(New York, July 28, 2016)—The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 8, 2016, through February 5, 2017, will feature significant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.
The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 18, 2016, through February 5, 2017, will featuresignificant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.
(New York, July 28, 2016)—The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 8, 2016, through February 5, 2017, will feature significant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.
The Costume Institute's Fall 2016 exhibition, Masterworks: Unpacking Fashion, on view in the Anna Wintour Costume Center from November 8, 2016, through February 5, 2017, will feature significant acquisitions of the past 10 years. The show, curated by Assistant Curator Jessica Regan with support from Curator in Charge Andrew Bolton, will explore how the department has honed its collecting strategy to amass masterworks of the highest aesthetic and technical quality, including iconic works by designers who have changed the course of fashion history and advanced fashion as an art form.
A Woman of No Importance, Oscar Wilde's stylish comedy that exposes the cynicism and hypocrisy that underlies high "society", begins previews Sunday, May 29 at the Festival Theatre. This dangerous drama, directed by Eda Holmes, is the fourth major Wilde play to be presented under Artistic Director Jackie Maxwell's tenure - completing Wilde's brilliant, scalpel-like study of the world around him.
(New York, October 14, 2015)—The Metropolitan Museum of Art announced today that The Costume Institute's spring 2016 exhibition will be manus x machina: fashion in an age of technology, on view from May 5 through August 14, 2016(preceded on May 2 by The Costume Institute Benefit). Presented in the Museum's Robert Lehman Wing and Anna Wintour Costume Center, the exhibition will explore the impact of new technology on fashion and how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.
(New York, October 14, 2015)—The Metropolitan Museum of Art announced today that The Costume Institute's spring 2016 exhibition will be manus x machina: fashion in an age of technology, on view from May 5 through August 14, 2016(preceded on May 2 by The Costume Institute Benefit). Presented in the Museum's Robert Lehman Wing and Anna Wintour Costume Center, the exhibition will explore the impact of new technology on fashion and how designers are reconciling the handmade and the machine-made in the creation of haute couture and avant-garde ready-to-wear.
JULIEN'S AUCTIONS announces property from the Golden Closet Archives - a historic opportunity to own some of Hollywood's mos famous costumes and props.
(New York, September 8, 2015) — Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that Harold Koda, who has been Curator in Charge of The Costume Institute since 2000, will step down on January 8, 2016. Campbell also announced that Andrew Bolton, currently a Curator in the department, will become Curator in Charge of The Costume Institute upon Mr. Koda's departure.
GOLD COAST CITY, Australia - From the author of the sensational page-turner 'The Woman with the Scarlet Shoes' comes another riveting novel that brilliantly weaves elements of both fantasy and realism. 'Howl of the Syracuse Wolf' (published by Xlibris AU) is author Stephen Charles James's newest book that takes readers into the chaotic underworld of power and crime through the adventures of a new hero across exotic African landscapes.
(New York, July 28, 2015)—Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, announced today that a record 6.3 million people—from the five boroughs of New York City, the local tri-state area, across the United States, and around the world—visited the Museum during the fiscal year that ended on June 30 (FY15). This is the highest visitorship since the Met began tracking admission statistics more than 40 years ago, and it is the fourth year in a row that attendance exceeded six million. The total includes visitors both at the main building on Fifth Avenue and at The Cloisters museum and gardens, the branch of the Metropolitan Museum in upper Manhattan devoted to the art and architecture of the Middle Ages.
Metropolitan Opera singer Janinah Burnett and Joanna Marie Ford and Steven Wallace will perform the leading roles in Morningside Opera, Harlem Opera Theater and The Harlem Chamber Players concert production of VOODOO, the long-lost and historical opera by African American composer Harry Lawrence Freeman. They will be joined by Crystal Charles, James R. Hopkins III, Barry L. Robinson, Darian Worrall, a full chorus and 30-piece orchestra. The production is directed by Melissa Crespo and conducted by Gregory Hopkins. Last performed in NYC in 1928, VOODOO, will play two concert performances only on June 26 and 27, 2015 at 7PM at Miller Theatre at Columbia University (2960 Broadway, at the corner of Broadway and 116th street) in Manhattan. Terrance McKnight of WQXR Radio is the evening's host. Tickets are $25 advance/$30 at the door, with discount tickets available for students and seniors at $20. They can be purchased by visiting http://voodoo.brownpapertickets.com/ or by calling 800-838-3006.
The National Arts Club and ARTOnCuba present Carlos Quintana's 'Images of a Place that Never Existed' through May 30th. This free exhibit is open to the public and features an opening reception on April 29th and a Sunday Salon on May 17th.
The Costume Institute's spring 2015 exhibition, China: Through the Looking Glass, will be on view at The Metropolitan Museum of Art from May 7 through August 16, 2015 (preceded on May 4 by The Costume Institute Benefit). Presented in the Museum's Chinese Galleries and Anna Wintour Costume Center, the exhibition will explore how China has fueled the fashionable imagination for centuries, resulting in highly creative distortions of cultural realities and mythologies. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion will be juxtaposed with Chinese costumes, paintings, porcelains, and other art, as well as films, to reveal enchanting reflections of Chinese imagery.
On Thursday January 8th, the National Arts Club and its Office of Fine Arts, as directed by Dianne B. Bernhard, presented a rare series of etchings and aquatint, Los Caprichos, from the Spanish Master Francisco de Goya. The free exhibition, titled Francisco de Goya y Lucientes: Los Caprichosruns until January 31st.
