Erwin Piscator News

AUTHOR'S NOTE: One of the most iconic Broadway leading ladies in theatrical history, in honor of her passing earlier today at the age of 89, let us revisit this career-spanning InDepth InterView with the one and only Elaine Stritch. As a personal aside, following the conclusion of the interview proper the conversation between Ms. Stritch and I continued for several more minutes and she emphatically relayed to me that this had been her favorite interview to date and that she was incredibly appreciative and pleased with being questioned about the topics chosen herein. The following is reprinted exactly as it originally appeared here on BroadwayWorld on February 17. Hats off to a dynamite dame.

The Living Theatre celebrates its 67th season with the world premier of NO PLACE TO HIDE, a new work-in-progress written and directed by Judith Malina.

The Living Theatre celebrates its 67th season with the world premier of NO PLACE TO HIDE, a new work-in-progress written and directed by Judith Malina.

Acclaimed actor and director Mark Ruffalo will share his reflections on for stage and film to students and faculty as The New School for Drama's 2014 Artist-in-Residence. As Artist-in-Residence, Ruffalo will join a master class for The New School for Drama's community of graduate students of acting. He will also speak with undergraduate and graduate acting, directing and playwriting students and faculty in an open forum on Tuesday, March 11 at 7:00 p.m. in Arnhold Hall, 55 W. 13th Street, 5th floor, moderated by Pippin Parker, director of The New School for Drama.

Today we are setting our sights on one of the most iconic Broadway leading ladies alive and looking back at her astonishingly rich and varied career onstage and onscreen, having worked with many of the most important entertainment figures of the 20th and 21st century over her 60-year career and winning multiple awards and honors in the process - the one and only Elaine Stritch. Touching upon her time in many notable theatrical entities ranging from her early work at The New School under director Erwin Piscator to rubbing elbows with legends like Bertolt Brecht, William Inge, Noel Coward, Tennessee Williams and Marlon Brando to her unforgettable turns in Stephen Sondheim's COMPANY and FOLLIES IN CONCERT, Stritch also shines a light on her indelible performances in the plays of Edward Albee and looks ahead to a staged reading of THREE TALL WOMEN she is pursuing later this year. Most importantly, Stritch opens up about the multi-year process in creating the stunning and awe-inspiring new all-access documentary ELAINE STRITCH: SHOOT ME, directed by Chiemi Karasawa, and outlines how she dealt with cameras documenting her every move for more than two years. Additionally, Stritch comments on her memorable moments in the films of Woody Allen byway of SEPTEMBER and SMALL TIME CROOKS, as well as shares insights into some of her most famous and fabulous co-stars - Ben Gazzara, Alec Baldwin, James Gandolfini, Steve Buscemi and many more included. Plus, Stritch details her recent move back to her hometown of Detroit, Michigan, and shares details about her recent recuperation from hip surgery and ongoing battles with alcoholism as well as learning to see with only eye. As if all of that were not enough, Stritch also imparts her thoughts on why she appeals to the younger generation and how her Emmy-winning 30 ROCK role has raised awareness for her in the last decade and whether she would ever consider pursuing a reality series or new solo cabaret act. All of that, why she hates the word diva and much, much more in this career-spanning conversation with the veritable reigning queen of Broadway herself.

The Rachel Rosenthal Company (RRC) presents Instant Fairy Tales, a brand new series of original fairy tales for the 21st century at Espace DbD in Los Angeles. Instant Fairy Tales: The Longest Winter, the series' inaugural offering, which features an allegorical tale about learning to care for the environment, will be held on Saturdays, January 25 and February 8, as well as Sundays, January 26 and February 9, 2014. The performances, by Rachel Rosenthal Company's TOHUBOHU! Extreme Theatre Ensemble, begin at 4:00pm and 7:00pm on Saturdays, as well as at 2:00pm and 5:00pm on Sundays. Instant Fairy Tales are particularly well suited for children and families. Seating in the intimate performance space is limited to 35 patrons per show. Tickets cost $5. Reservations are necessary to insure seats and can be made online via Brown Paper Tickets at instantfairytales.brownpapertickets.com. The Rachel Rosenthal Company's venue, Espace DbD, is located at 2847 South Robertson Blvd, Los Angeles, CA 90034 (310-839-0661). Street parking is available. For more information, please see www.rachelrosenthal.org.

