Museum of Art and Design (MOAD) at Miami Dade College (MDC) will present Black Power Naps/Siestas Negras byNavild and Sosa, a multi-sensory, interactive installation designed to provide joyful and relaxing relief from fatiguing systems of inequality.
Art Cake is pleased to present its inaugural exhibition Suzanne Bocanegra: Wardrobe Test, opening September 7, 2019. Located at 214 40th Street in Sunset Park, Brooklyn, Art Cake is a new organization dedicated to providing space for production and opportunities to explore creative practices.
Dusk Dances proudly presents its 25th annual season, returning to Withrow Park this summer with another week of exquisite dance works from Canada's finest dance makers! Dusk Dances is a renowned and beloved outdoor dance festival presented at Withrow Park each August. Dusk Dances 2019 features some of Canada's top choreographers and dancers, including Hanna Kiel, Meredith Thompson, Mix Mix Dance Collective, Denise Fujiwara and Yuichiro Inouo, Pulga Muchochoma & Naishi Wang, in a diverse program of dance.
Chris Abraham directs a new adaptation of Cyrano de Bergerac, Edmond Rostand's romantic tale of unrequited and selfless love. Translated from French to English, Associate Artistic Director Kate Hennig's version is presented in prose, yet it thrillingly preserves the poetic beauty of Rostand's original verse. Cyrano de Bergerac begins previews Saturday, July 27 at the Royal George Theatre.
Dusk Dances proudly presents its 25th annual season, returning to Withrow Park this summer with another week of exquisite dance works from Canada's finest dance makers! Dusk Dances is a renowned and beloved outdoor dance festival presented at Withrow Park each August. Dusk Dances 2019 features some of Canada's top choreographers and dancers, including Hanna Kiel, Meredith Thompson, Mix Mix Dance Collective, Denise Fujiwara and Yuichiro Inouo, Pulga Muchochoma & Naishi Wang, in a diverse program of dance.
The NY Dance and Performance Awards, The Bessies, New York City's premier dance awards honoring outstanding creative work in the field, celebrates a landmark 35th anniversary this year. Today, the nominees for the 2019 Bessie Awards, along with the recipients of the 2019 Juried Bessie Award and 2019 Outstanding Breakout Choreographer Award, were announced and celebrated at the Bessies press conference. (The list of nominations follows.)
Corkscrew Theater Festival, which runs July 10-August 3, inaugurates its Corkscrew Downstairs series of workshop productions this summer in the lower level theater at the Paradise Factory (64 East 4th Street, Manhattan). The four projects all take classic texts as a starting point, including A Doll's House, Twelfth Night, the poetry of Walt Whitman, and Leslie Feinberg's 1993 novel Stone Butch Blues. The Downstairs series shares one team of designers -Dan Daly (sets), Christina Tang (lights), and Cinthia Chen (props)-and one flexible repertory set, deepening the festival's focus on exploring collaboration in different forms.
This Autumn, Southbank Centre showcases some of the most pioneering new artists using performance to challenge societal norms including dancer and choreographer Oona Doherty, performance artists Travis Alabanza and Nicola Gunn, and theatre makers Lisa Hammond and Rachael Spence. Alongside these artists, Southbank Centre welcomes back three important companies experimenting with form and challenging the audience experience; Reckless Sleepers, and two Southbank Centre Associate Companies - Forced Entertainment and Shobana Jeyasingh Dance. Winter sees offerings for all ages with the return of Circus 1903 with new acts for 2019 following its huge success last Christmas, the arrival of a new dynamic interpretation of Black Beauty, and a fresh show from favourites Fascinating A da.
Corkscrew Theater Festival is pleased to announce the mainstage casts for its third annual festival, which runs July 10-August 3 at the Paradise Factory (64 East 4th Street, Manhattan). The festival features four world premieres, four workshop productions, and four readings performed in repertory over four weeks, with 80 performances in all. As in past years, special attention has been given to theater makers who are developing work through tight-knit collaborations. Tickets are now on sale.
