The Met has announced the Weeks 10 and 11 schedules for its Nightly Met Opera Streams, a free series of encore Live in HD presentations streamed on the company website during the coronavirus closure.
There must have been a two-for-one offer on the day director Barbora Horakova visited the Regietheater prop-store to kit out her Luisa Miller for English National Opera. White walls and plenty of black marker pens to daub on them; geometric structures; sinister clowns; a chorus all costumed somewhere between circus-freak and sexy-Bedlam; a quartet of contemporary dancers scraping and draping themselves across the set: we got them all in this hectic, wilful, defiantly joyless staging of Verdi's tragedy of love across the class divide.
Winner of the Newcomer Award at the International Opera Awards in 2018, Barbora Horáková Joly brings her contemporary staging of Luisa Miller to the London Coliseum.
Robert Trevino, one of today's most in-demand American conductors of the younger generation, has signed with Ondine for a major, ongoing recording relationship. Trevino is chief conductor of the Basque National Orchestra and of the Malmo Symphony Orchestra, both of which will feature in the first releases - a complete Beethoven symphonies cycle drawn from this season's Beethoven Festival in Malmo and, with the Basques, a survey of American repertoire to include neglected works by Howard Hanson - as well as digital releases of core repertoire works.
On Tuesday 8 October at 6.45pm, Mozart's exciting opera Don Giovanni will enchant audiences in a live broadcast to 600 cinemas all over the UK, from Kirkwall in the Orkney Islands all the way down to Jersey. This wonderful fast-moving tragi-comedy about a master seducer features enchantingly complex characters, gripping drama and glorious melodies, from Don Giovanni's exuberant 'Champagne Aria' to Don Ottavio's tender expression of love 'Dalla sua pace'. For a Sunday afternoon treat, there will also be an encore performance on 13 October at 2pm.
Andrea Chenier is a feast for eyes and ears with Roberto Alagna, Sondra Radvanovsky and Dimitri Platanias magnificent in the tale of the poet who stays true to love as the world descends into madness.
French-Sicilian tenor Roberto Alagna returns to Covent Garden for his 100th Royal Opera performance, singing the eponymous hero in Giordano's Andrea Chenier in the first revival of David McVicar's spectacular 2015 production.
As its programming for 2019/20 again affirms, the spirit of Wigmore Hall is exemplified by both continuity and renewal: artists who have enjoyed decades of association with the Hall and artists it has nurtured into the primes of their careers; the indispensable composers of the past and the innovators and improvisers of today; participatory projects for older people and for children; the irreplaceable immediacy of live concerts and their mediation through technology, bringing them to ever wider audiences via Wigmore Hall's own streaming service or via partners like the BBC.
Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.
Season 12 of Great Performances at the Met continues on PBS on Sunday, March 25, at 12:00pm with the American premiere of Thomas Adès's The Exterminating Angel, a surreal fantasy about a dinner party from which the guests can't escape. The Exterminating Angel was inspired by the classic Luis Buñuel film of the same name, and stars John Tomlinson and Alice Coote. Mezzo-soprano Susan Graham is the host.
Due to vocal indisposition, Christine Rice has had to withdraw from singing the role of Penelope in The Return of Ulysses. The role will now be performed by Australian mezzo-soprano Caitlin Hulcup.
It's 'deja vu all over again' goes the quip attributed to the NY Yankees pitcher Yogi Berra. But that's the feeling I had with Thomas Ades's THE EXTERMINATING ANGEL, with libretto based on the Luis Bunuel film, 'El angel exterminador,' by Tom Cairns and the composer. (Cairns also directed.) Not that the opera looks or sounds like anything else recently produced on the Met's stage, except perhaps for Ades's own TEMPEST. Rather, it's because it seems like the operatic arm of France's Nouvelle Vague, the New Wave, of the late '50s and '60s.
Thomas Ad s conducts the Metropolitan Opera premiere of The Exterminating Angel with eight performances from October 26 to November 21, 2017. The critically acclaimed opera, staged by the librettist Tom Cairns, is a co-commission and co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden; Royal Danish Theatre; and Salzburg Festival, where the production premiered in 2016.
Tickets go on sale today for the Met's Emmy® and Peabody Award-winning Live in HD series' 2017-18 season, which begins on October 7 with the company's new production of Bellini's Norma.
The Metropolitan Opera's 2017-18 season will feature 220 performances of 26 works, including two Met premieres, one co-commissioned by the company and one an older masterpiece having its first Met performances; a variety of repertory favorites, three in new productions; and performances of Verdi's towering concert work for soloists, orchestra, and chorus, the Requiem. Of note, Broadway star Kelli O'Hara is set to return to the Met in Così fan tutte this season.
Be you a holiday maven or feeling the humbug, Pen Parentis Literary Salons invite you to celebrate great books and the people who write them. On December 13th, the New York based nonprofit hosts a mingling soiree with live music by award-winning jazz guitarist Wilson Montuori, wine and appetizers compliments of the Andaz Wall Street, and stories from three top-shelf authors: Elizabeth Isadora Gold, Eleni Gage, and Christine Rice. Donations to the nonprofit will result in raffle entries and the mood will be festive and bright. Everyone 21+ who loves books is invited to join the festivities.
Be you a holiday maven or feeling the humbug, Pen Parentis Literary Salons invite you to celebrate great books and the people who write them. On December 13th, the New York based nonprofit hosts a mingling soiree with live music by award-winning jazz guitarist Wilson Montuori, wine and appetizers compliments of the Andaz Wall Street, and stories from three top-shelf authors: Elizabeth Isadora Gold, Eleni Gage, and Christine Rice. Donations to the nonprofit will result in raffle entries and the mood will be festive and bright. Everyone 21+ who loves books is invited to join the festivities.
English National Opera has been having a hard time with Don Giovanni lately. First there was Calixto Bieito's groggy, pastel-coloured nightmare (who could forget the pistachio leather dentist's chair), which paled into adequacy when compared to Rufus Norris's bafflingly unlovely (and just generally baffling) vision that followed. Richard Jones's new production is in no way a failure - there's far too much intelligence here for that, as well as more than one flash of utter brilliance - but it still feels like a show as yet not fully in focus. At his best Jones can make the most startlingly revisionist concept seem like it has always been staring you in face. Here his reading intrigues, compels, but never feels fully rooted in Mozart's music-drama.