This spring, Orchestra of St. Luke's collaborates with the New York Philharmonic for the inaugural NY PHIL BIENNIAL, an 11-day exploration of today's music showcasing an array of curatorial voices through concerts presented with cultural partners throughout New York City. Based on biennials in the world of visual art, the NY PHIL BIENNIAL offers a snapshot of the music of our time, showcasing diverse musical ideas and broad philosophical themes. OSL co-presents two concerts, May 31 and June 1 at Jazz at Lincoln Center's Rose Theater, as part of this innovative festival. OSL Principal Conductor Pablo Heras-Casado will conduct these concerts and, at the invitation of New York Philharmonic Music Director Alan Gilbert, has served as a curatorial collaborator for the festival.
The New York Philharmonic and American Composers Orchestra (ACO), in collaboration with ACO's EarShot: the National Orchestra Composition Discovery Network, announce the selection of 13 emerging composers from an international pool of more than 400 applicants from seven countries and 37 states ranging in age from 9 to 84, whose original scores for orchestra have been chosen for readings and performances by the Philharmonic and ACO as part of the inaugural NY PHIL BIENNIAL.
Under the leadership of Artistic Director Derek Bermel and Music Director George Manahan, American Composers Orchestra's (ACO) 2014-2015 season strengthens the orchestra's commitment to serve as a catalyst for the creation of new orchestral music, providing unprecedented opportunities for American composers to create new work and for audiences to discover it. Now in its 11th year at Carnegie Hall's Zankel Hall, Orchestra Underground continues as ACO's subversive and entrepreneurial redefinition of the orchestra as an elastic ensemble, and this year features the rarely performed orchestral music of pioneering composer and performer Meredith Monk, holder of the 2014-2015 Richard and Barbara Debs Composer's Chair at Carnegie Hall (Monk's Sphere, November 21). Orchestra Underground brings cabaret, pop, and jazz traditions into the concert hall in a program featuring Kurt Weill's cabaret cult classic The Seven Deadly Sins sung by Shara Worden (Sin & Songs, February 27). For the first time in several seasons, ACO returns to performing with full symphonic forces outside of Carnegie Hall - the orchestra's April concert at Jazz at Lincoln Center will showcase the New York premiere ofWynton Marsalis' Blues Symphony.
The Manhattan School of Music Symphony will be making its Carnegie Hall debut on the stage of Stern Auditorium on Sunday, April 13, at 2:00 p.m. That afternoon, Leonard Slatkin will conduct a program that opens with Roberto Sierra's Fandangos, and also includes Modest Mussorgsky's Pictures at an Exhibition, orchestrated by Maurice Ravel, and arranged by Maestro Slatkin. A concert highlight will be a performance of Leonard Bernstein's Serenade after Plato's Symposium, featuring violinist Glenn Dicterow. This concert also serves as a tribute to Mr. Dicterow who is in his final season as the New York Philharmonic's Concertmaster.
Thomas Hampson will be at Manhattan School of Music today, March 19th to give a vocal master class. This master class, a free event and open to the public, takes place at 4:00 p.m. in the School's Greenfield Recital Hall, and will be streamed live by going to http://dl.msmnyc.edu/live. The master class will be given in collaboration with MSM's world renowned Distance Learning and Recording Arts Department, headed by Christianne Orto, Dean of Distance Learning and Recording Arts at Manhattan School of Music.
Thomas Hampson will be at Manhattan School of Music on Wednesday, March 19th to give a vocal master class. This master class, a free event and open to the public, takes place at 4:00 p.m. in the School's Greenfield Recital Hall, and will be streamed live by going to http://dl.msmnyc.edu/live. The master class will be given in collaboration with MSM's world renowned Distance Learning and Recording Arts Department, headed by Christianne Orto, Dean of Distance Learning and Recording Arts at Manhattan School of Music.
Opera star Placido Domingo will join veterans of the now defunct New York City Opera for a 70th anniversary benefit concert, '70 Years of the People's Opera', tonight, February 21 at the City Center. Domingo made his debut with the City Opera as 'Pinkerton' in Puccini's MADAMA BUTTERFLY in 1965.
According to The New York Times, opera star Placido Domingo will join veterans of the now defunct New York City Opera for a 70th anniversary benefit concert, “70 Years of the People's Opera”, on February 21 at the City Center. Domingo made his debut with the City Opera as 'Pinkerton' in Puccini's MADAMA BUTTERFLY in 1965.
The 44th Season of Orchestra Seattle and the Seattle Chamber Singers (OSSCS) continues with tonight's February 8, 2014 concert inspired by the human spirit.
The 44th Season of Orchestra Seattle and the Seattle Chamber Singers (OSSCS) continues with a February 8, 2014 concert inspired by the human spirit. Guest conductor Stilian Kirov, associate conductor of the Seattle Symphony, conducts this evening concert, Friendship and Imagination. It includes The Enchanted Lake by Russian composer Anatoly Liadov, Violin Concerto in E Minor, Op 64 byFelix Mendelssohn and Pictures at an Exhibition by Modest Mussorgsky with orchestrations by Maurice Ravel. Elisa Barston, principal second violinist of the Seattle Symphony is the guest soloist for the evening.
Seventy years ago, on February 21st, 1944, New York City Opera showcased Giacomo Puccini's Tosca at the historic City Center. The beloved company went on to launch the careers of many of the opera world's most accomplished singers, including Beverly Sills, Placido Domingo, Sherrill Milnes, Maralin Niska, Shirley Verrett, Tatiana Troyanos, Jerry Hadley, Catherine Malfitano and Samuel Ramey, to name just a few. New York City Mayor Fiorello La Guardia called it the "People's Opera" in recognition of the company's mission to make opera accessible to a wide audience at a reasonable cost.
New York, NY – American Composers Orchestra (ACO) is pleased to announce that Kendall Williams will be the orchestra's Van Lier Emerging Composer Fellow for the 2013-2014 season. The Fellowship, established in 1999, offers a comprehensive and multi-faceted program that equips emerging composers with the full range of professional skills and tools necessary for building a successful career as a composer of orchestral music. This year's Fellow, Kendall Williams, received his B.A. in Music from Florida Memorial University and M.M. in Music Theory & Composition from NYU Steinhardt, studying with Julia Wolfe, Michael Gordon, and Rich Shemaria. His main instrument is the steel pan.
Last night, we reported that San Francisco Opera has replaced Mezzo-Soprano Dolora Zajick with Patricia Racette (for the first four performances), then Catherine Cook (in the final two) in the World Premiere 'Dolores Claiborne', premiering September 18-October 4, 2013.
Don't let this summer end without seeing 'America's Favorite Original Boy Band'! Olney Theatre Institute presents a limited return engagement of Forever Plaid today, August 24 through September 15 on Olney Theatre Center's Historic Stage.
Please note the following updates to Carnegie Hall's 2013-2014 schedule, reflecting major updates made since the hall announced the concert season last January.
Don't let this summer end without seeing 'America's Favorite Original Boy Band'! Olney Theatre Institute presents a limited return engagement of Forever Plaid August 24 through September 15 on Olney Theatre Center's Historic Stage.
American Composers Orchestra (ACO) is pleased to announce that composer A.J. McCaffrey has been named the winner of ACO's 2013 Underwood Commission, bringing him a $15,000 purse for a work to be premiered by ACO in the 2014-2015 season. Chosen from six finalists during ACO's 22nd Underwood New Music Readings on April 8 and 9, 2013, in one of the most coveted opportunities for emerging composers in the United States, A.J. won the top prize with his work Thank You for Waiting.
