Angela Meade – fresh from Metropolitan Opera triumphs as Bellini's Norma and as Alice Ford in Falstaff (the latter seen worldwide in the Met's Live in HD series) – has a busy summer ahead. The soprano, whose honors include the Richard Tucker and Beverly Sills Artist Awards, will perform at festivals across the U.S. from June through August. She launches her summer season as soprano soloist in Beethoven's Symphony No. 9 with the Baltimore Symphony under Marin Alsop (June 5-8) before taking on the title role of Donizetti's Lucrezia Borgia in her return to the Caramoor International Music Festival (July 12, 18). The Washington State native also headlines two festivals in Oregon: she sings Violetta in Verdi's La traviata for the gala opening concert of the Astoria Music Festival (June 14), and the title role of Bellini's Norma for Portland's SummerFest (Aug 8).
It was in a supporting role at Carnegie Hall with Eve Queler and the Opera Orchestra of New York that Stephen Costello first launched his professional career. Now the Tucker Award-winning tenor makes a hero's return, rejoining the same forces at the storied New York venue to headline a concert performance of Donizetti's Roberto Devereux tonight, June 5.
To close its 47th Season, Marin Theatre Company will produce the West Coast premiere of Failure: A Love Story by the 'hugely talented Chicago writer' (Chicago Tribune) Philip Dawkins. Directed by MTC's artistic director Jasson Minadakis, this 'enchanted and enchanting' play about love and loss will feature five actors playing multiple characters, using puppets and playing live music both original (by MTC's frequent collaborator Chris Houston, a Berkeley-based composer and musician) and from the era of the play - 1920s Chicago.
Music Director Robert Spano will lead the Atlanta Symphony Orchestra (ASO) and Chorus in a concert staging of Verdi's Aida today, June 5, 2014, at 8:00 p.m., June 7, 2014, at 7:30 p.m., and June 8, 2014, at 2:00 p.m. in Atlanta Symphony Hall at the Woodruff Arts Center. This will be the ASO premiere of Aida, and these performances will mark the end of the Orchestra's 2013-14 season.
Angela Meade – fresh from Metropolitan Opera triumphs as Bellini's Norma and as Alice Ford in Falstaff (the latter seen worldwide in the Met's Live in HD series) – has a busy summer ahead. The soprano, whose honors include the Richard Tucker and Beverly Sills Artist Awards, will perform at festivals across the U.S. from June through August. She launches her summer season as soprano soloist in Beethoven's Symphony No. 9 with the Baltimore Symphony under Marin Alsop (June 5-8) before taking on the title role of Donizetti's Lucrezia Borgia in her return to the Caramoor International Music Festival (July 12, 18). The Washington State native also headlines two festivals in Oregon: she sings Violetta in Verdi's La traviata for the gala opening concert of the Astoria Music Festival (June 14), and the title role of Bellini's Norma for Portland's SummerFest (Aug 8).
Well, it worked on me! 'The Elixir of Love' opened last night at the Opera Theatre of St. Louis, and after only a sip or two I fell head over heels for it. At the end of the evening I was, like Nemorino, giddy (oh, let's admit it, the better word is 'drunk') with happiness and delight. It was simply perfection!
Click below to watch mezzo-soprano Joyce DiDonato's eloquent and heartfelt Juilliard Commencement speech on May 23, 2014! In addition to her remarks, DiDonato also received Juilliard's Honorary Doctor of Music.
Eight remarkable artists and philanthropists will be hooded and handed their degrees in person when The Juilliard School confers honorary doctorates during its 109th Commencement Ceremony today, May 23, 2014 at 11 AM in Alice Tully Hall, Lincoln Center (Broadway at 65th Street, NYC).
The internationally noted Renaissance ensemble performed music to lament one's fate by, inside one of Pennsylvania's most historic prisons. It's worth performing anywhere.
Every inch of the historic Paramount Theatre stage in Oakland will be packed with the complete, 25-year-old Oakland East Bay Symphony, the 55-year-old Oakland Symphony Chorus, 50-year-old Oakland Youth Orchestra, Music Director and conductor Michael Morgan and guest tenor Thomas Glenn, who will collectively pull out all the stops in one performance only of Berlioz' monumental Requiem tonight, May 16, at 8 pm.
