The Renegade Company, one of Philadephia's youngest theatre companies, has announced its fourth production. Fresh off its acclaimed run of The Amish Project, Renegade will bring to life Muller's Hamletmachine and Medeaplays.
With Big Story Small, Pony World Theatre distills a collection of classic plays into potent, short works. In the company's second installment of Big Story Small, eight "new" plays have been adapted by local writers and will perform three nights only, May 10, 11, and 12 at 8pm at Theatre Off Jackson. The collection is staged with the assistance of puppets, shadows, a tiny orchard, animation, and more. Big Story Small is produced in association with Theatre Off Jackson.
A Memorial Tribute honoring THEODORE MANN, Circle in the Square's Co-Founder, Artistic Director, and Co-Producer, who passed away on February 24 at the age of 87, will be held at Circle in the Square Theatre, 1633 Broadway, at 50th Street, on Tuesday, May 1, at 1 p.m. Seating is open to the general public on a first come, first-served basis.
Festival Of Chaos opens with two world premieres of two classic plays, both up-dated and re-imagined and directed by Royal & Derngate's Artistic Director, Laurie Sansom. Staged in the striking setting of a disused print works in the town centre, The Bacchae runs from Friday 18 May to Saturday 30 June and Blood Wedding takes to the Royal stage from Friday 25 May to Saturday 30 June. Festival of Chaos is part of the London 2012 Festival.
AQUILA THEATRE (Peter Meineck, Artistic Director) will present the New York Premiere of their production of William Shakespeare's Macbeth, designed and directed by Desiree Sanchez featuring Rachael Barrington (Lady Macduff/Rosse/Servant), Janet Dunson (Witch 3/Ensemble), Peter F. Gardiner (Banquo/Captain/Cathness/Porter/Messenger/Murderer 2) James Hogg (Banquo/Captain/Porter/Messenger/Murderer 2/Doctor), James Lavender (Macduff /Duncan/Murderer 1), Alexandra Milne (Witch/Ensemble), Guy Oliver-Watts (Macbeth), Rebecca Reaney (Lady Macbeth/Boy) and Mary Werntz (Witch/Ensemble), opening Wednesday, April 25th. This limited engagement continues through May 6th only.
A trip to the land of the dead is typically no laughing matter. In Aristophanes' "The Frogs," however, the underworld provides a perfect comic backdrop for the misadventures of god Dionysus.
City Parks Foundation and the New York City Department of Parks and Recreation today announced the winners of the Richard Rodgers Amphitheater performing arts grant, a one-time $25,000 award intended to attract premier arts presenters to produce works at the recently constructed Richard Rodgers Amphitheater at Marcus Garvey Park in historic Harlem.
Gary Naylor sees two contrasting plays united in a desire to foster youth theatre.
Playwright/director Theodora Skipitares uses 25 larger than life puppets to reveal, celebrate, and explore the theatrical, philosophical, and moral relationship between the exiled Greek god Prometheus and the future implications of stem cell research in her musical puppet theater work, "PROMETHEUS Within." With an original score by Sxip Shirey, sung by members of Trevor Wilson and Vocal Ensemble, "PROMETHEUS Within" is premiering as part of La Mama's 50th anniversary celebration, April 13-29.
In IPHEGENIA IN AULIST, which was written by Euripides, the classic ancient Greek writer of tragedy, Agamemnon, the leader of the Greek coalition is about to enter into a battle during the Trojan War. In order to appease the goddess Artemis, and encourage his troops to go into the battle in honor, he sacrifices his daughter, Iphigenia. Euripides uses tragic irony, a writing device in which the audience knows the tragic hero is making a mistake, even as the character is making it, to envelop the viewers in the action. We know he is making a mistake but are powerless to stop him.
Mary-Arrchie Theatre Co. in association with Illinois State University School of Theatre will present a new adaptation of Electra by Euripides. Adapted and directed by Sonja Moser and performed by an ensemble of 17 Illinois State University undergrads. Electra opens July 6th and runs thru July 29th, 2012. Performances are Friday & Saturday at 8 PM plus Saturday & Sundays at 3 PM. Tickets are $20. (Parking is available at the Mobil gas station across from the theater for a fee.)
Next Theatre Company announces their 32nd main stage season. The season begins with Iphigenia 2.0 by Charles Mee, directed by David Kersnar; followed by the Midwest premiere of Welcome Home, Jenny Sutter written by Julie Marie Myatt and directed by Jessica Thebus. The United States premiere of Everything is Illuminated, by Simon Block adapted from Jonathan Safron Foers' novel and directed by Devon DeMayo begins 2013, and the season will conclude with a co-production with the Theatre and Interpretation Center at Northwestern University, and in partnership with The Center on Wrongful Convictions, The Exonerated, by Jessica Blank and Eric Jensen, directed by Cat Miller and presented at the Josephine Louis Theater, 20 Arts Circle Drive, Northwestern University. The first three main stage productions are presented at Noyes Cultural Arts Center, 927 Noyes Street in Evanston. To find out information about subscribing to the season, visit the website at www.nexttheatre.org or call the box office at 847-475-1875 x2.
Out of Joint Artistic Director Max Stafford-Clark will revisit Timberlake Wertenbaker's Olivier Award winning play, OUR COUNTRY'S GOOD, in a new production touring the UK this autumn. Looking at the first British convict colony to land in Australia, OUR COUNTRY'S GOOD will launch at the Octagon Theatre Bolton on 3 September. The production will also visit London's newest venue, St James Theatre, in early 2013.
Check out what's playing Cleveland and Akron for the month of April!
David O. talks about his latest collaboration with A Noise Within and what it's like to create the sound of Molière's The Bungler.
Cutting Ball Theater closes its 12th season with the adventurous RISK IS THIS…THE CUTTING BALL NEW EXPERIMENTAL PLAYS FESTIVAL, one of the only play festivals in America solely dedicated to experimental works for the stage. This year's festival, which will run June 8 to July 14, features two new works and five new translations in staged readings. Like the 2011 festival, which featured workshops of two Cutting Ball commissioned works, this year's festival offers a unique opportunity to see plays in development, alongside the artists creating them, as the works find their theatrical voice.
American Bard Theater Company presents Pericles, Prince of Tyre, an epic play about treachery, love, hope and perseverance written by William Shakespeare and George Wilkins.
Award-winning director Bart DeLorenzo returns to the Odyssey to direct an exuberant and burlesque-spirited version of Anton Chekhov's Ivanov, the story of a once idealistic man turned apathetic from a life going terribly, terribly wrong. DeLorenzo plans a fresh approach to this little-known classic -- no birch trees, samovars, or wicker furniture - in a riotous production that promises to be ridiculous, soulful, and sexy. An Odyssey Theatre and Evidence Room co-production.
Nigel Redden, Director of Lincoln Center Festival, today announced the Festival's line-up, which runs from July 5 through August 5, 2012. Single tickets go on sale on April 2. Theater offerings include Mikhail Baryshnikov in Dmitry Krymov's staging of a new play, In Paris, as well as Sydney Theatre Company's acclaimed production of Uncle Vanya directed by Tamas Ascher and adapted by Andrew Upton. The stellar cast includes John Bell, Cate Blanchett, Hayley McElhinney, Richard Roxburgh, and Hugo Weaving.
A one-man MACBETH will be performed by Alan Cumming, July 5-14, at the Lincoln Center Festival. Tony Award-winning actor Alan Cumming returns to Lincoln Center Festival with a virtuoso performance in a bold reimagining of Shakespeare's chilling tale of desire, ambition, and the supernatural.
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