The Fisher Center at Bard will present a 2020-2021 season of virtual and interactive works that focus on healing and transformation in troubled times. In each project, leading artists engage with cutting-edge technology to create compassionate and courageous offerings for a world riven by the pandemic and political strife.
UCLA's Center for the Art of Performance (CAP UCLA) presents Pam Tanowitz/Brice Marden/Kaija Saariaho's Four Quartets on Saturday, February 15 at 8 p.m. and Sunday, February 16, at 3 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101, and Royce Hall box office.
Acclaimed lighting designer Clifton Taylor has won a prestigious Knight of Illumination Award in the United Kingdom (KOI-UK). Taylor, whose work has been commissioned on Broadway, off-Broadway, regionally, and in 17 countries outside the United States, won for his design of 'Four Quartets,' based on the poem by T.S. Eliot, which was remounted at the Barbican Theatre in London.
Following a sold-out season at Japan Society in April, internationally acclaimed choreographer Karole Armitage brings her latest dance production, You Took a Part of Me, inspired by Japanese Noh theater, to New York Live Arts this fall.
The Knight of Illumination (KOI) Awards, the awards dedicated to celebrating British and international lighting and video designers for their work in the UK, is pleased to announce the 2019 shortlist of nominees for the Theatre category.
First published in the UK 75 years ago, Four Quartets is considered the crowning achievement of TS Eliot's career as a poet. Now three visionaries, Pam Tanowitz, Kaija Saariaho and Brice Marden respond to the four-part poem in a ravishing union of dance, music and visual art, as the entire work is narrated by American actor Kathleen Chalfant. A Barbican co-commission and European premiere, this collaborative performance of the work is the first to be authorised by the TS Eliot Estate. A production of Bard Fisher Center, Four Quartets premiered at Bard SummerScape in July 2018 to critical acclaim, The New York Times calling it 'the greatest creation of dance theater so far this century".
Dallas Theater Center's take on the Bard's beloved comedy pulls audiences into a raucous party that is every bit as moving as it is uproariously funny.
Japan Society presents You Took a Part of Me, a dance production with choreography by "punk ballerina" Karole Armitage, performed by her company Armitage Gone! Dance. You Took a Part of Me arrives at Japan Society (333 East 47th Street) for two performances only: Friday, April 12 and Saturday, April 13 at 7:30pm.
75 years ago T.S. Eliot published Four Quartets, a poetic meditation on time and memory that is widely regarded as his crowning achievement. Now, to celebrate this milestone anniversary, Bard SummerScape 2018 presents the world premiere of Four Quartets, the first authorized dance performance ever to be based on Eliot's modernist masterpiece. A SummerScape commission, the new work is an interdisciplinary collaboration that draws on the talents of three of today's most potent artistic voices. Since making her acclaimed festival debut at SummerScape 2015, Pam Tanowitz has been recognized as "one of the most formally brilliant choreographers around" (New York Times), with honors including a Bessie Award, a Guggenheim Fellowship, and the prestigious 2017 Cage Cunningham Fellowship.
I was lucky enough to be one of the lucky ones to be in the Broad Stage audience recently when the extraordinary Dance Theatre of Harlem invited Los Angeles audiences, for the first time in way too many years, to join in with them in experiencing the wonders of neo-classical and contemporary ballet that is both of the moment and timeless. The evening's 105-minute program consisted of Brahms Variations, choreographed by Robert Garland (2016), Dancing on the Front Porch of Heaven, choreographed by Ulysses Dove (1993) and Vessels, choreographed by Darrell Grand Moultrie (2014), each more enchanting than the last!
2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC) presents The Great Society at the Dee and Charles Wyly Theatre. A co-production with the Alley Theatre and directed by DTC Enloe/Rose Artistic Director Kevin Moriarty, The Great Society begins on March 9 and runs through April 1. A Pay-What-You-Can performance will be Sunday, March 11 at 7:30 p.m., and Press Night will be Tuesday, March 13 at 7:30 p.m. Tickets to The Great Society are on sale now at www.DallasTheaterCenter.org and by phone at (214) 880-0202.
The core of Armitage's work centers on a series of dance 'dreamscapes' that take the viewer on a poetic journey to evoke mysterious landscapes of reverie, dream and altered consciousness. Her latest work, Halloween Unleashed: Dancing Bones, Tasting Darkness and the Skeleton Within, is a subversive comedy designed to spook adults and families in a live action rendition of Disney's 1929 animated masterpiece, The Skeleton Dance. Combined with images from the wild, capricious street theater of Haitian carnival, Halloween Unleashed offers punk attitude and visual high-jinx, in a dance where bones dance alone, shoes fly off feet, and skeletons turn into musical instruments.
The core of Armitage's work centers on a series of dance 'dreamscapes' that take the viewer on a poetic journey to evoke mysterious landscapes of reverie, dream and altered consciousness. Her latest work, Halloween Unleashed: Dancing Bones, Tasting Darkness and the Skeleton Within, is a subversive comedy designed to spook adults and families in a live action rendition of Disney's 1929 animated masterpiece, The Skeleton Dance. Combined with images from the wild, capricious street theater of Haitian carnival, Halloween Unleashed offers punk attitude and visual high-jinx, in a dance where bones dance alone, shoes fly off feet, and skeletons turn into musical instruments.
As part of Japan Society's Fall 2017-Winter 2018 Performing Arts Season, the Society presents the North American premiere of Left-Right-Left, directed and choreographed by Luca Veggetti.
As part of Japan Society's Fall 2017-Winter 2018 Performing Arts Season, the Society presents the North American premiere of Left-Right-Left, directed and choreographed by Luca Veggetti.
Gregory Boyd, Artistic Director of the Alley Theatre, announces the cast and creative team of the classic drama A View from the Bridge by Arthur Miller. A View from the Bridge is the passionate and explosive story of the Carbone family and their Sicilian cousins as they discover that the American dream comes at a price.
Michael Hanna plays middle son Geoffrey in James Goldman's tale of a king and his family on the eve of Christmas that's a complete change from the happy holiday show across the building. THE LION IN WINTER plays through Dec. 31.
Holiday gatherings of dysfunctional families are nothing new. James Goldman's crackling script for THE LION IN WINTER is set at Christmas 1183, and since the family is a royal one with questions of succession looming, the scheming and double-crossing are fevered.