James Cady has directed stunning productions of plays by Eugene O'Neill, Arthur Miller, and most recently his own vision of 'Hamlet'. His next project at The ADOBE Theater is Carson McCullers' drama, 'The Member of the Wedding' (which she adapted from her novella published in 1946), which opens tonight, October 24th.
Following the recent triumph of the musical THE ADDAMS FAMILY, and nestled quietly in the more intimate setting of Theatre Memphis' Next Stage, Carson McCullers' touching THE MEMBER OF THE WEDDING offers yet another 'Addams Family.' This time, however, the trio of performers who dominate the play - tomboyish 'Frankie' (nee 'Frances'), odd little 'John Henry,' and warm, nurturing 'Berenice' - easily draw the audience members into the world of their kitchen and garden area. It may seem a ridiculous notion, but I couldn't help seeing a similarity between the two plays. In both plays, the main characters are removed from an outside, 'normal' world; and in both plays, there are characters who wish to be seen by others as normal. Yet, THE MEMBER OF THE WEDDING, despite its moments of humor (and there are many such moments), is full of longing and pain and frustration.
James Cady has directed stunning productions of plays by Eugene O'Neill, Arthur Miller, and most recently his own vision of 'Hamlet'. His next project at The ADOBE Theater is Carson McCullers' drama, 'The Member of the Wedding' (which she adapted from her novella published in 1946), which opens October 24th.
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One of the American theater's greatest actresses is six-time Tony Award recipient Julie Harris. She dazzled audiences in The Lark, Forty Carats, I Am a Camera, The Belle of Amherst, The Last of Mr. Lincoln and of course The Member of the Wedding. Miss Harris reminisces about working with Ethel Waters and the impact that the young up and coming Brandon De Wilde had on her in The Member of the Wedding.