BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Michael T. Hearn, Information Assistant, The New York Public Library for the Performing Arts on: A Brief History Of She Loves Me.
When New York cabaret community insiders and frequent club goers heard that Marissa Mulder was planning a Marilyn Monroe-themed show, the consensus was the vocalist's naturally breathy voice paired with a roster of songs from Monroe's films would be a good fit. Sidestepping expectations, Mulder and Director Sondra Lee have instead put together a one-woman theater piece with almost as much monologue (using Monroe's own words) as music. Equally surprising, the impressionistic show (currently in the midst of a four-show run at the Laurie Beechman Theatre after launching in February at the Metropolitan Room) features not Monroe's familiar material, but rather songs that reflect what its creators intuit as her internal life.
The 2nd Annual Broadway Hackathon will return Monday April 18th and Tuesday April 19th at the New York Public Library for the Performing Arts at Lincoln Center.
On March 4, EgoPo presents the opening of Clare Boothe Luce's comic masterpiece, The Women with an all-female cast of 19. Directed by Artistic Director Lane Savadove, EgoPo Classic Theater continues their season of influential female playwrights with Luce, a woman who led an extraordinary life as a Broadway playwright, war journalist, congresswoman, ambassador, and Presidential Medal of Freedom recipient. The Women previews March 3 and opens Friday, March 4. The show runs three weeks, closing on Sunday March 20. Tickets start at $25. All performances are at the Latvian Society of Philadelphia on 7th and Spring Garden.
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Doug Reside, Lewis and Dorothy Cullman Curator for the Billy Rose Theatre Division at the The New York Public Library for the Performing Arts!
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Barbara Cohen-Stratyner, Ph. D., Judy R. and Alfred A. Rosenberg Curator of Exhibitions for the Shelby Cullom Davis Museum, The New York Public Library for the Performing Arts on: Finding The Wiz at The Library for the Performing Arts.
The New York Public Library for the Performing Arts at Lincoln Center has acquired the papers of Isaiah Sheffer, playwright, lyricist, and co-founder and artistic director of New York's renowned cultural institution Symphony Space.
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Annemarie van Roessel, Assistant Curator for the Billy Rose Theatre Division for The New York Public Library for the Performing Arts on The New Isaiah Sheffer Archive.
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Doug Reside (Lewis and Dorothy Cullman Curator for the Billy Rose Theatre Division) on Homophones and Lyrics:
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Doug Reside (Lewis and Dorothy Cullman Curator for the Billy Rose Theatre Division) on Broadway on Tour:
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Doug Reside (Lewis and Dorothy Cullman Curator for the Billy Rose Theatre Division) on Meta-Commentary and Mockery:
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Arlene Yu, Moving Image Specialist for the Jerome Robbins Dance Division for The New York Public Library for the Performing Arts on Kiss Me, Kate and Dance as a 'Useful Art'.
The first production in Hune Company's 2015 Living Room Series is the world premier of NOT MAD. Founder and Artistic Director Matt Hune directs this unique work that has been written and created by the company.
On July 5, Carole J. Bufford erupted onto the stage at Birdland for her first Sunday evening as hostess of the club's weekly Jazz Party (which had been helmed most recently by Natalie Douglas and Jane Monheit). The formidable vocalist, glamorous in clingy red, was aided and abetted by a top-notch (also well dressed—Bravo!) quartet featuring Joel Frahm on sax, Ray Marchia on drums, Tom Hubbard on bass, and Musical Director Ian Herman on piano. Special guests for Bufford's inaugural session were Janelle Velasquez and Lianne Marie Dobbs. With Bufford's audacious performance, smart choices, and attention to detail, Sundays promise to be a great deal more fun in midtown Manhattan.
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Barbara Cohen-Stratyner, Ph. D., Judy R. and Alfred A. Rosenberg Curator of Exhibitions at the Shelby Cullom Davis Museum for The New York Public Library for the Performing Arts on head shots!
BroadwayWorld.com continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Doug Reside (Lewis and Dorothy Cullman Curator for the Billy Rose Theatre Division) on Telegraphing Rhymes:
Almost as long as there has been photography, performers have used portraits to represent themselves for casting and promotion. In the new exhibition Head Shots: Performer Portraits from Daguerreotype to Digital, The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center in Lincoln Center showcases its vast collection of head shots to illustrate the photos' role in the casting and marketing process, as well as how these pictures evolved alongside modern technology. Head Shots is currently on display in The Library for the Performing Arts' Vincent Astor Gallery, Shelby Cullom Davis Museum through August 8, 2015.