Carey Perloff News

American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced the complete lineup and dates for the company's 45th subscription season today. The final show of the subscription season will be the acclaimed musical The Scottsboro Boys, which just received 12 Tony Award nominations

National Corporate Theatre Fund (NCTF) held its Annual Chairman's Awards Gala and benefit last night (Monday, May 2) at the St. Regis New York hotel, raising more than $320,000 for new American theatre. This year, NCTF Chairman James S Turley, Chairman and CEO of Ernst & Young, honored Oscar and Tony Award-winner Joel Grey (on Broadway this season in Anything Goes and director of Broadway's The Normal Heart), recipient of the Theater Artist Award, presented to Mr. Grey by Anything Goes director/choreographer Kathleen Marshall; Charles Dillingham (Managing Director, Center Theatre Group, Los Angeles), recipient of the Theater Professional Award, presented by Benjamin Moore (Managing Director of Seattle Repertory Theatre) and Richard Thomas (Race on Broadway and The Public's Timon of Athens); and BNY Mellon, recipient of the Corporate Leadership Award, presented by Tony Award-winning stage and film actress Anika Noni Rose. All net proceeds of the event will be distributed as the NCTF/BNY MELLON FUND FOR NEW AMERICAN THEATRE.

American Conservatory Theater (A.C.T.) brings another acclaimed international hit to the Bay Area with the U.S. premiere of The Virtual Stage and Electric Company Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the French by Paul Bowles and conceived and directed by Kim Collier, this production arrives fresh from sold-out performances across Canada. When a mysterious valet ushers three people into a shabby hotel room, they soon discover that hell isn't fire and brimstone at all-it's other people. Sartre's existential masterpiece, skillfully reimagined through the perspective of a series of hidden cameras, turns the stage into a cinema, and the audience into voyeurs, as a thrillingly staged 'live film' takes place before your eyes. Described as 'epic, voyeuristic, theater-as-film staging . . . spectacularly brilliant' by the Calgary Herald and 'diabolically inventive . . . a riveting theatrical event' by the Georgia Straight (Vancouver), No Exit plays April 7-May 1, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8 p.m. Tickets (starting at $10) are available by calling the A.C.T. Box Office at 415.749.2228 or at www.act-sf.org. Collier, who recently received the prestigious Siminovitch Prize, Canada's largest theater award, explains the impulses behind her vision for Sartre's oft-visited play: 'In this new vision for No Exit, the sense of entrapment and alienation is more complete and palpable. By creating a theatrical space around the hotel room that traditionally defined the perimeter, we are 'widening the frame' on Sartre's play. This gives us a platform to continue our investigations of the intersection of live theater and film, and to investigate how a silent, physical narrative can reframe an existing, well-known piece.' Electric Company Theatre, a leading force in Canada's flourishing experimental theater scene, has made a name for itself since 1996 for pieces that are rich in spectacle and adventurous in form. As in No Exit, the audience is at the center of the company's creative process, and the act of watching usually becomes a theme of their work. In this production of No Exit, the Valet ushers each of the three visitors into a bunker onstage, where they are locked in with multiple cameras that feed their actions to three oversized screens. The audience experiences their interactions closeup and in real time, while the Valet's outside world creates an illuminating juxtaposition and framework for the action captured on film. With such shows as Brief Encounter and The Black Rider, A.C.T. has received recognition for presenting the American premieres of many groundbreaking theatrical works. Beginning with 2005's The Overcoat, Artistic Director Carey Perloff has formed strong connections with such acclaimed Canadian artists as Peter Anderson (who starred in The Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who wrote and directed last season's Vigil). Collier says: 'This U.S. premiere is a product of a few years of great conversations and visits with Carey Perloff and the tremendous staff at A.C.T. Over time we discovered not only a shared vision for theater, but also a fantastic, supportive, and inspiring partner.' The original cast of this new interpretation of No Exit will be performing at A.C.T. for the U.S. premiere: Lucia Frangione as Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding artistic and managing director of The Virtual Stage and designed the video projections, as Cradeau; and Jonathon Young as the Valet. The creative team, also from the premiere production and the Canadian tour, include sound designer Brian Linds, costume designer Kirsten McGhie, scenic designer Jay Gower Taylor, and lighting designer John Webber. A.C.T. will offer numerous InterACT events-many of which are offered free of charge-in association with No Exit that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater: * 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17 Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a ticket for Balcony seats during select performances. The third-floor Sky Bar opens one hour before curtain-show up early and mingle with other theatergoers while you enjoy happy-hour drinks and soak up the historic charm of one of the most beautiful theaters in the country. * Audience Prologue, featuring director Kim Collier: Tue., Apr. 12, at 5:30 p.m. Get inside the artistic process with a free half-hour preshow discussion with Kim Collier. FREE and open to the public (no tickets required). * Bring What You Can/Pay What You Wish: Thu., Apr. 14, at 8 p.m. Pay any amount for your tickets when you bring nonperishable food donations for the San Francisco Food Bank (sffoodbank.org). Patrons are limited to two tickets per donated item, two tickets per person. Tickets go on sale at 6 p.m. the day of the performance. Sponsored by Bank of the West. * Theater on the Couch: Fri., Apr. 15, at 8 p.m. Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of the show and addresses audience questions. * Audience Exchanges: Tue., Apr. 19, at 7 p.m. / Sun. Apr. 24, at 2 p.m. / Wed., Apr. 27, at 2 p.m. After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage. * OUT with A.C.T.: Wed., Apr. 20, at 8 p.m. Ten-year anniversary! Meet the cast and enjoy free cocktails and treats at these popular LGBT parties. Visit www.act-sf.org/out for more information about OUT night. A.C.T.'s presentation of No Exit is made possible by executive producers Mrs. Albert Moorman and Mary and Steven Swig; producers Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan Eckart, Roberta and David Elliott, Vicki and David Fleishhacker, Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms. Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T. would also like to acknowledge its 2010-11 season company sponsors: Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr. Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A. Van Wagner.

