Christopher Ling News

theatrethreesixty will present the 12th anniversary staging of Nick Choo’s FOLLOW THE LIGHT just in time for the festive season of 2022. The returning musical presentation is scheduled for a limited 6-performance run from Thursday, 8th DECEMBER to Sunday, 11th DECEMBER 2022 at Nero Event Space, Petaling Jaya Performing Arts Centre (PJPAC). 

Christmas Eve, 2020. Even as the dark clouds of a pandemic loom over a never-ending series of lockdowns, it is still business as usual for the cold-hearted, cynical, and crotchety Ebi Monjungkil. However, he will soon learn, in his quiet Penampang home, over the course of one ghostly Christmas night, an unforgettable lesson on the meaning of redemption and compassion—in this multilingual Malaysian adaptation of a Christmas classic.

Theatrethreesixty will present the premiere of a brand-new production of Charles Dickens’ beloved Christmas classic, A Christmas Carol, adapted for the Malaysian stage by Natalie Makulin and Qahar Aqilah.

theatrethreesixty is proud to present the Kuala Lumpur premiere of a new locally written and produced work in theatrethreesixty's production of 24 JAM DALAM 37 TAHUN.  The production is set to premiere on the 5th of March 2020 till the 15th of March 2020 for 8 performances at Lot' 'ng Arts Space, Subang Jaya, Selangor.

theatrethreesixty will present the Kuala Lumpur premiere of a new musical theatre production of LOST/FOUND. The production is set to premiere on the the 13th of December 2019 till the 22nd of December 2019 for 7 performances at Lot' 'ng Arts Space, Subang Jaya, Selangor.

theatrethreesixty is proud to present the tenth anniversary production of Nick Choo's Boh-Cameronian award winning musical, THE EDGE. It is set to premiere on the 8th of December 2018, running 12 shows till the 23rd of December 2018 at Lot'ng Arts Space, Subang Jaya, Selangor.

Cikgu Disiplin Sekolah Aku is a collaboration piece written by Khairunazwan Rodzy and Khairi Anwar. Directed by Theatre Three Sixty's Christopher Ling, the play sets out to shed some light on a school systems actions towards achieving the title of Sekolah Kluster Cemerlang. Along the quest to perfection and performance, the play also highlights the struggles of its students, Daniel played by Andy Phoon and Pak Kob played by Aminul Syakir, as they are forced to succumb to the ridiculous sentences that are put on them should they not live up to school standards.

Brand new and completely unique to Cincinnati was the decision to have the ballet open in the Kitchen. I found the scene to be inventive and whimsical and the focus on the food made the intrusion of the mice more practical during Clara's dream. I loved that the big blue cake made during the opening scene and used during the party served as the scenic backdrop in the Sugar Plum Fairy's kingdom. This larger than life cake also served as an entrance for the different acts which left the audience with plenty of mystery as they wondered how the dancers were appearing and disappearing on and off the stage. Also unique this year was the inclusion of Frisch's Big Boy during the battle scene, which was of course included for the ballet's opening night performance as this year marked Frisch's 40th year of sponsorship for the Nutcracker. This was my first year seeing Cincinnati's version of this Christmas classic and I can't wait to see what they have in store for us next year.