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Ensemble for the Romantic Century Continues Season With MAESTRO

Ensemble for the Romantic Century (Eve Wolf, Executive Artistic Director) continues the 2018 - '19 season, ERC's 18th, with Maestro by Eve Wolf, opening Monday January 14th.  This limited Off-Broadway engagement runs through February 9th only. Performances are at The Duke on 42nd Street (229 West 42nd Street, between 7th and 8th Avenues). Previews NOW!

ORPHANS Announced At Access Theater This Month

'In a run-down house in North Philadelphia live two orphan brothers: the reclusive, sensitive Philip, sealed off in a world of StarKist tuna and Errol Flynn movies, and Treat, a violent pickpocket and thief. Into this ferocious and funny world enters Harold, a mysterious, wealthy, middle-aged man who is kidnapped by Treat, but who soon turns the tables on the two brothers, changing forever the delicate power balance of their relationship. Both hilarious and heartbreaking, Orphans is a story of the universal love of a father for his son, and a sons need to live his own life.'

Third Show Of The Third Season Announced At The Black Repertory Theatre

On Tuesday January 22nd in a limited engagement Producing Artistic Director and Founder of The Black Repertory Theatre of Kansas City Damron Russel Armstrong will take the stage at the Bruce R Watkins Cultural Heritage Center 3700 Blue Pkwy, Kansas City, MO 64130 as Chief Butler of the White House Alonzo Fields.

Romantic Century's MAESTRO Begins Performances Tomorrow, January 3rd

Ensemble for the Romantic Century continues the 2018 - '19 season, ERC's 18th, with Maestro by Eve Wolf, beginning performances Thursday January 3rd. Opening Night is set for January 14th.  This limited Off-Broadway engagement runs through February 9th only. Performances will be at The Duke on 42nd Street (229 West 42nd Street, between 7th and 8th Avenues).

Ensemble for the Romantic Century Hosts Off-Broadway Premiere of MAESTRO Starring John Noble

Ensemble for the Romantic Century is proud to announce that the 2018 - '19 season, ERC's 18th, will continue January 3rd with Maestroby Eve Wolf. Opening Night is set for January 14th.  This limited Off-Broadway engagement runs through February 9th only. Performances will be at The Duke on 42nd Street (229 West 42nd Street, between 7th and 8th Avenues).

Dynamic Violin Star Karen Gomyo Returns To Houston

Captivating violin virtuoso Karen Gomyo and guest conductor Fabien Gabel mark their return engagements with the Houston Symphony in a program featuring works by Tchaikovsky and two selections from iconic film scores. Titled Tchaikovsky's Violin Concerto, the program is at 8 p.m., Oct. 26-27, and 2:30 p.m. Oct. 28.

Amanda McBroom Comes East In September To Broadway At Birdland

The Broadway at Birdland concert series is thrilled to announce that singer/songwriter Amanda McBroom will return to the historic club on September 10th 2018 with "My Favorite Things- Songs I've Longed to Sing.' The selections include words and music from the likes of Annie LaMott, Stephen Sondheim, Fran Landesman, Cole Porter, Jacques Brel, Michele Brourman, and, naturally, McBroom herself. The evening promises to be one to calm the jitters, raise the hackles, and hopefully heal the heart. Showtime is 7:30pm. The historic jazz venue Birdland, which has embraced the diversity of cabaret performing in recent years is located at 315 West 44TH ST. between 8th and 9th Avenues.

Review: THE TONY MARTINI VARIETY HOUR Takes You Hysterically Back to the Heyday of Rat-Pack Era Las Vegas Lounge Acts

For those too young to remember the vaudevillian style lounge shows popular in the 50s and 60s in Las Vegas, where an iconic and often talented performer in their own right hosted other acts to keep gamblers entertained as they visited the lounge bar for a drink, looked for a companion for the night, or needed time to recover from a huge loss at the tables, you can now experience a little bit of old Vegas, right here in Hollywood. And I can tell you, I don't remember laughing as hard as I did the night I attended THE TONY MARTINI VARIETY HOUR at Three Clubs Cocktail Lounge, rumored to be the exact same place where Frank Sinatra would hang out with his assorted Rat Pack buddies, friends, and lovers during their own Las Vegas heyday. And that vibe still exists in the room where those great entertainers wowed the crowds so many years ago.

Photo Flash: Remembering Dame Gillian Lynne

As BroadwayWorld sadly reported earlier this week, trailblazing dancer, director, and choreographer Dame Gillian Lynne passed away at the age of 92. 

BWW Review: Adam Szymkowicz's MARIAN, OR THE TRUE TALE OF ROBIN HOOD is Truly Legendary

The legend of Robin Hood is subject to personal interpretation and, given the times in which we now live, it only makes sense that playwright Adam Szymkowicz would devise his own treatment of the legend in ways both provocative and traditional. In Marian, Or The True Tale of Robin Hood, Szymkowicz posits that both Robin, the personification of the anti-hero, and his supposed love, Maid Marian are indeed the same person, devoted not only to taking from the aristocracy to provide for the peasantry, but also to foment ideas of class and gender equality at a time when such thought was considered heretical.

BWW Review: ROBIN HOOD at Imagination Stage

The tale of Robin Hood has provided source material for several famous screen adaptations over the years, including the classic Hollywood film with Errol Flynn and the Disney animated feature that portrayed all the characters as animals. With the exception of Young Robin Hood at Round House Theatre a few years back, there really hasn't been a good stage treatment for the guy who steals from the rich to give to the poor...until now.

BWW Review: THE CHERRY ORCHARD, Union Theatre

Phil Willmott's The Cherry Orchard picks up Chekhov's action and moves it forward a decade or so to 1917, when the balance of power in Russia was tilted rather differently.

BWW Review: RIGOLETTO at Lyric Opera Of Kansas City

Lyric Opera of Kansas City opened its excellent production of Verdi's 'Rigoletto' this weekend to appreciative audiences.  The voices are excellent, the orchestra is sublime, and the sets are both massive and ornate. 

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