The Rachel Rosenthal Company (RRC) presents Instant Fairy Tales, a brand new quarterly series of original fairy tales for the 21st century at Espace DbD in Los Angeles. Instant Fairy Tales: The Longest Winter, the series' inaugural offering, which features an allegorical tale about learning to care for the environment, will be held today, January 25 and Sunday, January 26, 2014.

The Rachel Rosenthal Company (RRC) presents Instant Fairy Tales, a brand new quarterly series of original fairy tales for the 21st century at Espace DbD in Los Angeles. Instant Fairy Tales: The Longest Winter, the series' inaugural offering, which features an allegorical tale about learning to care for the environment, will be held on Saturday, January 25 and Sunday, January 26, 2014.

Just in time for gift giving, The ReGroup Theatre Co, Inc is pleased to announce the third volume in their Lost 'Group' Theatre Plays series.

Rachel Rosenthal Company's Instant Fairy Tales, the latest offering in Rachel Rosenthal's remarkable career, is a brand new quarterly series of original fairy tales for the 21st century. Instant Fairy Tales: The Longest Winter, the series' inaugural offering on January 25th and 26th at Espace DbD in Los Angeles, features an allegorical tale about learning to care for the environment. This first quarterly installment features costumes and sets in a visual style based on the 'ukiyo-e' woodcuts of Hokusai and Hiroshige, which depict the Japanese 'floating world' of the theatre, restaurants, teahouses, geisha, and the natural world.?

Having presented 2 volumes of The "Lost" Group Theatre Plays, featuring 6 out of print or never before published plays of the Group Theatre, ReGroup will soon be publishing a new volume.

Arion Productions, in association with Neil McPherson for the Finborough Theatre, presents the first London production in more than 25 years of AS IS by William M. Hoffman. Directed by Andrew Keates, the cast features: Jordon Bernarde, Tom Colley, John Hastings, Tom Kay, Clare Kissane, David Poynor, Paul Standell and Anna Tierney.

Actors, writers and directors know that to succeed in theater, it is necessary to master the art of survival. Tonight, August 7, and August 8 and 10, the 24 Hour Company in partnership with The New School for Drama will explore artistic survival in its many forms, with two panel discussions, as well as the undertaking of one of theater's greatest challenges, The 24 Hour Plays.

Actors, writers and directors know that to succeed in theater, it is necessary to master the art of survival. On August 7, 8 and 10, the 24 Hour Company in partnership with The New School for Drama will explore artistic survival in its many forms, with two panel discussions, as well as the undertaking of one of theater's greatest challenges, The 24 Hour Plays.

The first London production since the 1987 UK premiere of William M. Hoffman's As Is opens at the Finborough Theatre for a four week limited season tonight, 6 August 2013 directed by Andrew Keates.

The first London production since the 1987 UK premiere of William M. Hoffman's As Is opens at the Finborough Theatre for a four week limited season on Tuesday, 6 August 2013 directed by Andrew Keates.

Arion Productions, in association with Neil McPherson for the Finborough Theatre, presents the first London production in more than 25 years of AS IS by William M. Hoffman. Directed by Andrew Keates, the cast features: Jordon Bernarde, Tom Colley, John Hastings, Tom Kay, Clare Kissane, David Poynor, Paul Standell and Anna Tierney.

The first London production since the 1987 UK premiere of William M. Hoffman's As Is opens at the Finborough Theatre for a four week limited season on Tuesday, 6 August 2013 (Press Night: Thursday, 8 August at 7.30pm), directed by multi-award-winning director Andrew Keates.

Under the artistic direction of the legendary Judith Malina, The Living Theatre will continue to produce its unique avant-garde political theatre in New York City. Additional performances of its current hit, HERE WE ARE, are set to play downtown's Clemente Soto Velez Cultural and Educational Center (107 Suffolk Street) in Manhattan, March 26-29 at 8pm.