Though there have been a few modifications to the tour over the last few years (the set design is slightly simpler and some moments have been cut for time) The Lion King is still majestic, astonishing, thrilling, and thoroughly entertaining.
The return of Disney's THE LION KING opens tonight, Friday, January 18 at 8:00 p.m. at Bass Concert Hall for a limited engagement of four weeks through Sunday, February 10. “To date, sales for The Lion King have exceeded our expectations but with a four week run in Austin, there are still outstanding seats available in every price range,' said Kathy Panoff, Director and Associate Dean of Texas Performing Arts.
Casting has been announced for the Detroit engagement of Disney's THE LION KING. DETROIT's most eagerly awaited stage production ever will leap onto the Detroit Opera House stage from Wednesday, February 13 to Sunday, March 10, 2013. The press opening night is Friday, February 15 at 7:30 p.m.
David Kaplan, Curator of Provincetown Tennessee Williams Theater Festival, is set to share the craft of Williams' monologues in an acting workshop at the Kennedy Center American College Theatre Festival. The workshop, titled 'Telling A Story: What Acting in Tennessee Williams Plays Teaches Us About Acting in All Plays' will take place on Friday, February 1, 12:30 p.m. in Hyannis, Mass.
The National Tour of Disney's THE LION KING leaps onto the SHN Orpheum Theatre stage now through January 13, 2013. THE LION KING returns to San Francisco for the first time since its triumphant 43-week run at the SHN Orpheum Theatre in 2004. The cast of the National Tour took a moment to wish everyone a Happy New Year. Click below!
One of America's most revered Broadway and cabaret stars-she was a favorite chanteuse of the Algonquin Hotel's late, lamented Oak Room and an original cast member of the Great White Way's production of Nine-performs songs from her sparkling career in the spotlight.
Casting has been announced for the Austin engagement of DISNEY'S THE LION KING. The production features Derek Smith as "Scar", Dionne Randolph as "Mufasa", Buyi Zama as "Rafiki", Mark David Kaplan as "Zazu", Ben Lipitz as "Pumbaa", Nick Cordileone as "Timon", Jelani Remy as "Simba", Syndee Winters as "Nala", Keith Bennett as "Banzai", Rashada Dawan as "Shenzi" and Robbie Swift as "Ed."
San Francisco's Orpheum Theatre plays host to Disney's 'The Lion King' now through January 13, 2013. I put that out there right away because if you're one for keeping a bucket list of must-see things to do and see before you 'exit stage left' then this show is surely one for the list.
San Francisco's Orpheum Theatre plays host to Disney's 'The Lion King' now through January 13, 2013. I put that out there right away because if you're one for keeping a bucket list of must-see things to do and see before you 'exit stage left' then this show is surely one for the list.
Casting has been announced for the San Francisco return engagement of Disney's THE LION KING. San Francisco's most eagerly awaited stage production ever will leap onto the SHN Orpheum Theatre stage from Thursday, November 1, 2012 to Sunday, January 13, 2013. THE LION KING returns to San Francisco for the first time since its triumphant 43-week run at the SHN Orpheum Theatre in 2004.
The Albuquerque premiere of Disney's THE LION KING opens tonight, October 4 at 7:30pm at Popejoy Hall for a limited engagement of four weeks through October 28, 2012. In Albuquerque, THE LION KING plays Tuesday through Thursday evenings at 7:30pm, Friday evenings at 8:00pm, Saturdays at 2:00pm and 8:00pm and Sundays at 1:00pm and 6:30pm. There will be a 1:00pm matinee performance on Thursday, October 11. "Albuquerque has received The Lion King with open arms," said Tom Tkach, Director of Popejoy Hall. "Though we have sold out of several performances, tickets may still be purchased, with weeknight performances having the best availability."
During the last decade there has been a dramatic reassessment of Williams by scholars, critics and artists with new attitudes toward art, women, and sexual identity. In celebration of his centennial last year, groundbreaking productions of Williams' plays around the world, including the later work, accelerated the momentum of a new appreciation of this great playwright. Since its inception in 2006, the Tennessee Williams Theater Festival has been in the forefront of this movement to reassess Williams' stature. The Festival has presented nine world premieres of plays by Tennessee Williams. Now in its seventh year, the Festival is expanding its efforts to enrich the experience of Williams' work onstage through two initiatives: the TW Institute and Williams 101.
Mitch Douglas, Tennessee Williams' last literary agent at ICM, will join the Provincetown Tennessee Williams Theater Festival in an informal conversation with Festival Curator David Kaplan over Coffee during the four-day festival taking place tonight, September 20-23, 2012.
Broadway star Alison Fraser, twice-nominated for Tony awards, returns to the Provincetown Tennessee Williams Theater Festival this year, in a concert that 'carries us on an exhilarating journey through the songs America's great playwright chose as dramatic highlights in many of his plays.'
The Wichita premiere of Disney's THE LION KING opens tonight, Friday, September 7, 2012 at 8:00 p.m. at Century II Concert Hall for a limited engagement of four weeks through Sunday, September 30, 2012. In Wichita, THE LION KING plays Tuesday through Thursday evenings at 7:30 p.m., Friday nights at 8:00 p.m., Saturdays at 2:00 p.m. and 8:00 p.m. and Sundays at 1:00 p.m. and 6:30 p.m., with a special matinee performance on Thursday, September 27 at 1:00 p.m. There will not be an evening performance on Sunday, September 30. "Thus far sales have exceeded our expectations, but there are still great seats available! Thanks to this amazing Broadway touring company and the City of Wichita, which has done such a beautiful job getting Century II ready for THE LION KING," said Mark Edleman, President of Theater League.
Translating an animated feature to the musical stage is a daunting challenge. Really, any film, even with actors who are drawn onto cells, usually makes a rocky transition. That's what makes THE LION KING so disarming and dazzling in its conception and execution. The techniques and ideas pioneered here in the Tony Award-winning show have since been used elsewhere, but they still manage to excite and enthrall an audience, and that's a credit to all the skilled technicians and actors who make these characters come to life. The current production playing the Fox is a magical ride that must be taken, and it's easily an "E" ticket (if you remember those days at the Disney fun parks).
During the last decade there has been a dramatic reassessment of Williams by scholars, critics and artists with new attitudes toward art, women, and sexual identity. In celebration of his centennial last year, groundbreaking productions of Williams' plays around the world, including the later work, accelerated the momentum of a new appreciation of this great playwright. Since its inception in 2006, the Tennessee Williams Theater Festival has been in the forefront of this movement to reassess Williams' stature. The Festival has presented nine world premieres of plays by Tennessee Williams. Now in its seventh year, the Festival is expanding its efforts to enrich the experience of Williams' work onstage through two initiatives: the TW Institute and Williams 101.
The St. Louis return of Disney's THE LION KING opens tonight, Thursday, August 16 at 8pm at the Fabulous Fox Theatre for a limited engagement of three weeks through Sunday, September 2.
Mitch Douglas, Tennessee Williams' last literary agent at ICM, will join the Provincetown Tennessee Williams Theater Festival in an informal conversation with Festival Curator David Kaplan over Coffee during the four-day festival taking place September 20-23, 2012.
Having increased primetime ratings year-to-date by 33% percent, VH1 is keeping the momentum going with new original programs that reflect the interests of its 'adultster' audience - adults who are 'balancing new responsibilities with their desires to stay current with what's happening in music and pop culture.'
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