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Craig Revel Horwood News

Horwood's HOT MIKADO Hits London in September

by BWW News Desk — September 25, 2009

After a sell-out run at the Watermill Theatre in Newbury in 2006, Craig Revel Horwood's actor-musician production of The Hot Mikado is back on the road and will hit London in September, when it will play at the Rose Theatre, Kingston from the 22nd to the 26th.

Horwood's HOT MIKADO Hits London in September

by BWW News Desk — September 22, 2009

After a sell-out run at the Watermill Theatre in Newbury in 2006, Craig Revel Horwood's actor-musician production of The Hot Mikado is back on the road and will hit London in September, when it will play at the Rose Theatre, Kingston from the 22nd to the 26th.

Hoiles, Legat And Power Join Cast Of SNAPPY TITLE At The Pigalle Club

by Robert Gould — September 11, 2009

Kirsty Hoiles, who has spent the summer wowing audiences as the young Viv Nicholson in Spend Spend Spend at the Watermill Theatre, has now joined the all-star cast of Snappy Title, (the charity cabaret at Piccadilly's Pigalle Club in aid of MMD and the Actors' Benefit Club.

Horwood's HOT MIKADO Hits London in September

by Robert Gould — September 3, 2009

After a sell-out run at the Watermill Theatre in Newbury in 2006, Craig Revel Horwood's actor-musician production of The Hot Mikado is back on the road and will hit London in September, when it will play at the Rose Theatre, Kingston from the 22nd to the 26th.

Review: Spend Spend Spend at the Watermill

Review: Spend Spend Spend at the Watermill

by Robert Gould — July 21, 2009

Spend Spend Spend, a show that first hit the West End back in 1999 - with its tuneful score, hard-nosed but also raunchily humorous book and an emotional core that rings with human truth - is a much underrated gem of a musical.

West End musicals 2008: The Year of Musical Non-thinking

by Robert Gould — January 4, 2009

In a year when new musical theatre productions in London consisted of juke box transfers, classic revivals, whimsical adventure stories and majestic failures, one might be forgiven for thinking that the age of great new musicals exists merely in days of Auld Lang Syne.


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