During rehearsals for The Underpants by Steve Martin, Hartford Stage administrators learned of plans for an 'accidental' wardrobe malfunction. Horrified, the administrators noted that Hartford Stage does not condone wardrobe malfunctions of any kind.
Woodie King Jr's New Federal Theatre continues its 44th season with Dr. Du Bois and Miss Ovington starring Kathleen Chalfant and Timothy Simonson. Gabrielle L. Kurlander directs. Performances begin January 16h, with opening night scheduled for January 30th.
During rehearsals for The Underpants by Steve Martin, Hartford Stage administrators learned of plans for an "accidental" wardrobe malfunction. Horrified, the administrators noted that Hartford Stage does not condone wardrobe malfunctions of any kind.
Long Wharf Theatre, in association with Hartford Stage, presents The Underpants by Steve Martin, adapted from the play by Carl Sternheim, directed by Artistic Director Gordon Edelstein. The play will take place now through November 10, 2013 at The Claire Tow Stage in the C. Newton Schenck III Theatre before moving to Hartford Stage January 9 through February 9, 2014. The Long Wharf Theatre press opening is Wednesday, October 23 at 7:30 pm. BroadwayWorld has a first look at the cast onstage below!
Long Wharf Theatre, in association with Hartford Stage, presents The Underpants by Steve Martin, adapted from the play by Carl Sternheim, directed by Artistic Director Gordon Edelstein.
Having presented 2 volumes of The "Lost" Group Theatre Plays, featuring 6 out of print or never before published plays of the Group Theatre, ReGroup will soon be publishing a new volume.
Woodie King Jr's New Federal Theatre kicks off its 44th season with 'The Ed Bullins Project' - two revivals from his 'Twentieth Century Cycle of Plays' - In The Wine Time and The Fabulous Miss Marie. Bullins, winner of the prestigious NY Drama Critics' Circle Award and OBIE Award for The Taking of Miss Janie, has greatly influenced American theatre, especially Black theatre. His work, characterized by disdain for ineffective political rhetoric as a substitute for action, most often examines the lives of Black people in the inner city. In 1968, Clive Barnes, writing in the New York Times called Bullins 'a welcome addition to the ranks of New York playwrights.' Four years later, Barnes added 'Bullins writes the way Charlie Parker played: It is all so easy and effortless. It sounds improvised, and yet it doesn't sound improvised, simply because it is the improvisation of formality.' Today, Bullins is regarded as a seminal force in the American theater.
The Boston College Theatre Department announces a day-long symposium and performance in celebration of the fiftieth anniversary of the renowned Bread and Puppet Theater, the foremost populist, political theater in the U.S.
Long Wharf Theatre, in association with Hartford Stage, presents The Underpants by Steve Martin, adapted from the play by Carl Sternheim, directed by Artistic Director Gordon Edelstein.
The Boston College Theatre Department announces a day-long symposium and performance in celebration of the fiftieth anniversary of the renowned Bread and Puppet Theater, the foremost populist, political theater in the U.S.
As events unfold in the forcible repression of the hunger strike by 88 prisoners at Guantanamo Bay, we are entering the final week of 'Another Life,' written and directed by Karen Malpede, presented by Theater for the New City, 155 First Ave. The play protests the Bush era torture program and the indefinite detentions of our post-9/11 world. Its cast and company, shocked by news from Gitmo, will host post-play discussions during the play's final week as community forums for playgoers to exchange thoughts and concerns on the events.
Tristan Grigsby is a young, tall, virile, dark-haired, handsome, muscular actor and playwright whose first New York play, 'Passing Through,' is a deceptively spare, often humorous disquisition on loneliness. The play presents five characters, all of whom are in a particular state of loneliness, who go through brief dramatic encounters with each other and a visitor/messenger who has been sent by the gods to investigate their peculiar predicament. It has a gentle touch, a distilled style and a Beckettian effect. Theater for the New City will present the work tonight, April 10 to 28, directed by Guenevere Donohue.
George Bartenieff plays an out-sized captain of industry who privatizes and is ultimately undone by state-sponsored torture in 'Another Life,' written and directed by Karen Malpede, a surreal play that is based on real post-9/11 events. The play, written in a fast-paced lyric language, is based on research, interviews, testimonies, the words of torturers and tortured. It has been widely praised by experts in the field of human rights for its inventiveness, power and ability to create empathy. Theater for the New City will present the piece tonight, March 28 to April 21. Below, BroadwayWorld has a first look at Bartenieff and more onstage!
George Bartenieff plays an out-sized captain of industry who privatizes and is ultimately undone by state-sponsored torture in 'Another Life,' written and directed by Karen Malpede, a surreal play that is based on real post-9/11 events. The play, written in a fast-paced lyric language, is based on research, interviews, testimonies, the words of torturers and tortured. It has been widely praised by experts in the field of human rights for its inventiveness, power and ability to create empathy. Theater for the New City will present the piece tonight, March 28 to April 21, accompanied by 'A Festival of Conscience,' a series of free post-play dialogues and panels with prominent lawyers, writers and activists, and readings of Malpede's play, 'Extreme Whether,' a story of heroic climate scientists facing censorship.
George Bartenieff plays an out-sized captain of industry who privatizes and is ultimately undone by state-sponsored torture in 'Another Life,' written and directed by Karen Malpede, a surreal play that is based on real post-9/11 events. The play, written in a fast-paced lyric language, is based on research, interviews, testimonies, the words of torturers and tortured. It has been widely praised by experts in the field of human rights for its inventiveness, power and ability to create empathy. Theater for the New City will present the piece March 28 to April 21, accompanied by 'A Festival of Conscience,' a series of free post-play dialogues and panels with prominent lawyers, writers and activists, and readings of Malpede's play, 'Extreme Whether,' a story of heroic climate scientists facing censorship.
Tristan Grigsby is a young, tall, virile, dark-haired, handsome, muscular actor and playwright whose first New York play, 'Passing Through,' is a deceptively spare, often humorous disquisition on loneliness. The play presents five characters, all of whom are in a particular state of loneliness, who go through brief dramatic encounters with each other and a visitor/messenger who has been sent by the gods to investigate their peculiar predicament. It has a gentle touch, a distilled style and a Beckettian effect. Theater for the New City will present the work April 10 to 28, directed by Guenevere Donohue.
The first ever revival of the Group Theatre's second play, the Great Depression era (and equally relevant modern day) tale of mass unemployment took the stage of the Living Theatre Oct 4th. The show runs until Oct 21st. Get a first look at the show in the photos below!
After an 80-year absence from the stage, The ReGroup Theatre Company presents 1931- Claire & Paul Sifton's gritty tale of the Great Depression era at The Living Theatre, Oct 4-21st.