Marin Theatre Company closes its 2010-11 Season with Edward Albee's Tiny Alice, the first Bay Area production of this infamous play in over 35 years, which runs June 2 through 26.

Sundance Institute announced today the acting company participating in its 2011 Theatre Lab held at The Banff Centre in Alberta, Canada from March 27-April 17. The Theatre Lab provides an atmosphere focused on artistic development and collaboration to develop and refine new theatre work with the support of full casts. Building upon the Sundance Institute's history of cultivating international exchange and dialogue, the 2011Theatre Lab projects and participants illustrate and explore the world's most innovative storytelling. A record number 89 artists began their Lab experience on World Theatre Day, bringing works from the United States, Mexico, and Tanzania to the three week workshop. Sundance Institute is grateful for the assistance of the Performing Arts Residency Program at The Banff Centre.

Sundance Institute announced today the acting company participating in its 2011 Theatre Lab held at The Banff Centre in Alberta, Canada from March 27-April 17.

Hermitage Artist Retreat and the Greenfield Foundation are pleased to announce that the winner of the 2011 Greenfield Prize has been awarded this year in Drama to Playwright John Guare.

The Homecoming closes March 27, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco).

American Conservatory Theater (A.C.T.) Producing Director James Haire announced today that he would be retiring after a 40-year career with the company.

American Conservatory Theater (A.C.T.) announced the schedule for "Pursuing Pinter," an event celebrating the life and work of Harold Pinter in discussion and performance, which will take place on March 20, 2011, following the 2 p.m. performance of A.C.T.'s revival of The Homecoming

San Francisco's cutting-edge Cutting Ball Theater welcomes the spring with the Bay Area Premiere of LADY GREY (in ever lower light) and other plays by Will Eno, hailed by The New York Times as 'a Samuel Beckett for the Jon Stewart generation.' LADY GREY (in ever lower light) and other plays, featuring Danielle O'Hare, Galen Murphy-Hoffman, Gwyneth Richards, and David Sinaiko, runs March 11-April 10 (Press opening: March 17) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($15-50) and more information, the public may visit cuttingball.com or call 800-838-3006.

American Conservatory Theater (A.C.T.) continues its 2010-11 season with a revival of Nobel Laureate Harold Pinter's most provocative play, The Homecoming, directed by A.C.T. Artistic Director and longtime Pinter collaborator Carey Perloff.

