Eric Curtis Johnson News

A Noise Within (ANW), the acclaimed classical repertory theatre company, continues its 2014-2015 REVOLUTIONary season with The Dance of Death by August Strindberg in a new adaptation by Irish playwright Conor McPherson, which opens this Saturday, October 18, and runs through Sunday, November 23, 2014. BroadwayWorld has a first look at the cast in action below!

A Noise Within (ANW), the acclaimed classical repertory theatre company, continues its 2014-2015 REVOLUTIONary season with The Dance of Death by August Strindberg in a new adaptation by Irish playwright Conor McPherson, which opens on Saturday, October 18and runs through Sunday, November 23, 2014. Directed by Geoff Elliott and Julia Rodriguez-Elliott, this is the West Coast premiere of the new McPherson adaptation, which had its U.S. premiere earlier this year in Chicago. In 2007, Ben Brantley of the New York Times called McPherson "quite possibly the finest playwright of his generation." The cast features Geoff Elliott* as Edgar, Susan Angelo* as Alice, and Eric Curtis Johnson* as Kurt.* Denotes member of Actors' Equity

A Noise Within (ANW), the acclaimed classical repertory theatre company, continues its 2014-2015 REVOLUTIONary season with The Dance of Death by August Strindberg in a new adaptation by Irish playwright Conor McPherson, which opens on Saturday, October 18 and runs through Sunday, November 23, 2014.

MainStreet Theatre Company presents its final show of the season - the west coast premiere of Roald Dahl's The Magic Finger. British Playwright David Wood did the adaptation, which premiered at Imagination Stage in Bethesda, MD in 2013. Mr. Wood has continued to work on the play, and MainStreet is producing a brand new version. Abigail Deser is the director. The production will play two school performances today, May 2nd, and open to the public tomorrow, Saturday, May 3rd at 4pm. The strictly limited engagement will run through Sunday, May 18th only. BroadwayWorld has a first look at the cast in action below!

MainStreet Theatre Company is delighted to announce their final show of the season - the west coast premiere of Roald Dahl's The Magic Finger. British Playwright David Wood did the adaptation, which premiered at Imagination Stage in Bethesda, MD in 2013. Mr. Wood has continued to work on the play, and MainStreet will be producing a brand new version. Abigail Deser is the director. The production will play two school performances today, May 2nd, and open to the public on Saturday, May 3rd at 4pm. The strictly limited engagement will run through Sunday, May 18th only.

MainStreet Theatre Company is delighted to announce their final show of the season - the west coast premiere of Roald Dahl's The Magic Finger. British Playwright David Wood did the adaptation, which premiered at Imagination Stage in Bethesda, MD in 2013. Mr. Wood has continued to work on the play, and MainStreet will be producing a brand new version. Abigail Deser is the director. The production will play two school performances on May 2nd, and open to the public on Saturday, May 3rd at 4pm. The strictly limited engagement will run through Sunday, May 18th only.

Noises Off/by Michael Frayn/directed by Kenneth Albers/Rubicon Theatre, Ventura/through February 23

Rubicon Theatre continues the company's 16th Not Your Typical Season with sardines and lingerie in NOISES OFF, a comic romp by Michael Frayn about the outrageous exploits of a company of actors which opens tonight, February 1, 2014 at 7:00 p.m. at Rubicon Theatre, 1006 E. Main Street in Ventura's Downtown Cultural District. The production continues Wednesdays through Sundays through February 23, with low-priced previews on Wednesday, January 29 at 7 p.m., Thursday, January 30 at 8 p.m. and Friday, January 31 at 8 p.m.

Rubicon Theatre continues the company's 16th Not Your Typical Season with sardines and lingerie in NOISES OFF, a comic romp by Michael Frayn about the outrageous exploits of a company of actors which opens Saturday, February 1, 2014 at 7:00 p.m. at Rubicon Theatre, 1006 E. Main Street in Ventura's Downtown Cultural District.

KONG: A GODDAMN THIRTY-FOOT GORILLA is a genre-bending deconstruction/parody of the classic King Kong story, with commentary on the 1933 film, audience participation, dinosaur fights, and a very large ape on a very small stage.

In 1933, an expedition set out for the Indian Ocean, in hopes of creating the greatest film ever made. Instead, they brought back a giant captive gorilla. This was a terrible idea.

In 1933, an expedition set out for the Indian Ocean, in hopes of creating the greatest film ever made. Instead, they brought back a giant captive gorilla. This was a terrible idea. KONG: A GODDAMN THIRTY-FOOT GORILLA is a genre-bending deconstruction/parody of the classic King Kong story, with commentary on the 1933 film, audience participation, dinosaur fights, and a very large ape on a very small stage. Watch the trailer below!

KONG: A GODDAMN THIRTY-FOOT GORILLA is a genre-bending deconstruction/parody of the classic King Kong story, with commentary on the 1933 film, audience participation, dinosaur fights, and a very large ape on a very small stage.

In 1933, an expedition set out for the Indian Ocean, in hopes of creating the greatest film ever made. Instead, they brought back a giant captive gorilla. This was a terrible idea. KONG: A Goddamn Thirty-Foot Gorilla is a genre-bending deconstruction/parody of the classic King Kong story, with commentary on the 1933 film, audience participation, dinosaur fights, and a very large ape on a very small stage.

If the darkness itself were physically able to converse, those conversations would be much like what is heard in 4 MURDERS; for once we begin to speak to the darkness, our biggest fear is that the darkness may just speak back. The production will close on November 20.