Erica Chamblee News

Mosaic Theater Company of DC presents South Africa: Then & Now, a dynamic spring repertory that takes audience members back to the depths of Apartheid, before moving forward to the ongoing search for truth and reconciliation in a wounded country. The repertory launches with Athol Fugard's seminal masterpiece, BLOOD KNOT (March 29-April 30, 2017)-an intimate parable about a brotherhood devastated by the constraints of Apartheid-under the direction of Studio Theatre Founding Artistic Director Joy Zinoman, making her Mosaic Theater Company debut.

With their searing new drama, Marcus Gardley's The Gospel of Lovingkindness, Mosaic Theater confirms that their vision is solid, their commitment to the community steadfast.  And the talent assembled under the sensitive, energetic direction of Jennifer L. Nelson is everything one could ask for.  It almost goes without saying that the timeliness of this play-about the loss of young men to the streets, and often for the most shocking of reasons-cannot be overstated.

Fresh off the successful run of its inaugural production, Unexplored Interior (This is Rwanda: The Beginning and End of the Earth), Mosaic Theater Company of DC doubles-down its focus on posing the big questions of our community with Charles MacArthur Award-nominee Marcus Gardley's lyrical THE GOSPEL OF LOVINGKINDNESS, a poetic chamber play that takes audience members to the streets of Chicago in a story both tragic and familiar.

Fresh off the successful run of its inaugural production, Unexplored Interior (This is Rwanda: The Beginning and End of the Earth), Mosaic Theater Company of DC doubles-down its focus on posing the big questions of our community with Charles MacArthur Award-nominee Marcus Gardley's lyrical THE GOSPEL OF LOVINGKINDNESS, a poetic chamber play that takes audience members to the streets of Chicago in a story both tragic and familiar.

Mosaic Theater Company of DC announces 36 actors so-far cast in the 2015-16 inaugural season: "The Case for Hope in a Polarized World." This far-reaching pool of locally and internationally acclaimed actors represents a commitment to telling the stories most pressing to our communities. These artists, over half of whom are actors of color, join Mosaic Theater Company in one of the most diversely cast seasons in Washington.

Woolly Mammoth's beautiful theater in which every seat has an intimate view of the expansive stage and the company's diehard dedication to new plays has found another win in Lisa D'Amour's follow up to 2013's DETROIT. Upon entering audiences are immediately greeted with recordings of tribal music and a stage dense with flat planks giving the illusion of trees stretching far above. This play is all about transformations, sometimes subtle and sometimes ridiculous to the extreme, and it couldn't have found a better home than Woolly, who's aesthetic seems motivated by the constant need to innovate, explore, and reinvent, not only from season to season and production to production, but often from act to act and even scene to scene. All around, the creative, production, and design teams have risen to the challenge of A'Mour's play and together have created an epic highlight in the DC theater scene.

Woolly Mammoth Theatre Company announces its next production in Season 35: Cherokee, by Obie Award-winning playwright Lisa D'Amour. Enlarging on the themes explored in D'Amour's 2013 Woolly hit Detroit, Cherokee follows a fresh cast of characters pushed to the brink as their escape from the trappings of civilization opens the path to a new life. Woolly Company Member John Vreeke, who also directed Detroit, will direct the new production. Cherokee will run from Monday, February 9 to Sunday, March 8, 2015.