American Conservatory Theater (A.C.T.)'s Opening Night Gala celebrating the world premiere of Armistead Maupin's Tales of the City will take place Wednesday, June 1, 2011.

American Conservatory Theater (A.C.T.) brings another acclaimed international hit to the Bay Area with the U.S. premiere of The Virtual Stage and Electric Company Theatre's production of Jean-Paul Sartre's No Exit. Adapted from the French by Paul Bowles and conceived and directed by Kim Collier, this production arrives fresh from sold-out performances across Canada. When a mysterious valet ushers three people into a shabby hotel room, they soon discover that hell isn't fire and brimstone at all-it's other people. Sartre's existential masterpiece, skillfully reimagined through the perspective of a series of hidden cameras, turns the stage into a cinema, and the audience into voyeurs, as a thrillingly staged 'live film' takes place before your eyes. Described as 'epic, voyeuristic, theater-as-film staging . . . spectacularly brilliant' by the Calgary Herald and 'diabolically inventive . . . a riveting theatrical event' by the Georgia Straight (Vancouver), No Exit plays April 7-May 1, 2011, at the American Conservatory Theater (415 Geary Street, San Francisco). Press night is Wednesday, April 13, 2011, at 8 p.m. Tickets (starting at $10) are available by calling the A.C.T. Box Office at 415.749.2228 or at www.act-sf.org. Collier, who recently received the prestigious Siminovitch Prize, Canada's largest theater award, explains the impulses behind her vision for Sartre's oft-visited play: 'In this new vision for No Exit, the sense of entrapment and alienation is more complete and palpable. By creating a theatrical space around the hotel room that traditionally defined the perimeter, we are 'widening the frame' on Sartre's play. This gives us a platform to continue our investigations of the intersection of live theater and film, and to investigate how a silent, physical narrative can reframe an existing, well-known piece.' Electric Company Theatre, a leading force in Canada's flourishing experimental theater scene, has made a name for itself since 1996 for pieces that are rich in spectacle and adventurous in form. As in No Exit, the audience is at the center of the company's creative process, and the act of watching usually becomes a theme of their work. In this production of No Exit, the Valet ushers each of the three visitors into a bunker onstage, where they are locked in with multiple cameras that feed their actions to three oversized screens. The audience experiences their interactions closeup and in real time, while the Valet's outside world creates an illuminating juxtaposition and framework for the action captured on film. With such shows as Brief Encounter and The Black Rider, A.C.T. has received recognition for presenting the American premieres of many groundbreaking theatrical works. Beginning with 2005's The Overcoat, Artistic Director Carey Perloff has formed strong connections with such acclaimed Canadian artists as Peter Anderson (who starred in The Overcoat as well as A.C.T's The Tosca Project) and Morris Panych (who wrote and directed last season's Vigil). Collier says: 'This U.S. premiere is a product of a few years of great conversations and visits with Carey Perloff and the tremendous staff at A.C.T. Over time we discovered not only a shared vision for theater, but also a fantastic, supportive, and inspiring partner.' The original cast of this new interpretation of No Exit will be performing at A.C.T. for the U.S. premiere: Lucia Frangione as Estelle; Laara Sadiq as Inez; Andy Thompson, who is the founding artistic and managing director of The Virtual Stage and designed the video projections, as Cradeau; and Jonathon Young as the Valet. The creative team, also from the premiere production and the Canadian tour, include sound designer Brian Linds, costume designer Kirsten McGhie, scenic designer Jay Gower Taylor, and lighting designer John Webber. A.C.T. will offer numerous InterACT events-many of which are offered free of charge-in association with No Exit that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater: * 10UP: World-Class Theater at Happy-Hour Prices: Apr. 7-17 Live it up with 10UP! Enjoy the Bay Area's best theater for only $10 a ticket for Balcony seats during select performances. The third-floor Sky Bar opens one hour before curtain-show up early and mingle with other theatergoers while you enjoy happy-hour drinks and soak up the historic charm of one of the most beautiful theaters in the country. * Audience Prologue, featuring director Kim Collier: Tue., Apr. 12, at 5:30 p.m. Get inside the artistic process with a free half-hour preshow discussion with Kim Collier. FREE and open to the public (no tickets required). * Bring What You Can/Pay What You Wish: Thu., Apr. 14, at 8 p.m. Pay any amount for your tickets when you bring nonperishable food donations for the San Francisco Food Bank (sffoodbank.org). Patrons are limited to two tickets per donated item, two tickets per person. Tickets go on sale at 6 p.m. the day of the performance. Sponsored by Bank of the West. * Theater on the Couch: Fri., Apr. 15, at 8 p.m. Join members of the San Francisco Center for Psychoanalysis for an exciting postperformance discussion that explores the psychological aspects of the show and addresses audience questions. * Audience Exchanges: Tue., Apr. 19, at 7 p.m. / Sun. Apr. 24, at 2 p.m. / Wed., Apr. 27, at 2 p.m. After the show, stick around for a lively Q&A session with the actors and artists who create the work onstage. * OUT with A.C.T.: Wed., Apr. 20, at 8 p.m. Ten-year anniversary! Meet the cast and enjoy free cocktails and treats at these popular LGBT parties. Visit www.act-sf.org/out for more information about OUT night. A.C.T.'s presentation of No Exit is made possible by executive producers Mrs. Albert Moorman and Mary and Steven Swig; producers Jeffrey W. and Jeri Lynn Johnson; and associate producers Nancy and Joachim Bechtle, Ronald Casassa, Myrkle and Madeline Deaton, Joan Eckart, Roberta and David Elliott, Vicki and David Fleishhacker, Dorothy A. Hyde, Charlie and Ann Johnson, Mr. Joel Krauska and Ms. Patricia Fox, Tim Mott, and Gary E. Roof and Douglas L. Light. A.C.T. would also like to acknowledge its 2010-11 season company sponsors: Priscilla and Keith Geeslin; Ambassador James C. Hormel and Mr. Michael P. Nguyen; Nancy Livingston and Fred Levin, The Shenson Foundation; Burt and Deedee McMurtry; Patti and Rusty Rueff; Kathleen Scutchfield; Mary and Steven Swig; Jeff and Laurie Ubben; and Susan A. Van Wagner.

