The University of Texas Department of Theatre and Dance at Austin presents UTNT (UT New Theatre), March 12-31, 2019 in multiple locations throughout the F. Loren Winship Drama Building. Established in 2007 by nationally renowned playwright Steven Dietz, UTNT (UT New Theatre) is an annual showcase of newly developed works for the American stage from playwrights of the Department of Theatre and Dance's master of fine arts program and Michener Center for Writers. Now in its twelfth year, UTNT brings to the stage compelling works by I-Chia Chiu, Hannah Kenah, Daria Miyeko Marinelli and Thom May.
National New Play Network, an alliance of professional theaters that collaborate in innovating ways to develop, produce, and extend the life of new plays, is pleased to co-present the 13th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays. The Kennedy Center will host more than 60 theater-makers from July 28-August 5, 2018 as part of the 13th annual week-long MFA Playwrights' Workshop featuring new works by graduate students or recent MFA graduates from Iowa Playwrights' Workshop, Northwestern University, the University of Texas at Austin, the University of California, Los Angeles, and the University of California, San Diego.
The Consortium of Asian American Theaters & Artists (CAATA), dedicated to advancing the field of Asian American theater, announces Chicago as the host city for the Sixth National Asian American Theater Conference and Festival (ConFest), to be held August 13 - 18. ConFest Early Bird passes start at $350 and are available at CAATA.net beginning Wednesday, May 16 at 10 a.m.
The Consortium of Asian American Theaters & Artists (CAATA), dedicated to advancing the field of Asian American theater, announces Chicago as the host city for the Sixth National Asian American Theater Conference and Festival (ConFest), to be held August 13 - 18. ConFest Early Bird passes start at $350 and are available at CAATA.net.
The New Harmony Project (Lori Wolter Hudson, Artistic Director; David Hudson, Executive Director), an organization dedicated to supporting writers whose work emanates hope, will kick off its 32nd annual spring conference on Monday, May 21 with ten writers in residence in the idyllic town of New Harmony, Indiana.
The New Harmony Project (Mead Hunter, Artistic Director; David Hudson, Executive Director; Lori Wolter Hudson, Incoming Artistic Director), an organization dedicated to supporting writers whose work emanates hope, is pleased to announce that ten writers will be in residence for their 2018 annual conference, which will take place from May 21-June 2 in the idyllic town of New Harmony, Indiana.
Set over the course of a business lunch in a Japanese restaurant in an undisclosed U.S. locale, 893 | YA-KU-ZA follows Aya's (Mia King) bid to become the first female member of the infamous Japanese crime syndicate. A meeting has been arranged with a man known only as 1 (kt shorb) to discuss bringing Aya on board and what 1 expects from her. Daria Miyeko Marinelli's new play explores the themes of ambition, power, and loyalty, by asking what it means to be first and then examining what one is willing to do to get there.
Marrow's Edge will present the New York City premiere of We Are Samurai, a new immersive play written by Daria Miyeko Marinelli and directed by Ria T. DiLullo. We Are Samurai is a suburban revenge tragedy about four twenty-somethings engaging in petty acts of violence in an effort to absolve a millennia-old offense. As the piece unfolds simultaneously across four different playing spaces, it is up to the audience to choose what to witness.
Marrow's Edge will present the New York City premiere of We Are Samurai, a new immersive play written by Daria Miyeko Marinelli and directed by Ria T. DiLullo. We Are Samurai is a suburban revenge tragedy about four twenty-somethings engaging in petty acts of violence in an effort to absolve a millennia-old offense. As the piece unfolds simultaneously across four different playing spaces, it is up to the audience to choose what to witness.
.jpg?format=auto&width=365)
