Devised at breakneck speed in just ten days by a company renowned for anarchic, divisive work, Filter's Twelfth Night was always destined to be a curious beast. Indeed, from the second the audience steps into the Birmingham Rep, it is clear this is going to be no ordinary Shakespeare. We appear to have arrived at the early stages of a rock gig; the stage is littered with cables, amps, and instruments, the stage manager's desk lies in plain sight of the audience, and the cast test microphones, check lines and chat casually to their spectators.
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