Edward Moore News

BWW speaks to Adam Hess about bringing Cactus to the 2017 Edinburgh Festival Fringe.

BWW speaks to Dan Antopolski about his 2017 Edinburgh Festival Fringe show The Return of Dan Antopolski.

Thalia's Umbrella announces their fourth production: When Love Speaks, by David Wright.  When Love Speaks will be performed February 9-25, 2017, in the Isaac Studio Theater at Taproot Theater in Greenwood.

The 'large theater' productions of ACT Theatre's The Royale and The 5th Avenue Theatre's How to Succeed in Business Without Really Trying take top honors and the 'small theater' productions of ArtsWest's Death of a Salesman and Washington Ensemble Theatre's The Things Are Against Us take top honors - for most category wins!?

Thalia's Umbrella announces their fourth production: When Love Speaks, by David Wright.  When Love Speaks will be performed February 9-25, 2017, in the Isaac Studio Theater at Taproot Theater in Greenwood.

No Time for Comedy is unlike anything you have ever seen, I feel sure. It is funny and clever - much of the dialogue is of Jane Austen caliber - but it joyfully refuses to go any of the places you think it probably might. It is political, and pointed, but never preachy, except to call attention to the motives of those who would preach. It is at once a parody of a witty Broadway comedy of the nineteen-twenties, -thirties, and -forties, and the apotheosis of it; and a part of it also contains a convincing and fairly furious repudiation of itself. For this 1939 play seems well aware that its very style is about to be subsumed by world conflict…

BWW speaks to Anna Mann, star of stage and screen (and creation of acclaimed character comedian Colin Hoult) about her 2016 Edinburgh Fringe show A Sketch Show For Depressives.

Comedian Steve Bugeja speaks to BWW about his new Edinburgh Fringe show Unpronounceable.

BWW speaks to Adam Hess about his 2016 Edinburgh Fringe show Feathers.

Joe McDermott, King County Council member and candidate for Congress, will lead a post-play discussion immediately following the Thursday, June 23, performance of Sorry. Sorry, by Richard Nelson, is a smart, funny and timely play that asks how we make the right choices, both at home and in the larger political world. In an election season marked with so much anger and shouting, Sorry offers instead a "lovely . . . feeling of shared citizenship,' (New York Times) where one family, trying to make the right choice in their own difficult decision, still manage, with humor and grace, to talk to one another using their 'inside voices.' Joe McDerrmott's participation makes tangible this intimate, vital connection between the personal and the political, the local and the national.

Pramila Jayapal, a Washington State Senator and candidate for Congress, will lead a post-play discussion immediately following the Sunday, June 19, matinee performance of Sorry. Sorry, by Richard Nelson, is a smart, funny and timely play that asks how we make the right choices, both at home and in the larger political world. In an election season marked with so much anger and shouting, Sorry offers instead a "lovely . . . feeling of shared citizenship,' (New York Times) where one family, trying to make the right choice in their own difficult decision, still manage, with humor and grace, to talk to one another using their 'inside voices.' Pramila Jayapal's participation makes tangible this intimate, vital connection between the personal and the political, the local and the national.

Thalia's Umbrella announces their third production: Sorry, by Richard Nelson. Sorry will be performed June 9-26, 2016, in the MainStage Theater at 12th Avenue Arts.

Broadway-bound new musical, Come From Away, presented by Seattle Repertory Theatre, wins four Gypsys, tying with another new musical, Lizard Boy, also produced by Seattle Repertory Theatreand also with four Gypsys, a company that has been known for years as a powerhouse dramatic straight-play playhouse! 

Seattle Theater Writers critics' circle is pleased to present the nomination slate of the fifth annual Gypsy Rose Lee Awards, theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

Here in Seattle we are blessed with a ton of theatrical choices. I mean of course there are the big boys, the Rep, ACT, 5th Ave, etc. But we also have those small companies that may not have the funds for a helicopter to land on stage but instead invest their time and tiny amounts of money into turning in some thoughtful and engaging performances. One such company is Theatre 9/12. They perform in a church and I'm sure most of the set is borrowed but their level of theatrical craftsmanship is right up there with the best as is evident in their current production of Edward Albee's "A Delicate Balance" with its solid performances that will stay with you all night long.

Seattle Theater Writers critics' circle just announced the nomination slate of the fourth annual Gypsy Rose Lee Awards,theater awards devoted to recognizing excellence across the economic spectrum of professional Seattle theaters in the prior calendar year.

The Equity members of Theatre9/12 will present Edward Albee's Pulitzer Prize winning drama A Delicate Balance, directed by Charles Waxberg and running January 23 - February 14, 2015.

Seattle / Mainstreet Festival of New Musicals will take over Fremont's West of Lenin Theatre, presenting three brand new musicals, three late-night trivia cabarets, an evening of pitch sessions for fresh, up-and-coming musicals; and a final concert featuring all-Seattle talent performing pieces written by all-Seattle composers!

What would you do if you had a child who couldn't run or play or really even communicate? That's the central question of Peter Nichols' 1968 play “A Day in the Death of Joe Egg” currently playing at ACT from fledgling theater group Thalia's Umbrella. And while I definitely found some moments and performances in the show thoughtful and engaging, the show itself just seems a bit dated and droning.

Thalia's Umbrella, a new professional theater company, announces their first production: the dark comedy A Day in the Death of Joe Egg, by Peter Nichols. Named one of the 'most significant' plays of the 20th century by The National Theatre of Great Britain, Joe Egg will be performed now through February 17, 2013, in the Bullitt Cabaret at ACT Theatre, and is produced with support from ACT's Central Heating Lab.