Carol Rosegg News

The Atlantic Theatre Company's production of The Cherry Orchard will run from June 15th to July 3rd

Stephen Dolginoff's musical of Leopold and Loeb barely inspires a twitter

Rachelle started dancing at age 2, got into the tour of 'Cats' when she was 17, and starred in the PBS telecast of 'Fosse'...

Why does the current edition of Edward Albee's classic seem so much like a popular sitcom?

In the conclusion of BWW's series on groundbreaking women in theater, Rashad sounds off on many subjects...but not her history-making Tony triumph last season.

David Yazbek may be one of the great hopes for bringing in a whole new audience for the Broadway musical; the beer drinkin', butt scratchin', football and pro wrestlin' watchin' American male

Emmons, a seven-time Tony nominee, is spotlighted in the second of BWW's special Women's History Month profiles.

Mercedes Ruehl stars as Peggy Guggenheim, modern art collector and collecter of modern artists

A giddy new musical spoofs Christian rock and teenage boy bands

Currently in previews, and starring Mercedes Ruehl, the show opens on March 10.

With this new feature BWW turns the spotlight on ensemble members, starting with T. Oliver Reid of 'La Cage Aux Folles.'

The York's new revue of Kenward Elmslie's lyrics, poetry and verse bubbles over with the eccentricities of American English

Dirty Rotten Scoundrels opens on Thursday, March 3 2005.

The York Theatre Company presents the world premiere of LingoLand, a musical revue with words by Kenward Elmslie and music by a wide array of composers.

You don't have to be a musical theatre expert to love this spoof of Broadway's most famous hits

The cast is bitchin but the show is totally bogus, dude

The original Off-Broadway cast sings a David Evans/Douglas J. Cohen score full of bright melody and clever words.

CONTEST CLOSED- Who's going to see GOOD VIBRATIONS- the new musical featuring the songs of Brian Wilson & The Beach Boys!

Believe or not, a Jerry Herman tune was once a rallying cry for an anti-gay rights politician

Phylicia Rashad leads a strong ensemble in Kenny Leon's visually and emotionally gripping production