The world premiere of SOMETHING FOR THE FISH, written by Emily Krause, directed by Jenna Rossman, and produced by Emily Caffery runs August 9-12 at CPR-Center for Performance Research, located at 361 Manhattan Avenue in Williamsburg, Brooklyn.
La MaMa, in association with The Assembly, presents the world premiere of SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. SEAGULLMACHINE runs from April 14 - May 5, 2018 in a limited engagement at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City. Previews begin April 14 for an April 16 opening.
La MaMa, in association with The Assembly, announced today that the world premiere of SEAGULLMACHINE will extend through May 5, 2018. SEAGULLMACHINE is created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. Previews for the 4-week run begin April 14. Opening night is April 16.
La MaMa, in association with The Assembly, presents the world premiere of SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. SEAGULLMACHINE runs from April 14 - 29, 2018 in a limited engagement at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City. Previews begin April 14 for an April 16 opening.
La MaMa, in association with The Assembly, presents the world premiere of SEAGULLMACHINE, created by The Assembly, conceived by Nick Benacerraf, co-directed by Jess Chayes (Lucille Lortel Award winner) and Nick Benacerraf, and text by Anton Chekhov, Heiner Muller and The Assembly. SEAGULLMACHINE runs from April 14 - 29, 2018 in a limited engagement at La MaMa's Ellen Stewart Theatre, located at 66 East 4th Street between 2nd Avenue and the Bowery in New York City. Previews begin April 14 for an April 16 opening.
The Assembly proudly present a remount of their hit play, New York Times Critics' Pick HOME/SICK, about the radical student activist movement of the '60s, devised and written collectively, directed by 2017 Lucille Lortel Award winner Jess Chayes, and featuring the original 2011 cast and design team. HOME/SICK runs from March 9 - 25, 2017 in a limited engagement at JACK, located at 505 1/2 Waverly Avenue between Fulton St. and Atlantic Ave. in Clinton Hill, Brooklyn. Previews begin March 9 for a March 11 opening.
The Assembly will present a remount of their hit play, New York Times Critics' Pick HOME/SICK, about the radical student activist movement of the '60s, devised and written collectively, directed by Jess Chayes, and featuring the original 2011 cast and design team.
The Assembly presents a remount of their hit play, New York Times Critics' Pick HOME/SICK, about the radical student activist movement of the '60s, devised and written collectively, directed by 2017 Lucille Lortel Award winner Jess Chayes, and featuring the original 2011 cast and design team. BroadwayWorld has a first look at the cast in action below!
The Assembly will present a remount of their hit play, New York Times Critics' Pick HOME/SICK, about the radical student activist movement of the '60s, devised and written collectively, directed by Jess Chayes, and featuring the original 2011 cast and design team.
The Assembly, presenting the world premiere of I WILL LOOK FORWARD TO THIS LATER, with text by Kate Benson and Emily Louise Perkins, directed by Jess Chayes, dramaturgy by Stephen Aubrey, and production design by Nick Benacerraf, runs April 4 - 23, 2016. Previews begin April 4 for an April 7 opening at the New Ohio Theatre. BroadwayWorld has a first look at the cast in action below!
The Archive Residency, a collaboration between New Ohio Theatre and IRT Theater (likeminded neighbors in the historic Archive Building in the West Village), is a unique incubator for New York City's most promising emerging independent theater companies. Now in its third year, the two year residency offers each company that most elusive and invaluable resource, an artistic home, including space, artistic support, and institutional continuity for the development and presentation of a new work, culminating in an exciting world premiere.
Ann Arbor's Penny Seats Theatre Company is set to begin rehearsals for its fourth summer residency at the West Park Band Shell. This year the group will present Sophocles' Elektra, translated by former University of Michigan professor Anne Carson and directed by Penny Seats co-founder Russ Schwartz. The Penny Seats encourage patrons to make an evening of coming to the show, which will perform Thursday, Friday, and Saturday evenings in July, starting today, July 10th.
These words rang in my ears the other week when I crashed a rehearsal of The Penny Seats' summer production Elektra (as adapted by Ann Arbor's own Anne Carson) for a sneak peek of the glorious mayhem that is sure to delight audiences at the West Park Band Shell July 10 - 26.
Ann Arbor's Penny Seats Theatre Company is set to begin rehearsals for its fourth summer residency at the West Park Band Shell. This year the group will present Sophocles' Elektra, translated by former University of Michigan professor Anne Carson and directed by Penny Seats co-founder Russ Schwartz.
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