Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. BroadwayWorld has a first look at the cast in costume below!
While an oldies-filled jukebox revue complete with a nod to today's boy bands might not sound like the most appealing night of theater DC has to offer, Arena's skillfully lighthearted take has the audience gasping, laughing, singing along, and even dancing on stage, so take the plunge into your radio and let Five Guys Named Moe show you the way.
Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. A co-production with Cleveland Play House, the show opened last night, November 20, in the Kreeger Theater and continues through December 28, 2014. Below, BroadwayWorld has photos from the opening night festivities, featuring book writer Clarke Peters!
Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. The show opens tonight, November 20, in the Kreeger Theater and continues through December 28, 2014.
Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. BroadwayWorld has a look at the cast in costume below!
The Joe A. Callaway Awards will be presented alongside the Fichandler Award this year tonight, November 3 in New York City.
Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. BroadwayWorld has a first look at the cast in costume below!
Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. Check out phtoos from the cast meet and greet below!
The Stage Directors and Choreographers Foundation (SDCF) announces this season's Joe A. Callaway Award winners for Direction and Choreography from more than 200 eligible productions in the 2013-2014 New York City theatre season. This year's awards will be presented to John Rando for his direction of The Heir Apparent, produced by Classic Stage Company, and Martha Clarke for her choreography of Cheri, produced by Signature Theatre.
Come and dance the blues away with Five Guys Named Moe! Helen Hayes Award winner Robert O'Hara (Bootcandy, director of The Mountaintop at Arena Stage) returns to Arena Stage to direct an explosive, reimagined tribute to the 'King of the Jukebox'-legendary composer and saxophonist Louis Jordan. This modernized production features new orchestrations for classic songs, including 'Let the Good Times Roll' and 'Is You Is or Is You Ain't My Baby,' and a contemporary twist on the five Moes, now a hit boy band set in 2014. This dynamic musical revue features musical direction by Darryl G. Ivey (assistant music director for original Broadway production of Five Guys Named Moe) and choreography by Byron Easley (off-Broadway's Langston in Harlem). A co-production with Cleveland Play House, Five Guys Named Moe runs November 14-December 28, 2014 in the Kreeger Theater.
Stage Directors and Choreographers Foundation (SDCF) has announced the 2014-2015 Committee for the Joe A. Callaway Award, the only peer-given award for excellence in direction and choreography. The Committee, which will oversee the award for the theatre season, is Sue Lawless, William Martin, Barry McNabb, Leslie (Hoban) Blake, Linda Burson, Jonathan Cerullo, Edie Cowan, Clinton Turner Davis, John Going, Richard Hamburger, Bruce Heath, Michael Montel, DJ Salisbury, and Amy Saltz. Sue Lawless will serve as Committee Chair.
The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin tonight, February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.
The Tony Award-winning Oregon Shakespeare Festival's 2014 preview performances begin February 14, and the season will open Friday night, February 21 in the Angus Bowmer Theatre with Shakespeare's The Tempest (director, Tony Taccone). On Saturday, Lorraine Hansberry's The Sign in Sidney Brustein's Window (Juliette Carrillo) takes the stage, as does the classic Marx Brothers musical The Cocoanuts (David Ivers), and Sunday afternoon Shakespeare's The Comedy of Errors (Kent Gash) opens in the Thomas Theatre.
La MaMa presents the New York Premiere of That Beautiful Laugh, the inaugural theatrical production by The Artigiani Troupe. That Beautiful Laugh, a clown show conceived and directed by Obie Award Winner Orlando Pabotoy, stars Alan Tudyk, Julia Ogilvie and Carlton Ward, and is part of La MaMa's 50th Anniversary season. The production runs from March 16 - 25, 2012 in a limited engagement at The Club at La MaMa, located at 74A East 4th Street between 2nd Avenue and the Bowery in New York City.
Karen Azenberg elected to serve second three-year term as SDC president. Tony-winner Melvin Bernhardt ('Da') awarded President's Award for Extraordinary Service.
The Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), announces Director Ciarán O'Reilly (Irish Repertory Theatre's THE EMPEROR JONES) and Choreographer Byron Easley (urbanStages' LANGSTON IN HARLEM) as winners of the Joe A. Callaway Award for the 2009-2010 Theatre Season, presented in a ceremony on Monday, November 15 in Manhattan.
The Stage Directors and Choreographers Foundation (SDCF), the not-for-profit foundation of Stage Directors and Choreographers Society (SDC), announces nine finalists for the Joe A. Callaway Awards, to be presented in a private ceremony on Monday, November 15.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) is happy to announce a one-week extension of their critically acclaimed musical, Langston in Harlem. Langston in Harlem has a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with Barry Levitt as music producer, choreography by Byron Easley, and musical direction by John DiPinto.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) is happy to announce a one-week extension of their critically acclaimed musical, Langston in Harlem. Langston in Harlem has a book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with Barry Levitt as music producer, choreography by Byron Easley, and musical direction by John DiPinto.
Urban Stages (Frances Hill, Artistic Director, Lauren Schmiedel, Managing Director) presents the World Premiere of the musical Langston in Harlem book by Langston Hughes, Walter Marks and Kent Gash, with music by Walter Marks, lyrics by Langston Hughes and directed by Kent Gash, with musical direction by Barry Levitt and choreography by Byron Easley.
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