Birth Place: New York, NY, USA
Passion, as it applies to the need to create and communicate through artistic endeavors, is a word that can be overused. Certainly countless numbers derive immense pleasure from their participation in the arts, and may even feel an uncontrollable need for it. But to continue on despite the risk of losing your freedom, or even being killed for it... that is a display of passion.
Cal State Fullerton's production of Andrew Lippa's Wild Party, with music, lyrics and book by Andrew Lippa and based on the poem by Joseph Moncure March, is directed by guest artist Jeremy Lewis, choreographed by William F. Lett and with musical direction by Mitchell Hanlon. The musical runs April 21-May 7, 2017 in the Young Theatre on campus. BroadwayWorld has a sneak peek at the cast in character below!
Indecent, the newest work by Pulitzer Prize-winner Paula Vogel (HOW I LEARNED TO DRIVE), opens tonight, April 18, at the Cort Theatre (138 West 48th Street, between Sixth and Seventh Avenues). Let's see what the critics had to say...
The Eugene O'Neill Theater Center's National Critics Institute, the nation's only program designed for arts writers and critics to strengthen their skills, has joined with American Theatre magazine and Theatre Communications Group's Rising Leaders of Color to address the lack of diversity in the critical talent pool, and to create new opportunities to nurture and grow arts journalists to reflect the increasingly diverse work on U.S. stages.
Tony Award-winning composer and musician Duncan Sheik (Spring Awakening, American Psycho) will share stories and perform songs for an exclusive audience at the April 21st installment of Live From 16 Gramercy Park, the intimate, members-only music series at The Players, the historic private social club for actors and artists.
Steppenwolf Theatre Company presents the world premiere production of Pass Over by Antoinette Nwandu, directed by Danya Taymor. A bold, incendiary riff on Waiting for Godot, the complete cast features ensemble member Jon Michael Hill (Moses), Julian Parker (Kitch) and Ryan Hallahan (Mister). Steppenwolf recently sat down with the playwright to discuss her new work - see what she had to say below!
The Geffen Playhouse today announced that Jerry MacKinnon (Sleepy Hallow) and Samantha Ressler (This is the End) will star in award-winning playwright Anna Ziegler's Actually, a co-world premiere with the Williamstown Theatre Festival. Tyne Rafaeli will direct the Geffen's production which runs May 2, 2017 through June 11, 2017 in the Audrey Skirball Kenis Theater at the Geffen Playhouse. Opening night is May 10, 2017.
Steppenwolf Theatre Company has announced accomplished director Danya Taymor will direct Steppenwolf's world premiere production of Pass Over by Antoinette Nwandu.
The Guthrie Theater today announced the final two of nine productions to be offered as part of the theater's 2017-2018 subscription season: Indecent, a new play with music by Pulitzer Prize-winner Paula Vogel (How I Learned to Drive), conceived by Vogel and Rebecca Taichman; and the Guthrie's first production of the iconic American musical West Side Story, directed by Joseph Haj.
SandRico Productions will present a musical theatre work-in-development with a public reading of 'From the Bodoni County Songbook Anthology: A Musical Revue (of sorts)' with original text and lyrics by Frank Gagliano and music by the late Claibe Richardson.
Haven Theatre Company announces We're Gonne Die, the final production in its fourth season, written by Young Jean Lee and directed by Josh Sobel, at the company's home, The Janet Bookspan Theatre at the Den Theatre, 1335 Milwaukee Ave., May 4 - June 4.
Broadway Rush, Lottery & Standing Room Only Ticketing Policies - updated on 4/14/2017.
Spotlighters is thrilled to announce a challenging and inspiring selection of exceptional theatre for our 56th Season. This season, we take our audiences on a journey of discovery and introspection, of searching and longing, to find a place we belong!
True Colors Theatre Company (Kenny Leon, Co-Founding Artistic Director) and Jujamcyn Theaters (Jordan Roth, President; Paul Libin, Executive Vice President; Jack Viertel, Senior Vice President) are proud to announce the 9th Annual August Wilson Monologue Competition will take place on Monday, May 1st at 7:00 p.m. at the August Wilson Theatre (245 West 52nd Street).
Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the first Gillian Theatre production of the 2017-2018 season - Quixote: On the Conquest of Self, written by Monica Hoth and Claudio Valdes Kuri, English Translation by Georgina Escobar, directed by Kuri, and featuring Henry Godinez as Don Quixote, September 27 - December 17, 2017.
??????? Austin Pendleton and Barbara Bleier return to downtown's hideaway, Pangea, in May, with BEAUTIFUL MISTAKE - The Songs of John Bucchino and Amanda McBroom.
Haven Theatre Company announces We're Gonne Die, the final production in its fourth season, written by Young Jean Lee and directed by Josh Sobel, at the company's home, The Janet Bookspan Theatre at the Den Theatre,1335 Milwaukee Ave., May 4 - June 18. Previews are Thursday, May 4 - Saturday, May 6 at 8 p.m. Opening night is Sunday, May 7 at 7 p.m. The regular performance schedule is Thursdays - Saturdays at 8 p.m. and Sundays at 3 p.m. Previews are Pay-What-You-Can, and regular run tickets are $18. You may purchase tickets and get more information at www.haventheatrechicago.com.
The Actors Fund, the national human services organization that helps everyone in performing arts and entertainment in times of need, crisis or transition, will hold its Annual Gala on Monday, May 8, 2017.
The Meeting* hosted by Justin Sayre - the monthly gathering of the International Order of Sodomites, the centuries-old organization which sets the mythic Gay Agenda - will continue its final season on Sunday, April 23 with a celebration of Broadway legend Patti LuPone at 9:30 PM at Joe's Pub at The Public Theater.
Now & Then Creative Company is a culmination of perceived needs in the valley, coupled with opportunities for learning and growth with students at Metropolitan Arts Institute. The 'now' focuses on new play development and film production-working with local artists on the development of plays, screenplays, workshop productions, and film productions. The 'then' produces theatre classics that speak to our present time-plays that tackle large issues to provoke conversation around social concerns. Further, I imagine the classics to be interpreted with a strong vision from directors. We are interested in producing classics with strong concepts-we are not interested in producing classics in ways that feel familiar. More to that point sometimes classics begin to feel like museum pieces-once you've seen them, you've seen them. We want to nurture an exciting, vibrant, and meaningful approach to the classics.
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