DC Moore Gallery has announced the opening of the exhibition Janet Fish: Panoply, which highlights major examples of the artist's work from 1989 to 2008. Fish's still lifes provide mesmerizing detail, and a captivating depiction of light and color, while hovering in a space between fluid painterliness and measured stillness. A catalogue with essay by Karli Wurzelbacher will accompany the exhibition.
Profiles Theatre continues its 25th Anniversary Season with the Midwest premiere of Cock by Mike Bartlett, directed by Artistic Director Darrell W. Cox. The production runs February 14 - April 6, 2014 at The Main Stage, 4139 N. Broadway. The press opening is Thursday, February 20 at 8:00pm.
One of the most original artists of the twentieth century, Charles Burchfield (1893-1967), is featured in DC Moore's project space. Burchfield's intensely personal, often spiritualized, engagement with landscape is evident in the choice selection of watercolors in this focused exhibition.
DC Moore Gallery is pleased to present Mary Frank: Elemental Expression: Sculpture 1969-1985 & Recent Work, which offers a rare opportunity to see major works in clay that established her reputation as one of the most innovative artists on the New York scene. This is the first extensive exhibition of these evocative works in over twenty years. Her recent paintings and photographs bring the exhibition full circle, highlighting the continuity of the mythic, elemental worlds that she has been creating in several different mediums over the course of more than six decades. A catalogue with an essay by John Yau will accompany the show.
DC Moore Gallery will present Mary Frank: Elemental Expression: Sculpture 1969-1985 & Recent Work, which offers a rare opportunity to see major works in clay that established her reputation as one of the most innovative artists on the New York scene. This is the first extensive exhibition of these evocative works in over twenty years. Her recent paintings and photographs bring the exhibition full circle, highlighting the continuity of the mythic, elemental worlds that she has been creating in several different mediums over the course of more than six decades. A catalogue with an essay by John Yau will accompany the show.
DC Moore Gallery is pleased to present recent paintings by Eric Aho, who explores the natural world in visions mediated by human memory, introspection, imagination, and history. More broadly, Aho explores our tenuous ability to represent things seen, remembered, and embellished by our minds. “As he sees it,” Diana Tuite writes in the catalogue essay, “his task is to present immediacy remembered, to reconcile directness with introspection. How might the experience of the painting reciprocate the experience of that which it depicts?” His paintings suggest that imaginative flourishes and digressions are more vital and interesting than a supposedly accurate, “objective” rendering of a lived experience.
DC Moore Gallery will present recent paintings by Eric Aho, who explores the natural world in visions mediated by human memory, introspection, imagination, and history.
On Saturday, September 28th, from 5-6 PM, the DC Moore Gallery presents Gallery Talk: OUTSIDE THE FRAME: Two Writers and an Artist Talk about Alienation, Apocalypse, and the Creative Process.
DC Moore Gallery is pleased to present an exhibition of Barbara Takenaga's most recent paintings, which are her boldest and most diverse yet. Takenaga has recently introduced evocative horizon lines in her abstract explorations of pattern and movement, and this group suggests natural phenomena like never before. At the same time, Takenaga remains a committed abstractionist, pushing her radiating dots across these canvases in newly bright, saturated, and varied hues.Accompanying the exhibition is a fully illustrated catalogue with a conversation between Takenaga and Robert Kushner.
DC Moore Gallery is pleased to present an exhibition of Barbara Takenaga's most recent paintings, which are her boldest and most diverse yet. Takenaga has recently introduced evocative horizon lines in her abstract explorations of pattern and movement, and this group suggests natural phenomena like never before. At the same time, Takenaga remains a committed abstractionist, pushing her radiating dots across these canvases in newly bright, saturated, and varied hues.Accompanying the exhibition is a fully illustrated catalogue with a conversation between Takenaga and Robert Kushner.
DC Moore Gallery has announced its summer group exhibition, Woods, Lovely, Dark and Deep, curated by John Zinsser, on view from June 20 - August 15 with an opening reception tonight, June 20 from 6 - 8 pm.
DC Moore Gallery is pleased to announce its summer group exhibition, Woods, Lovely, Dark and Deep, curated by John Zinsser, on view from June 20 – August 15 with an opening reception on June 20 from 6 – 8 pm. This show juxtaposes historical and contemporary painters and photographers as a way of re-thinking “landscape” and its associated meanings. Zinsser began with an intuitive notion, looking at artists for whom this representational genre allows a revealing of hidden places or psychological foreboding. For many, illusion is played against literal reality, whether in terms of paint physicality or received photographic treatment of subject matter.
Alexi Worth presents his most ambitious exhibition yet, made in the distinctive mesh-based idiom that he has developed over the past three years. On view in the main gallery are large images of private and public subjects: solitary smokers, wine-drinkers, crumpled texts, and crowds of protesters in damaged cities. Thanks in part to the “physical halftone” of the mesh support, Worth's paintings have a tonal delicacy and flat depth reminiscent of print and photographic media. And yet their willful proportions show their origins as freehand drawings, both “hand-made and mind-made.”
Alexi Worth presents his most ambitious exhibition yet, made in the distinctive mesh-based idiom that he has developed over the past three years. On view in the main gallery are large images of private and public subjects: solitary smokers, wine-drinkers, crumpled texts, and crowds of protesters in damaged cities. Thanks in part to the “physical halftone” of the mesh support, Worth's paintings have a tonal delicacy and flat depth reminiscent of print and photographic media. And yet their willful proportions show their origins as freehand drawings, both “hand-made and mind-made.”
DC Moore Gallery has announced its summer group exhibition, Woods, Lovely, Dark and Deep, curated by John Zinsser, on view from June 20 - August 15 with an opening reception on June 20 from 6 - 8 pm.
Alexi Worth: States will be closing on Saturday, June 15, 2013 at DC Moore Gallery in NYC.
Sheffield Theatres celebrate their city with a cast of 60 local performers.
After the success of their inaugural production in 2011, Sheffield People's Theatre, with an ensemble of local people, present 20 Tiny Plays about Sheffield from today 8 - Saturday 13 April in the Studio Theatre.
After the success of their inaugural production in 2011, Sheffield People's Theatre, with an ensemble of local people, present 20 Tiny Plays about Sheffield from Monday 8 - Saturday 13 April in the Studio Theatre.
Funny and filthy, DC Moore's new play opens in Sheffield's Crucible Studio Theatre.
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