John Schreiber, NJPAC's President and CEO, and David Rodriguez, Executive Producer of the Arts Center, announced today a 2014-15 season packed with new, NJPAC- created, season-long series', collaborations with renowned artists and companies, an expansion of diverse programming, further integration of NJPAC's arts education programs within mainstage performances, and a continuation of the Arts Center's 17-year tradition of presenting world-class artists. With over 100 performances and special events announced for the acoustically superb 2,800- seat Prudential Hall, intimate 514-seat Victoria Theater, 250-seat Chase Room, and outdoors in Theater Square, by artists ranging from Patti LaBelle to The Metropolitan Opera Rising Stars; from Chris Botti to Potted Potter: The Unauthorized Harry Experience; from Golda's Balcony with Tovah Feldshuh to the Brick City Jazz Orchestra; from Bela Fleck to Lula Washington Dance Theatre; from Beres Hammond to Audra McDonald; and from The Second City to Dinosaur Train Live!, NJPAC's new season has something for everyone.
It was in a supporting role at Carnegie Hall with Eve Queler and the Opera Orchestra of New York that Stephen Costello first launched his professional career. Now the Tucker Award-winning tenor makes a hero's return, rejoining the same forces at the storied New York venue to headline a concert performance of Donizetti's Roberto Devereux on June 5.
“The party's over,” wrote Betty Comden & Adolph Green in BELLS ARE RINGING. “It's time to call it a day.” The opera season at the Metropolitan said its farewells to 2013-2014 on May 10 with a bel canto doubleheader of Rossini's LA CENERENTOLA (a shot heard round the world via radio and The Met's LIVE IN HD) and Bellini's IL PURITANI--not a bad swan song, considering the singing talent involved.
To close its 47th Season, Marin Theatre Company will produce the West Coast premiere of Failure: A Love Story by the 'hugely talented Chicago writer' (Chicago Tribune) Philip Dawkins. Directed by MTC's artistic director Jasson Minadakis, this 'enchanted and enchanting' play about love and loss will feature five actors playing multiple characters, using puppets and playing live music both original (by MTC's frequent collaborator Chris Houston, a Berkeley-based composer and musician) and from the era of the play - 1920s Chicago.
Joyce DiDonato sings her first Met performances of the title character in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, andLuca Pisaroni as Don Ramiro's tutor, Alidoro.
The Canadian Opera Company regrets to announce that Italian tenor Giuseppe Filianoti will not be returning to the company's production of Roberto Devereux, currently in performance at the Four Seasons Centre for the Performing Arts. As previously announced, Filianoti withdrew from the title role for the first three of seven scheduled performances, and circumstances continue to prevent his return to the stage. American tenor Leonardo Capalbo stepped into the role on April 25, 29 and May 3, 2014 and was met with overwhelming popular and critical acclaim for his portrayal of Roberto Devereux.
The Canadian Opera Company regrets to announce that Italian tenor Giuseppe Filianoti will not be returning to the company's production of Roberto Devereux, currently in performance at the Four Seasons Centre for the Performing Arts. As previously announced, Filianoti withdrew from the title role for the first three of seven scheduled performances, and circumstances continue to prevent his return to the stage. American tenor Leonardo Capalbostepped into the role on April 25, 29 and May 3, 2014 and was met with overwhelming popular and critical acclaim for his portrayal of Roberto Devereux.
Joyce DiDonato sings her first Met performances of the title character in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, andLuca Pisaroni as Don Ramiro's tutor, Alidoro.
One of the thrilling things about live opera performance is that it's like watching a tightrope walker, particularly when it's one with as many high notes and such florid writing as in Bellini's I PURITANI. Only daredevils need apply. That was the atmosphere when Russian soprano Olga Peretyatko made her Met debut last week.
Each of Wolfgang Amade Mozart's vast number of compositions is considered a musical gem. Join Music Director Manfred Honeck and the Pittsburgh Symphony Orchestra as they celebrate Mozart's extensive catalog of masterpieces during the BNY Mellon Grand Classics Mozart Festival, a two-week exploration of the five pillars of Mozart's music - symphony, concerto, chamber music, opera and sacred music.
