The Drama Desk Award-winning TADA! Youth Theater's Annual Gala will take place on Sunday, March 5, 2017 at Tribeca 360. TADA! is thrilled to announce that this year's honorees are legendary composer & Artistic Advisory Board Member STEPHEN SCHWARTZ, loyal supporter & Board Member JULIE TURAJ & philanthropist ROBERT POHLY. The Gala will be hosted by TADA! alum, JORDAN PEELE, of Comedy Central's 'Key & Peele.'
Due to an illness within the producer's family and overwhelming unexpected circumstances, SLEEPLESS The Musical has been postponed. The producer hopes to have further news of the future of the production next year.
2016 was a year for imagination and innovation on Rhode Island stages. Here's a look back on some of the productions that stole the spotlight in the Ocean State this season.
Fresh from the Final of BBC's Strictly Come Dancing, Danny Mac and West End leading lady Carley Stenson, will be playing the roles of Sam and Annie in the world premiere of SLEEPLESS the Musical.
Florida Repertory Theatre is pleased to announce the opening of 'Over the River and Through the Woods', a hilarious and warm-hearted family fiasco by Joe DiPietro the Tony Award winning author of 'Memphis', 'I Love You, You're Perfect, Now Change', and many more.
Good and evil. Purity and sin. Divinity and hell. These things are complete opposites and many would argue that people can be either one or the other. But is it possible that both of these traits can live inside of us? Can each of us have a darkness inside of them yearning to be free? In Orlando Shakes' DR. JEKYLL & MR. HYDE these are the questions audience members find themselves asking.
Orlando Shakespeare Theater (Orlando Shakes) in Partnership with UCF presents Dr. Jekyll and Mr. Hyde. Set on the streets of Victorian London, Jeffrey Hatcher's play honors Robert Louis Stevenson's original novella, "The Strange Case of Dr. Jekyll and Mr. Hyde," while adding a complex interpretation of depravity, lust, love, and horror. Dr. Jekyll and Mr. Hyde appears from October 12 to November 13, 2016 in the Goldman Theater. Tickets are available now by calling (407) 447-1700 ext. 1, visiting www.orlandoshakes.org, or in person at the John and Rita Lowndes Shakespeare Center (812 East Rollins Street).
Summer is only eight weeks away but it will be raining on stage in the Festival Theatre when the hit West End stage production SINGIN' IN THE RAIN previews from 1 December in at the Festival Theatre for a limited pre-Christmas season. It will be the first time in almost fifteen years that a production of the show has been seen on the main stage in Adelaide.
Orlando Shakespeare Theater (Orlando Shakes) in Partnership with UCF presents Dr. Jekyll and Mr. Hyde. Set on the streets of Victorian London, Jeffrey Hatcher's play honors Robert Louis Stevenson's original novella, "The Strange Case of Dr. Jekyll and Mr. Hyde," while adding a complex interpretation of depravity, lust, love, and horror. Dr. Jekyll and Mr. Hyde appears from October 12 to November 13, 2016 in the Goldman Theater. Tickets are available now by calling (407) 447-1700 ext. 1, visiting www.orlandoshakes.org, or in person at the John and Rita Lowndes Shakespeare Center (812 East Rollins Street).
West Side Story tells the epic love story of idealistic young lovers Maria and Tony as they find themselves caught between rival street gangs, the Jets and the Sharks. Their struggle to survive in a world of hate, violence, and prejudice is one of the most beautiful, heart-wrenching, and relevant musical dramas of our time. West Side Story's legendary jazz, Latin, and classical-inspired score features the treasured songs 'Maria,' 'Tonight,' 'I Feel Pretty,' and 'America.'
La Strada Ensemble Theater's 3rd season reveals 5 World Premiers (A.J. Cicotelli's Fab & Ren, Mike Sockol's Bris, Robert Scott's The Amateur Killer, A.J. Ciccotelli's Drowning in Euphoria and Gerry Ringwald's Not Curing Cancer), two East Coast Premiere's of Tom Cavanaugh's one acts Poker Night & Last Remnants of Cops, Robbers and Hollywood Cowboys and 12 one acts each by our company of writers and others in our Crazy Love and Rainbow 2017: LGBT festival. Dates and times will be announced in weeks to come. Tickets will go on sale when show dates are announced.
?Adam Garcia has today announced that unfortunately, due to ongoing issues relating to the injury he suffered whilst performing on stage, he has had to withdraw from the remainder of the Australian tour of SINGIN' IN THE RAIN.
The excitement is building for the Brisbane season of the splash-hit West End stage production SINGIN' IN THE RAIN, opening from 22 September 2016 at Queensland Performing Arts Centre's (QPAC) Lyric Theatre.
Like any art form, theatrical musicals can run the gamut in tone, style, tenor and execution. You can find everything from dark, serious brooding drama to light-as-a-feather, fluff-filled entertainments. Which is not to say that either side of the spectrum is better or worse than the other, there are highs and lows at both ends of the spectrum. When it comes to the lighter, fluffier fare, there are few as effervescent and entertaining as Cole Porter's Anything Goes, now receiving a top-notch production at Ocean State Theatre Company.
A tale of mysticism, betrayal, love and the ultimate choice. THE TEMPEST is arguably one of Shakespeare's most cohesive works, with its central plot all taking place on the same day in one location. The storyline is easier to follow than some of the Bard's earlier plays, which is brought to light by the acting and direction in the Orlando Shakespeare production that opened in Central Florida on Friday night.
Ambition can be a dangerous thing, whether you are a guitar-playing drifter in early Twentieth Century Orlando, or a playwright attempting to recontextualize an outdated work. In SPUNK AND THE HARLEM LITERATI, running through January 31st, UCF Theatre professor Be Boyd attempts to take an existing play by author and playwright Zora Neale Hurston, and ham-handedly shoehorn it into a framing device that seeks to admirably put the works of Hurston and her African-American contemporaries into proper cultural context. Unfortunately, the lack of connection between the framing scenes, set on a Harlem rooftop, and those of the play proper, set in rural Eatonville, Florida, robs both of any greater significance.