American Conservatory Theater (A.C.T.) announced the schedule for "Pursuing Pinter," an event celebrating the life and work of Harold Pinter in discussion and performance, which will take place on March 20, 2011, following the 2 p.m. performance of A.C.T.'s revival of The Homecoming

American Conservatory Theater (A.C.T.) announces that its world premiere production of The Tosca Project (new title: The Tosca Cafe) will receive its Canadian premiere at Theatre Calgary this fall.

American Conservatory Theater (A.C.T.) Artistic Director Carey Perloff announced Bruce Norris's critically-acclaimed Clybourne Park as the final play of the company's 44th subscription season. Home is where the heart-and history-is in Clybourne Park, a 'spiky and damningly insightful new comedy' (The New York Times).

San Francisco's cutting-edge Cutting Ball Theater welcomes the spring with the Bay Area Premiere of LADY GREY (in ever lower light) and other plays by Will Eno, hailed by The New York Times as 'a Samuel Beckett for the Jon Stewart generation.' LADY GREY (in ever lower light) and other plays, featuring Danielle O'Hare, Galen Murphy-Hoffman, Gwyneth Richards, and David Sinaiko, runs March 11-April 10 (Press opening: March 17) at the Cutting Ball Theater in residence at EXIT on Taylor (277 Taylor Street) in San Francisco. For tickets ($15-50) and more information, the public may visit cuttingball.com or call 800-838-3006.

The American Conservatory Theater (A.C.T.) Master of Fine Arts (M.F.A.) Program presents the world premiere of acclaimed San Francisco writer Peter Sinn Nachtrieb's Litter: The Story of the Framingham Dodecatuplets, directed by A.C.T. Associate Artistic Director Mark Rucker.

Hermitage Artist Retreat and the Greenfield Foundation are pleased to announce that the winner of the 2011 Greenfield Prize has been awarded this year in Drama to Playwright John Guare.