Lookingglass Theatre presents the world premiere of Trust, written by David Schwimmer and Andy Bellin, and directed by Schwimmer and Heidi Stillman. Trust is based on the screenplay by Andy Bellin and Rob Festinger. Schwimmer has previously directed a film version of Trust starring Clive Owen and Catherine Keener.
Due to record-breaking box office demand, Lookingglass Theatre Company extends The Arabian Nights for a second time. The smash hit production must close August 30, 2009. The Lookingglass Original, adapted and directed by Ensemble Member Mary Zimmerman, is now playing at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
Due to record-breaking box office demand, Lookingglass Theatre Company extends The Arabian Nights through August 9, 2009. The Lookingglass Original, adapted and directed by Ensemble Member Mary Zimmerman, is now playing at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
Due to record-breaking box office demand, Lookingglass Theatre Company extends The Arabian Nights for a second time. The smash hit production must close August 30, 2009. The Lookingglass Original, adapted and directed by Ensemble Member Mary Zimmerman, is now playing at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
Due to record-breaking box office demand, Lookingglass Theatre Company extends The Arabian Nights through August 9, 2009. The Lookingglass Original, adapted and directed by Ensemble Member Mary Zimmerman, is now playing at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
Lookingglass Theatre Company presents The Arabian Nights, adapted and directed by Ensemble Member Mary Zimmerman. This Lookingglass Original completes its tour in Chicago following sold-out runs at Berkeley Repertory Theatre and Kansas City Repertory Theatre. The production is scheduled to run May 20 - July 12, 2009, at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The press opening is Saturday, May 30, 2009 at 7:30 p.m.
Lookingglass Theatre Company presents The Arabian Nights, adapted and directed by Ensemble Member Mary Zimmerman. This Lookingglass Original completes its tour in Chicago following sold-out runs at Berkeley Repertory Theatre and Kansas City Repertory Theatre. The production is scheduled to run May 20 ? July 12, 2009, at Lookingglass Theatre Company, located inside Chicago?s historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
Lookingglass Theatre Company presents The Arabian Nights, adapted and directed by Ensemble Member Mary Zimmerman. This Lookingglass Original completes its tour in Chicago following sold-out runs at Berkeley Repertory Theatre and Kansas City Repertory Theatre. The production is scheduled to run May 20 - July 12, 2009, at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The press opening is Saturday, May 30, 2009 at 7:30 p.m.
Lookingglass Theatre Company presents The Arabian Nights, adapted and directed by Ensemble Member Mary Zimmerman. This Lookingglass Original completes its tour in Chicago following sold-out runs at Berkeley Repertory Theatre and Kansas City Repertory Theatre. The production is scheduled to run May 20 ? July 12, 2009, at Lookingglass Theatre Company, located inside Chicago?s historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.
Natalie Dessay and Juan Diego Fl?rez, who created a sensation last season in La Fille du R?giment, star in a new production of Bellini's La Sonnambula opening March 2, directed by Mary Zimmerman and conducted by Evelino Pid?. Dessay takes the role of the sleepwalker Amina, with Fl?rez as her betrothed Elvino, and Michele Pertusi as the Count who almost ruins their wedding. Performances run through April 3, with Barry Banks singing Elvino at the final performance. Zimmerman returns with the creative team that collaborated on her hit production of Lucia di Lammermoor, which opened the 2007-08 season: Daniel Ostling, set designer; Mara Blumenfeld, costume designer; T.J. Gerckens, lighting designer; and Daniel Pelzig, choreographer.
Berkeley Repertory Theatre is ending the year the way it started: delighting audiences and impressing critics on both coasts with two hits here in Berkeley and another show taking New York by storm. Today even as Joe Turner's Come and Gone nears the end of its local run and Artistic Director Tony Taccone is Taking Over Manhattan with Danny Hoch the company announced another extension for its production of The Arabian Nights.
Berkeley Repertory Theatre is ending the year the way it started: delighting audiences and impressing critics on both coasts with two hits here in Berkeley and another show taking New York by storm. Today ? even as Joe Turner's Come and Gone nears the end of its local run and Artistic Director Tony Taccone is Taking Over Manhattan with Danny Hoch ? the company announced an extension for its production of The Arabian Nights.
Berkeley Repertory Theatre is ending the year the way it started: delighting audiences and impressing critics on both coasts with two hits here in Berkeley and another show taking New York by storm. Today even as Joe Turner's Come and Gone nears the end of its local run and Artistic Director Tony Taccone is Taking Over Manhattan with Danny Hoch the company announced another extension for its production of The Arabian Nights.
Berkeley Repertory Theatre is ending the year the way it started: delighting audiences and impressing critics on both coasts with two hits here in Berkeley and another show taking New York by storm. Today ? even as Joe Turner's Come and Gone nears the end of its local run and Artistic Director Tony Taccone is Taking Over Manhattan with Danny Hoch ? the company announced an extension for its production of The Arabian Nights.
Written and directed by Mary Zimmerman (Argonautika), 'The Arabian Nights' was adapted from 'The Book of the Thousand Nights and One Night.' The show was set designed by Daniel Ostling and costumed by Mara Blumenfeld. TJ Gerckens did the lights and Andre Pluess and Ben Sussman were in charge of sound.
Next month, Tony Award-winning director Mary Zimmerman returns to Berkeley Repertory Theatre with an alluring adaptation of The Arabian Nights. This is Zimmerman's sixth trip to Berkeley Rep, and for the first time she works her magic on the intimate Thrust Stage. The Arabian Nights runs from November 13 through January 4 with the official press night on November 19.
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