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Steven Carpenter to Direct Bruce Nelson and Jeff Baker in HYSTERIA

Rep Stage, the professional Equity theatre in residence at Howard Community College (HCC), continues its 17th season with ?Hysteria,? a farcical re-imagining of an actual 1938 meeting between Sigmund Freud and Salvador Dali ? a year before Freud?s death. Steven Carpenter (?Mrs. Farnsworth,? ?Trumbo: Red, White and Blacklisted?) returns to Rep Stage to direct two-time Helen Hayes Award-winner Bruce Nelson as Salvador Dali and Jeff Baker as Sigmund Freud. Also featured in the cast are Conrad Feininger and Marni Penning. ?Hysteria? opens October 7 and runs through November 1, 2009 in the Studio Theatre of the Horowitz Visual and Performing Arts Center (HVPA) on the campus of HCC.

A Theatre Lover's Guide to DC/Capital Area Theatres - September Offerings

There are two things you should know about me: I am a musical theatre lover, and I love to schmooze with actors and composers. I am very fortunate to live in the DC area where our theatre community is growing by leaps and bounds. There are so many productions opening in September in DC, Maryland and Virginia theatres, my head is spinning trying to figure out which ones I will see.

The American Century Theater Brings Albee's SEASCAPE To Arlington 7/30-8/22

Edward Albee is generally regarded as America's greatest living playwright. He is also one of its bravest and most versatile, and none of his plays proves this more than the 1975 drama Seascape, presented by The American Century Theater, July 30 through August 22, at the Theater II, Gunston Arts Center, 2700 S. Lang St,, Arlington.

Photo Flash: SEASCAPE Plays At American Century Theater Through 8/22

Edward Albee is generally regarded as America's greatest living playwright. He is also one of its bravest and most versatile, and none of his plays proves this more than the 1975 drama SEASCAPE, presented by The American Century Theater through August 22, at the Theater II, Gunston Arts Center, 2700 S. Lang St,, Arlington. SEASCAPE is directed by Steven Scott Mazzola.

The American Century Theater Brings Albee's SEASCAPE To Arlington 7/30-8/22

Edward Albee is generally regarded as America's greatest living playwright. He is also one of its bravest and most versatile, and none of his plays proves this more than the 1975 drama Seascape, presented by The American Century Theater, July 30 through August 22, at the Theater II, Gunston Arts Center, 2700 S. Lang St,, Arlington.

The American Century Theater Brings Albee's SEASCAPE To Arlington 7/30-8/22

Edward Albee is generally regarded as America's greatest living playwright. He is also one of its bravest and most versatile, and none of his plays proves this more than the 1975 drama Seascape, presented by The American Century Theater, July 30 through August 22, at the Theater II, Gunston Arts Center, 2700 S. Lang St,, Arlington.

Toll-Free Callers Hear Scholars Discussion Of Native Son 4/5

On Sunday evening, April 5, at 8:30 PM, E.D.T., a simple toll-free call will admit anyone in the country to a lively examination of the history, significance and controversy surrounding Native Son, the 1941 stage adaptation of Richard Wright's classic novel that sparked a debate about civil rights, social policy and racism that still burns hotly today.

Toll-Free Callers Hear Scholars Discussion Of Native Son 4/5

On Sunday evening, April 5, at 8:30 PM, E.D.T., a simple toll-free call will admit anyone in the country to a lively examination of the history, significance and controversy surrounding Native Son, the 1941 stage adaptation of Richard Wright's classic novel that sparked a debate about civil rights, social policy and racism that still burns hotly today.

American Century Revives NATIVE SON 4/14 At Gunston Center

Novelist Richard Wright's searing novel Native Son aroused violent controversy from the moment it was published. The saga of a young American black man who becomes an unrepentant killer, the book was hailed as an uncompromising indictment of the nation's racial divisions and social injustice, and condemned as feeding white bigotry while excusing crime. Naturally, Orson Welles, then the most dynamic force in American theater, thought it was just the kind of story his Mercury Theater needed to tackle.

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