New York City Opera's acclaimed VOX: Showcasing American Opera series marks its 10 th anniversary on Friday, May 1, and Saturday, May 2, at the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University. New York City Opera's annual VOX series demonstrates the company's commitment to the development of American opera, giving a free-of-charge platform to new or previously unperformed American operas. The final excerpt presented on Saturday, May 2, will mark the 100 th opera presented by VOX.
New York City Opera's acclaimed VOX: Showcasing American Opera series marks its 10th anniversary on Friday, May 1, and Saturday, May 2, at the Skirball Center for the Performing Arts (566 LaGuardia Place, at Washington Square South) at New York University. New York City Opera's annual VOX series demonstrates the company's commitment to the development of American opera, giving a free-of-charge platform to new or previously unperformed American operas. The final excerpt presented on Saturday, May 2, will mark the 100th opera presented by VOX.
New Yorkers will get an early listen of the first opera by Stephen Schwartz, Seance on a Wet Afternoon when American Opera Projects hosts a New York workshop on November 21 & 22. Opera Santa Barbara will present the world premiere in 2009.
New Yorkers get early listen of first opera by Stephen Schwartz, Séance on a Wet Afternoon
American Opera Projects hosts New York workshop November 21 & 22.
Opera Santa Barbara to present world premiere in 2009.
American Opera Projects, the Brooklyn-based company 'known for bringing cutting-edge vocal productions to the masses' (New York Magazine), presents the final New York workshop of Stephen Schwartz's new opera Séance on a Wet Afternoon at the end of November in Manhattan and Brooklyn. The Manhattan performance (The Angel Orensanz Center, 172 Norfolk St.)
American Opera Projects, the Brooklyn-based company 'known for bringing cutting-edge vocal productions to the masses' (New York Magazine), presents the final New York workshop of Stephen Schwartz's new opera Séance on a Wet Afternoon at the end of November in Manhattan and Brooklyn. The Manhattan performance (The Angel Orensanz Center, 172 Norfolk St.)
Wicked composer/lyricist is set to make his debut as an opera composer with an adaptation of Séance on a Wet Afternoon, which will premiere at Opera Santa Barbara in spring of 2009