Chris Jamison News

NBC's Emmy Award-winning musical competition series "The Voice" has revealed the top 12 artists, all of whom will compete for the title beginning Monday, Nov. 17 (8-10 p.m. ET/PT)

NBC's Emmy Award-winning musical competition series “The Voice” has revealed the top 12 artists, all of whom will compete for the title beginning Monday, Nov. 17 (8-10 p.m. ET/PT).

For the first time all season, we will have an elimination show on THE VOICE. After two months of Blind Auditions, Battle Rounds, Knockout Rounds, and Live Playoffs, we finally get to see what America thinks of the 20 remaining singers.

Great googly moogly, after three and a half years of THE VOICE taped shows, we are finally going to have a live episode of NBC's singing competition show. Now that we are through the Blind Auditions, the Battle Round, and the Knockout Round, the show is now live and America has a chance to vote on its favorite artists.

We are halfway through the Taylor Swift experiment on THE VOICE, and the new queen of New York has honestly been killing it. From vocal arrangement to on-stage swagger, T-Swizzle has demonstrated the insight and attention to detail that it takes to make it as a pro in that business.

Well, tonight is the night when I generally begin to lose interest in NBC's juggernaut singing competition THE VOICE. As we transition from the ever compelling Blind Auditions to the generally disappointing Battle Rounds, it always annoys me that so much time and attention is focused on the coaches and the guest mentors. Yes, I love the fact that the singers are getting expert tutelage, but the show's attention should be, you know, on the contestants. While this is the only area where THE VOICE doesn't rise to the level of AMERICAN IDOL, for me, it has often been a deal breaker. I never feel the connection to THE VOICE contestants that I do to those on IDOL. Hopefully now that I am reviewing every single performance, I will actually get invested in some of the singers.

Coaches from NBC's Emmy Award-winning musical competition series "The Voice" have each selected their 12-member teams that will advance to the Battle Rounds phase of the competition.

Three down, two to go. There were only two Blind Auditions left coming into tonight, and the four VOICE teams were aleady starting to take shape, a fact that the coaches remind us of multiple times throughout the broadcast. Now that each coach has a substantial stable of singers, they are starting to be a bit pickier on who gets them to hit their buttons. Though I believe that this was hands down (pun intended?) the best Blind Audition of the season, there were still some questionable decisions of the chair-turning variety.

Former stars of the Stepinac High School Drama Club from 1959 thru 2014 have returned for a reunion of their own to perform this show. When most people tend to leave their high school days behind, Stepinac's alumni/ae and family/friends will return to perform as they once did on Stepinac's stage.

Former stars of the Stepinac High School Drama Club from 1959 thru 2014 have returned for a reunion of their own to perform this show. When most people tend to leave their high school days behind, Stepinac's alumni/ae and family/friends will return to perform as they once did on Stepinac's stage.

An old English mansion. A raging thunderstorm. Ten strangers. Murder, myster, music and comedy abound when the guests disappear one by one -- knocked off by cleverly fiendish devices. Join the fun as Miss Tweed, the amateur sleuth, sets out to solve the crimes -- but the butler didn't do it! With songs like 'I Owe It All to Agatha Christie,' it's a zany whodunit for all to enjoy.

The Armonk Players presents Something's Afoot with Book, Music and Lyrics by James McDonald, David Vos and Robert Gerlach, and additional music by Ed Linderman. The production is directed by Pia Haas, with music direction by Assaf Gleizner, and choreography by Anthony Valbiro.

An old English mansion. A raging thunderstorm. Ten strangers. Murder, myster, music and comedy abound when the guests disappear one by one -- knocked off by cleverly fiendish devices. Join the fun as Miss Tweed, the amateur sleuth, sets out to solve the crimes -- but the butler didn't do it! With songs like 'I Owe It All to Agatha Christie,' it's a zany whodunit for all to enjoy.

Yorktown Stage presents the 1961 Tony Award Winner for Best Musical, Bye Bye Birdie. Considered one of Broadway's finest scores, composer Charles Strouse (Annie) and lyricist Lee Adams spin the familiar tunes, Put On A Happy Face, Lot of Livin', Kids, and One Last Kiss.

Mayhem, mix-ups and a wedding mark the high-spirited hijinx of The Drowsy Chaperone, winner of five 2006 Tony Awards. The hilarious show-within-a-show begins when a die-hard musical fan plays his favorite cast album, a 1928 smash hit called 'The Drowsy Chaperone' and the show magically bursts to life.

On Monday, November 24, 2009, The Westchester Broadway Theatre will be hosting the Cab Calloway Lifetime Achievement Awards

On Tuesday, November 24, 2009, The Westchester Broadway Theatre will be hosting the Cab Calloway Lifetime Achievement Awards. Cab Calloway was a resident of Elmsford, N.Y. for approximately 34 years. His career spanned over six decades and was highlighted by his work on stage, film, television and in the recording industry. The Cab Calloway Lifetime Achievement Awards are meant to honor his commitment to excellence in the performing arts as well as his dedication and support for young, rising talent. It is an honor that the award bears his name.

Pittsburgh CLO has announced that 18 local young performers have been chosen to star as the 2008-2009 Pittsburgh CLO Mini Stars. These talented youngsters have appeared in numerous productions for Pittsburgh CLO, the Pittsburgh Opera, the Pittsburgh Playhouse, Pittsburgh Playwrights Theater and the Pittsburgh Public Theater.

Pittsburgh CLO has announced that 18 local young performers have been chosen to star as the 2008-2009 Pittsburgh CLO Mini Stars. These talented youngsters have appeared in numerous productions for Pittsburgh CLO, the Pittsburgh Opera, the Pittsburgh Playhouse, Pittsburgh Playwrights Theater and the Pittsburgh Public Theater.