From the creator of Tony Award-winning musical Million Dollar Quartet, the Ogunquit Playhouse will produce the World Premiere of Heartbreak Hotel, as part of its 85th anniversary season, on stage August 30 to September 30.
Kansas City Repertory Theatre will open its 2017/18 season with BETWEEN THE LINES, a new musical based on the best-selling book by New York Times bestselling authors Jodi Picoult and her daughter Samantha van Leer that features music and lyrics by Elyssa Samsel and Kate Anderson, book by Timothy Allen McDonald and be directed by Tony Award-nominated director Jeff Calhoun.
On May 7, 2017 at 3:00 pm the halls of First Presbyterian Church will be filled with the sound of voices of many generations joined in song. The Chamber Singers of the Colorado Springs Chorale and the Summit Ensemble of the Colorado Springs Children's Chorale will present Ralph Vaughan Williams' beautiful Dona Nobis Pacem (Grant us Peace)as the featured work in this season's X-VOX: Generations Joined in Song.
The Los Angeles Drama Critics Circle announced the recipients of its 48th annual awards for distinguished achievement in theatre tonight, Monday, March 20, at the Colony Theatre in Burbank.
The Los Angeles Drama Critics Circle is proud to announce a new special award to be presented at its upcoming awards ceremony on March 20: The Gordon Davidson Award for distinguished contribution to the Los Angeles theatrical community. The award is sponsored by the Center Theatre Group, where Gordon Davidson served as the founding Artistic Director from 1967 to 2005, and will be presented this year to Pro99.
From January 25-28, Matt Trucano's (Columbia Directing 2017) new take on Tennessee Williams' classic, yet oft-untold story, CAMINO REAL, will light up The Connelly Theater (220 East 4th Street).
OPERA America, the national service organization for opera and the nation's leading champion for American opera, is proud to announce the 2017 finalists of the Robert L.B. Tobin Director-Designer Showcase, a biennial program offered as part of OPERA America's continuing efforts to foster emerging opera artists.
Four theater artists will be honored by the Henry Hewes Design Awards Committee during the presentation of its 2016 Awards in a luncheon ceremony to be held November 7, 2016.
Casa Mañana Theatre opens its 2016-17 Broadway season with Jesus Christ Superstar, tonight, September 10, through September 18. Tickets are on sale now.
Kitchen Theatre Company's 25th Anniversary season continues with the romantic comedy Dancing Lessons by Mark St. Germain. Dancing Lessons began previews on March 20th and runs until April 3rd. Check out a first look below!
A new production of THE UNDERSTUDY by Theresa Rebeck has been extended by three performances through April 3, 2016 at Working Stage Theater in Los Angeles.
Next up on Kitchen Theatre Company's 25th Anniversary Season is a warm, new comedy: DANCING LESSONS by Mark St. Germain Ithaca, NY: Kitchen Theatre Company's 25th Anniversary season continues with the romantic comedy Dancing Lessons by Mark St. Germain. Dancing Lessons opens for previews on March 20th and runs until April 3rd.
A new production of The Understudy by Theresa Rebeck will open on Friday, March 11 at 8pm for a limited run of nine performances at Working Stage Theater in Los Angeles. The cast will feature (in alphabetical order) Max Bunzel (NCIS: Los Angeles), Braxton Molinaro (Sons of the Prophet at The Blank Theatre), and Magdalene Vick (Average Joe). Directed by Laura Henry, the engagement will run through March 27 only.
Loft227 and Executive Producer Robin Sokoloff (THE LOST, SPOTLIGHT LIVE) launch a 4th season of environmental theatre in their Chelsea performance venue. Previous programming at Loft227 includes the beloved musical DANI GIRL (Exit, Pursued by a Bear), CHICK FLICK: THE MUSICAL (Daryl Roth), and LIVE FROM THE LOFT (EST Youngblood). Loft227's 2016 Season opens with THE GIANTS, PARTS ONE & TWO by Matthew Jellison, and will include THE LAST REQUEST OF CHARLES BEAUXNER, an immersive murder mystery by Matt Cox (PUFFS, KAPOW-I GOGO).
Loft227 and Executive Producer Robin Sokoloff (THE LOST, SPOTLIGHT LIVE) launch a 4th season of environmental theatre in their Chelsea performance venue. Previous programming at Loft227 includes the beloved musical DANI GIRL (Exit, Pursued by a Bear), CHICK FLICK: THE MUSICAL (Daryl Roth), and LIVE FROM THE LOFT (EST Youngblood). Loft227's 2016 Season opens with THE GIANTS, PARTS ONE & TWO by Matthew Jellison, and will include THE LAST REQUEST OF CHARLES BEAUXNER, an immersive murder mystery by Matt Cox (PUFFS, KAPOW-I GOGO).
In this presidential election year, nothing is more fitting then to look back at one of the nation's most complicated men ever to have served as leader of the free world.
This week, we go around our Broadway World to feature stories in Milwaukee, Los Angeles, Denver, and more. Check out our top 10 stories around our Broadway World below, which include OF MICE AND MEN at Milwaukee Rep, the pre-Broadway engagement of EMPIRE in Los Angeles, and VIOLET in Denver, just to name a few.
The pre-Broadway engagement of EMPIRE opened at La Mirada Theatre for the Performing Arts, with book, music & lyrics by Caroline Sherman and Robert Hull, musical direction by Sariva Goetz, and directed and choreographed by Marcia Milgrom Dodge (Ragtime). EMPIRE runs through Sunday, February 14, 2016.
It's no surprise that a palpable, uproarious reception greeted the opening night performance of EMPIRE - THE MUSICAL, a brand new stage show featuring book, music, and lyrics by Caroline Sherman and Robert Hull---currently having its 'out-of-town' premiere at the La Mirada Theatre for the Performing Arts through February 14, 2016. Directed and choreographed by Tony Award nominee Marcia Milgrom Dodge (RAGTIME), this ambitious new original musical---advertised with declared aspirations for an eventual engagement on Broadway---fashions an early 20th Century era, multi-character narrative about the construction of one of the world's most iconic skyscrapers: the Empire State Building in New York City. The good news? It's exceedingly entertaining. The not-so-good news? It's a show with lots of potential but needs a lot more tinkering and refining.