Mirvish and Royal Manitoba Theatre Centre's production of A DOLL'S HOUSE PART 2 does for theatre what is usually reserved for blockbusters and novels - it provides a sequel, many years down the road, to one of Henrik Ibsen's more controversial works (A Doll's House). Written more than a hundred years after the original play's debut, Lucas Hnath has composed a script that investigates what Nora, the wife and mother who left her family, has been up to since her prompt departure. While the cast and creative team navigate the fine line between humour and solemnity the show requires well, there are moments where it seems like something's missing from the narrative.
The Grand Theatre, a leading cultural hub in London, Ontario, announces its 2019-20 season. Featuring 11 productions across two stages, including two world premieres, a North American premiere, and new works by exciting Canadian visionaries, the Grand's incredible 2019-20 lineup continues to bring the world to London, and London to the world.
David Mirvish in a co-production with the Royal Manitoba Theatre Centre presents A DOLL'S HOUSE, PART 2 by Lucas Hnath. Starring four outstanding Canadian actors and directed by Krista Jackson, this brilliant and audacious play is performed March 23 to April 14, 2019 at Toronto's CAA Theatre as part of the Off-Mirvish Season.
This summer sees Southbank Centre welcome acclaimed international dance companies to its three venues including Deborah Colker Dance Company, Cullbergbaletten (Cullberg Ballet) and Deborah Hay, Groupe Acrobatique de Tanger and Grupo Intergro alongside solo artists including a principal of the Royal Ballet Natalia Osipova and Mohamed Toukabri. Associate Company ZooNation Youth Company also return with their latest Southbank Centre commission.
Tickets are on sale from Monday 5 November at 9am for Sadler's Wells' Spring 2019 season, which features three world premieres, more than 15 UK premieres and a host of new creative partnerships involving artists from all over the world.
Columbia University School of the Arts is proud to present Katherine Wilkinson's (Columbia MFA Directing Candidate 2019) production of LORDES.
Velocity Dance Center and the gray are thrilled to announce the world premiere of The Midsummer, running Oct 19-21 at Velocity's Founder's Theater. The gray is a brand new dance company in Seattle, and for its inaugural piece, artistic director and choreographer Beth Terwilleger has curated a stellar artistic team that features dancers from Seattle gems Whim W'him, Evoke Productions, The Three Yells, and Coriolis Dance among others. A veritable feminist powerhouse, this female-choreographed experimental ballet work is also scored with original music by the critically acclaimed cellist and composer Julia Kent.
Velocity presents The Bridge Project: Summer 2018. Three of Seattle's most promising choreographers will take the leap to create three new works within a pressure cooker of just three-weeks. The Bridge Project is Velocity's program for movement-based artists who have been making work in Seattle for three years or less. The performances feature cutting-edge new work by emerging Seattle artists Moonyeka, Timothy M. Johnson, and Allison PB.
A collection of eccentrics sashay through the revolving doors of the Grand Hotel as the Golden Twenties in Weimar Berlin comes alluringly to life in the Shaw Festival's main stage musical Grand Hotel. Directed by Eda Holmes, with music direction by Paul Sportelli and choreography by Parker Esse, Grand Hotel soars with song and dance encapsulating the era's zest for life. Grand Hotel begins previews May 3 at the Festival Theatre.
All good epic adventures begin somewhere. A new adaptation of C.S. Lewis's The Magician's Nephew by Michael O'Brien makes its world premiere and opens the Shaw Festival's 2018 season. Under the direction of Artistic Director Tim Carroll, the creative team and cast bring the story of Narnia's origins and its mythical multiverse to the Festival Theatre stage.
I'll start by saying that LEAR was one of the most powerful theatrical experiences I've ever had. Led by a cast of Shakespeare professionals, with vast Stratford Festival experience, Groundling Theatre's production is a polished, compelling piece of theatre. Dropping 'King' from the title, LEAR explores the play with a female in power - entrapping us with the familiarity of a female monarch. Every aspect of Graham Abbey's production, designed by Peter Hartwell, serves a contemporary emphasis, seducing a modern audience to deeply feel and deeply connect with the humanity that can often feel very distant in Shakespearean drama.
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