Carol Rosegg News

Ensemble Studio Theatre bills itself as 'The Major Forum for One-Act Plays in America.' Having not surveyed too many of the minor forums, I can't necessarily second it. But if its 28th Festival of One-Act Plays 'Series C' is any indication, the company can pride itself on presenting intriguing work by artists more than skilled in the craft of one-act playwriting-and even the writing of musicals

Director David Warren's slick, sexy and fast-moving production can't save this weak script

Mary Pat Gleason's solo play about her battle with bipolar disorder lacks focus

Roger Kirby's new Off-Broadway play Burleigh Grime$ began previews on Tuesday, May 23rd and opens on Tuesday, June 13th at New World Stages New World Stages

Stopping Traffic, a one-woman show written by and starring Mary Pat Gleason and directed by Lonny Prince, opens June 7

Christiane Noll, currently starring in the York Theatre Company musical A Fine and Private Place, is a versatile performer who sees no reason to impose limits on herself--in theatre and in life

Richard Isen and Erik Haagensen's charming and romantic musical fantasy expores love in a Bronx cemetary

The York Theatre Company's A Fine and Private Place is currently in previews, and will open on April 27th

John Guare's Landscape of the Body, starring Sherie Rene Scott and Lili Taylor, is currently in previews at Signature Theatre Company, where it will open on April 16th

With Jonathan Pryce's new take on the starring role, Dirty Rotten Scoundrels makes a sharp 180 degree turn into the highbrow lane

Karoline Leach's new play matches an Edwardian pick-up artist and a dazzled spinster

Sherry Glaser uses a lot of Borscht Belt humor in playing five members of a Jewish family

Transatlantic Liaison, a show about Simone de Beauvoir and Nelson Algren, has been extended through April 15th

Sherry Glaser's one-woman play Family Secrets opens tonight, March 8th

A leading lady who yells her lines and a director going for too much realism saps much of the humor from this Neil Simon classic

Glen Berger's dark, yet whimsical fairy-tale comedy is an enjoyable tale full of quirky charm

Ed Dixon's musical version of the infamous erotic novel plays like a promising work in progress