Pan Asian Repertory Theatre will continue their pioneering tradition of presenting bilingual productions with Vietnam Project II: Past and Present at the West End Theatre (263 W. 86th Street between Broadway & West End Avenue in the Church of St. Paul & St. Andrew, 2nd floor). The second edition series will offer two productions from Vietnamese-American playwrights: We Are written and directed by Nguyen Thi Minh Ngoc, a bilingual production, performed in Vietnamese and English, incorporating the traditions of Vietnam's rich cultural past, and Monster by Derek Nguyen and directed by Kaipo Schwab, an English language modern day detective drama.
Three years ago, Pan Asian Repertory Theatre made history when they presented their Vietnam Project, featuring the first professional production to be performed in Vietnamese on a New York stage. This spring, Pan Asian Repertory Theatre will continue their pioneering tradition of presenting bilingual productions with Vietnam Project II: Past and Present at the West End Theatre (263 W. 86th Street between Broadway & West End Avenue in the Church of St. Paul & St. Andrew, 2nd floor). The second edition series will offer two productions from Vietnamese-American playwrights: We Are written and directed by Nguyen Thi Minh Ngoc, a bilingual production, performed in Vietnamese and English, incorporating the traditions of Vietnam's rich cultural past, and Monster by Derek Nguyen and directed by Kaipo Schwab, an English language modern day detective drama.
Three years ago, Pan Asian Repertory Theatre made history when they presented their Vietnam Project, featuring the first professional production to be performed in Vietnamese on a New York stage. This spring, Pan Asian Repertory Theatre will continue their pioneering tradition of presenting bilingual productions with Vietnam Project II: Past and Present at the West End Theatre (263 W. 86th Street between Broadway & West End Avenue in the Church of St. Paul & St. Andrew, 2nd floor). The second edition series will offer two productions from Vietnamese-American playwrights: We Are written and directed by Nguyen Thi Minh Ngoc, a bilingual production, performed in Vietnamese and English, incorporating the traditions of Vietnam's rich cultural past, and Monster by Derek Nguyen and directed by Kaipo Schwab, an English language modern day detective drama.
Pace University's Original Staged Adaptation of Dickens' Timeless Classic "A Christmas Carol" is Filled with Music, Dance, Larger than Life Puppets and Holiday Spirit
Pace University's Original Staged Adaptation of Dickens' Timeless Classic "A Christmas Carol" is Filled with Music, Dance, Larger than Life Puppets and Holiday Spirit
Pace University's Original Staged Adaptation of Dickens' Timeless Classic "A Christmas Carol" is Filled with Music, Dance, Larger than Life Puppets and Holiday Spirit
Award-winning, nationally renowned, playwright Kenny Finkle and the Operating Theater present 'Transatlantica', a new production of Finkle's lunatic fable about the denial of death.
Award-winning, nationally renowned, playwright Kenny Finkle and the Operating Theater present 'Transatlantica', a new production of Finkle's lunatic fable about the denial of death.
Award-winning, nationally renowned, playwright Kenny Finkle and the Operating Theater present 'Transatlantica', a new production of Finkle's lunatic fable about the denial of death.
'I Fioretti in Musica-Opera in Danza' (Little Flowers in Music, an Opera in Dance) is an original opera with concept, libretto, direction and sets by Gian Marco Lo Forte and an acoustic score for five voices composed by Sasha Zamler-Carhart juxtaposed with an electronic score consisting of fixed electro-acoustic sound and live vocal processing by Ryan Carter.
Award-winning, nationally renowned, playwright Kenny Finkle and the Operating Theater present 'Transatlantica', a new production of Finkle's lunatic fable about the denial of death.
'I Fioretti in Musica-Opera in Danza' (Little Flowers in Music, an Opera in Dance) is an original opera with concept, libretto, direction and sets by Gian Marco Lo Forte and an acoustic score for five voices composed by Sasha Zamler-Carhart juxtaposed with an electronic score consisting of fixed electro-acoustic sound and live vocal processing by Ryan Carter.
Puppet theater has an uncanny ability to take on big themes, and such was when Jane Catherine Shaw, co-director of the Voice 4 Vision Puppet Festival, takes on world drought in 'Thirst: Memory of Water,' her newest puppet theater work. It's a big theme, but Shaw is trying to make it manageable by concentrating on themes of women and water because, as she writes, 'around the world women are carrying (literally) the burden of maintaining life by walking for water.' The play will end its run at La MaMa on April 11 in its First Floor Theater.
Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre will end its production of CHING CHONG CHINAMAN, a satirical new comedy by Lauren Yee directed by May Adrales on April 11th.
Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre continues its 33rd season with CHING CHONG CHINAMAN, a satirical new comedy by Lauren Yee directed by May Adrales. The limited engagement runs April 11, 2010 at the West End Theatre. Recently, Mayor David Dinkins and his wife Joyce took in a production, and visited the cast backstage.
Tisa Chang, Artistic Producing Director of Pan Asian Repertory Theatre continues its 33rd season with CHING CHONG CHINAMAN, a satirical new comedy by Lauren Yee directed by May Adrales. The limited engagement plays March 19 - April 11, 2010 at the West End Theatre (263 W. 86th Street between Broadway & West End Avenue in the Church of St. Paul & St. Andrew, 2nd floor). Opening night is Wednesday, March 24, at 7:30 p.m.
Puppet theater has an uncanny ability to take on big themes, and such will be the case when Jane Catherine Shaw, co-director of the Voice 4 Vision Puppet Festival, takes on world drought in 'Thirst: Memory of Water,' her newest puppet theater work. It's a big theme, but Shaw is trying to make it manageable by concentrating on themes of women and water because, as she writes, 'around the world women are carrying (literally) the burden of maintaining life by walking for water.' The play, to be presented by La MaMa March 25 to April 11 in its First Floor Theater, will nevertheless have an epic feeling.