The winners of the 44th annual George London Foundation Awards Competition for young American and Canadian opera singers were announced at the conclusion of the competition's final round this evening, which took place in a front of a capacity audience at Gilder Lehrman Hall at The Morgan Library & Museum in New York City.
Tony Award-winner Patti LuPone is making a cameo appearance in LA Opera's THE GHOSTS OF VERSAILLES now Through March 1. Below, BroadwayWorld brings you a first look at her appearance!
Two iconic artists -- operatic superstar Marilyn Horne and Broadway legend Patti LuPone -- will join together for a conversation about the unlikely role they share in common: Samira in John Corigliano's 'grand opera buffa' The Ghosts of Versailles. The conversation, to be livestreamed at LAOpera.org beginning at 5:30pm tonight, February 27, will be hosted by James Conlon, LA Opera's Richard Seaver Music Director, who has worked extensively with both artists.
Two iconic artists -- operatic superstar Marilyn Horne and Broadway legend Patti LuPone -- will join together for a conversation about the unlikely role they share in common: Samira in John Corigliano's 'grand opera buffa' The Ghosts of Versailles. The conversation, to be livestreamed at LAOpera.org beginning at 5:30pm tonight, February 27, will be hosted by James Conlon, LA Opera's Richard Seaver Music Director, who has worked extensively with both artists.
Arizona Opera brings a brand new production of Mozart's The Magic Flute to the stage, tonight, February 27th and 28th at 7:30 pm and March 1st at 2 pm in Symphony Hall in Phoenix; and March 7th at 7:30 pm and March 8th at 2:00 pm in Tucson Music Hall, Tucson.
Two iconic artists -- operatic superstar Marilyn Horne and Broadway legend Patti LuPone -- will join together for a conversation about the unlikely role they share in common: Samira in John Corigliano's 'grand opera buffa' The Ghosts of Versailles. The conversation, to be livestreamed at LAOpera.org beginning at 5:30pm on Friday, February 27, will be hosted by James Conlon, LA Opera's Richard Seaver Music Director, who has worked extensively with both artists.
New Jersey Performing Arts Center (NJPAC) presents an afternoon with upcoming opera stars performing Bel Canto showpieces Sunday, March 15, 2015 3:00 PM in the Victoria Theater.
Opera Philadelphia's 41st Season serves as a reminder that the company is, as The Washington Post reports, “taking chances, offering unusual and new work along with repertory staples, and carving out a place for themselves as proponents of American opera.” As General Director & President David B. Devan and Jack Mulroney Music Director Corrado Rovarisannounced today, the carefully curated 2015-2016 lineup offers two new American operas: the East Coast Premiere of Cold Mountain, by composer Jennifer Higdon and librettist Gene Scheer and starring the dream team of Nathan Gunn, Isabel Leonard, and Jay Hunter Morris (February 2016); and the World Premiere of ANDY: A Popera, a Warhol-inspired opera-cabaret featuring a score by Dan Visconti and original songs by Heath Allen (September 2015).
What happens when you combine the worst/best of Craigslist personal ads and music? The Craigslistlieder.
I am taken back to the first Opera I saw as a kid and the pomp and circumstance with wearing a tux and walking to the lavish theatre; this was when I fell in love with classical music. Often times we hear opera and other classical art forms are inaccessible to the people, but Houston Grand Opera's English translation of Mozart's THE MAGIC FLUTE (Die Zauberflote) proved that opera isn't a stuffy, highbrow art form for the bourgeois. THE MAGIC FLUTE premiered on September 30, 1791 at Emanuel Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, and Mozart conducted the orchestra. The MAGIC FLUTE often referenced as a singspiel, is an opus with spoken dialogue which lends itself to the elements of classical musical theatre. The heart of this new work was an excerpt from the oriental genie tales collected by poet Christoph Martin Wieland but transitioned to have Masonic elements from the novel Sethos by Abbe Jean Terrasson.
The New Jersey Association of Verismo Opera's 26th season is replete with the grandeur of traditional opera. The house opera company of the Bergen Performing Arts Center (bergenPAC) presents Georges Bizet's scintillating Carmen on Sunday, April 26, 2015 and Gaetano Donizetti's tragic melodrama Lucia di Lammermoor on Sunday, October 18, 2015. Special ticket rates are available beginning February 26 to see these professional productions. Both operas begin at 3 p.m. at bergenPAC, located at 30 North Van Brunt Street, in Englewood, New Jersey.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music.
Heartbeat Opera is a new company intent upon re-imagining opera in intimate spaces for a new generation. Employing a minimalism that allows the emotional integrity of the music to shine through, the company's work focuses on the body of the singer and the visceral power of the music. Co-Artistic Directors Louisa Proske andEthan Heard, who trained together in the Directing program at the Yale School of Drama, are committed to nurturing the actor in every singer they work with. The company creates productions of classics and new pieces that are daring and visceral—productions that manifest the emotional grandeur and theatrical power of opera with minimal means. Heartbeat's one-act festival presentation of György Kurtág's Kafka-Fragments, directed by Heard, and the New York premiere of Jacques Offenbach's Daphnis & Chloé, in a new English translation directed by Proske, marks this young company's debut. Heartbeat Opera's resident music ensemble Cantata Profana, described by The New York Times as “a stylish early music ensemble,” will provide musical accompaniment.
New York Festival of Song marks its seventh annual residency at the Caramoor Center for Music and the Arts with BEL CANTO/CAN BELTO, to be performed on Tuesday, March 17, 2015 at 8:00 p.m. at Merkin Concert Hall.
Celebrated mezzo-soprano Joyce DiDonato concludes her season-long Carnegie Hall Perspectives series on Wednesday, March 18 at 8:00 p.m. in Stern Auditorium / Perelman Stage, joining The Philadelphia Orchestra and conductor Maurizio Benini for a program of bel canto arias, ensembles, and orchestral selections with special guests and close colleagues soprano Nicole Cabell and tenor Lawrence Brownlee. Music from Donizetti's Maria di Rohan and L'elisir d'amore, Bellini's I Capuleti e i Montecchi, and Rossini's Zelmira will be performed, along with other pieces.
The Metropolitan Opera Live in HD Series continues in the Nancy Marine Studio Theatre at 1 pm on March 14, 2015 with Rossini's LA DONNA DEL LAGO.
Lyric Opera of Chicago will begin a new chapter in its history with its 61st season - the first to be fully planned by general director Anthony Freud and music director Sir Andrew Davis. Lyric's two artistic leaders announced the repertoire and casting for the 2015-16 season today.
Houston, TX - February 4, 2015: Houston Grand Opera announced today the finalists for the annual Eleanor McCollum Competition for Young Singers Concert of Arias, to be presented in the Cullen Theater at the Wortham Theater Center on Thursday, February 5, at 7 p.m. This year's finalists are:
What happens when you combine the worst/best of Craigslist personal ads and music? The Craigslistlieder.
Following on the heels of The Ghosts of Versailles, LA Opera presents Rossini's The Barber of Seville, the midpoint of its 2015 Figaro Trilogy and a key part of its three-month Figaro Unbound exploration. LA Opera Music Director James Conlon conducts an international roster of stars including Russian baritone Rodion Pogossov, American mezzo-soprano Elizabeth DeShong, American tenor René Barbera, Italian baritone Alessandro Corbelli and Icelandic bass Kristinn Sigmundsson.
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