In a continued outpouring of solidarity among a giant consortium of the American theater's artistic directors, more than 30 additional artistic directors have signed the open letter that was issued yesterday in support of Ari Roth, following his recent dismissal from the Jewish Community Center in Washington, D.C., where he has served as Artistic Director of Theater J for the past 18 years.
This January and February 54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54thStreet. For a detailed schedule of upcoming performances at 54 Below and to purchase tickets, visit www.54Below.com.
In an unprecedented display of solidarity among a giant consortium of the American theater's artistic directors, an open letter has been issued in support of Ari Roth, following his recent dismissal from the Jewish Community Center in Washington, D.C., where he has served as Artistic Director of Theater J for the past 18 years. The letter, released earlier today represents the views of top theater brass from coast-to-coast, who believe that his dismissal was an act of politically motivated censorship in retaliation for Roth's choice to produce and publicly defend challenging and provocative work.
The National Theater Institute prepares young artists for today's theatrical landscape unlike any other undergraduate training in the world. This week Risk Again! excerpts letters written by the fall 2014 ensemble. After 14 weeks and 16 blog posts, you should hear it from them...
BroadwayWorld has just learned that a stage version of The Exorcist is currently in the works, and Tony nominee Sean Mathias is on board to direct the project. The play, adapted by John Pielmeier, enjoyed a run at Los Angeles' Geffen Playhouse in 2012, starring Richard Chamberlain and Brooke Shields. Production details have not yet been announced.
Real-life father and daughter Jeff Perry (Scandal) and Zoe Perry (upcoming feature film Cotton) star with Kevin McKidd (Grey's Anatomy) and Mary Mara (Nash Bridges) when Odyssey Theatre Ensemble presents Anna Christie, opening Jan. 24 at the Odyssey Theatre in West L.A. Former Long Wharf associate artistic director Kim Rubinstein directs Eugene O'Neill's 1922 Pulitzer Prize winner.
The celebrated performance collective the New York Neo-Futurists (Too Much Light Makes the Baby Go Blind) have announced their next mainstage production, THE HUMAN SYMPHONY, created and directed by Dylan Marron.
Today, Risk Again! takes you into the classroom with an introduction to Droznin. This technique, which provides the actor with strength, flexibility, and courage, has been a cornerstone of the National Theater Institute's movement training for the last 15 years
The Old Globe today announced it will present the Second Annual New Voices Festival, a weekend of readings of new American plays by professional playwrights, this weekend, December 12 - 14, 2014.
Christopher John O'Neill has just announced via Twitter that he will soon join the Broadway company of The Book of Mormon. O'Neill, who previously played role in the national tour, will join the cast on January 6- the same night as Gavin Creel, who will play Elder Price.
La Jolla Playhouse announces the appointment of Jaime Castañeda to the new position of Associate Artistic Director. In addition to joining the Playhouse's artistic team, Castañeda will direct several projects, including the final subscription show for the 2015/16 season, to be announced shortly.
Tonight, December 11, Martinis Above Fourth Table + Stage in San Diego is presenting Tony Award-nominee Sharon McNight in her always-popular and off-beat Twisted Xmas: A Druid's View of the Holidays!
Today in 2006, Spring Awakening opened at the Eugene O'Neill Theatre, where it ran for 859 performances. Spring Awakening is a rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the controversial German play Spring Awakening (1891) by Frank Wedekind which was banned in Germany for some time due to its frank portrayal of abortion, homosexuality, rape, child abuse and suicide. Set in late-19th century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of sexuality. In the musical, alternative rock is employed as part of the folk-infused rock score.The original Broadway production won 8 Tony Awards, including Tonys for Best Musical, Direction, Book, Score and Featured Actor. The production also garnered 4 Drama Desk Awards whilst its original cast album received a Grammy Award.
Having witnessed the stultifying, bloated NBC production of PETER PAN LIVE (what were the 'powers that be' thinking would hold a child's attention span for three hours, however padded with yet more Peter Pan plugs from Walmart?), I was reluctant to attend Playhouse on the Square's annual production of the James Barrie children's classic. I am probably one of the handful of reviewers to recall the 1955 NBC production (and later one as well) with the legendary pairing of Mary Martin and Cyril Ritchard (whose fruity, overly ripe 'Captain Hook' would make Johnny Depp's 'Jack Sparrow' seem more like a white collar executive). As an IPad-free child inured to black and white fare, it hardly mattered that Mary Martin was, to put it politely, mature; that the production values were clunky; that the wires and 'Tinker' herself were glaringly apparent. In short, I was captivated. Yet, Martin possessed the kind of spunk and spontaneity that made us children believe (not to mention that she had the kind of singing voice that made her a legendary Broadway performer, as evidenced by SOUTH PACIFIC and SOUND OF MUSIC). She could make a child want to fly. Allison Williams, last evening's 'Peter,' lacked that optimistic boyishness (though she had the tomboyish Hilary Swank look 'nailed') and, despite having a pleasant enough voice, often seemed out of breath; but Chrisopher Walken, whom I like and who I initially thought would be inspired casting, seemed to have wandered in from a cocktail party hosted by zombies. His dancing made that of the Monster in YOUNG FRANKENSTEIN seem as nimble as that of Fred Astaire. Despite the wonderful lyrics by Carolyn Leigh, Betty Comden and Adolph Green, and despite the 'ear candy' musical score by Mark Charlalp and Jule Stein, those long, middle stretches in Neverland made me wonder if it would Neverend.
Company Project is a signature of the National Theater Institute's acclaimed theater intensive. As the capstone to 14 weeks of rigorous training at the two-time Tony Award-winning Eugene O'Neill Theater Center, students are prompted with thematic material and collaborate to write, compose, produce, score, direct, design, choreograph, and perform an original production in two weeks. Company Project provides students the opportunity to practice what they've learned at NTI; to work collaboratively as an ensemble; gain confidence in their skills; and astonish us with their talent, breadth of vision, and artistic bravery.
From 2nd February 2015, the cast of the Olivier Award-winning The Book of Mormon will be led by Nic Rouleau as Elder Price and Brian Sears as Elder Cunningham, who join continuing cast members Alexia Khadime, Stephen Ashfield, Hugo Harold-Harrison, and Chris Jarman at the Prince of Wales Theatre, London.
Gavin Creel, 2014 Best Actor in a Musical Olivier Award-winner for his performance as Elder Price in the London production of The Book of Mormon, will join the Broadway company as Elder Price on Tuesday, January 6. Creel also created the role of Elder Price on the US First National Tour. Nic Rouleau, the current Elder Price on Broadway, will play his final performance on Sunday, January 4, before joining the London company of The Book of Mormon, where he begins performances as Elder Price on Monday, February 2.