Princeton Symphony Orchestra (PSO) presents Behind the Music with Jing Jing Luo on Saturday, January 30 at 4 pm at the Arts Council of Princeton's Paul Robeson Center. A native of China, Ms. Luo talks about Chinese culture and its impact on her life and music and provides insights into the creative process behind her composition Tsao Shu. PSO board member and composer Julian Grant, a former resident of Bejing, offers his own impressions of Chinese culture and its distinctive aesthetic. There is an opportunity for audience members to participate during a question and answer period.
On Wednesday, January 20 at 7 pm, in partnership with the Princeton Public Library, the Princeton Symphony Orchestra (PSO) presents Soundtracks: Calligraphy as Art and Inspiration in the library's Community Room.
NJTV, New Jersey's public television network, and the New Jersey Performing Arts Center (NJPAC) announced that the 3rd Season of the award-winning American Songbook at NJPAC series will be broadcast on NJTV beginning tonight, January 6, 2016 (check local listings).
NJTV, New Jersey's public television network, and the New Jersey Performing Arts Center (NJPAC) announced that the 3rd Season of the award-winning American Songbook at NJPAC series will be broadcast on NJTV beginning January 6, 2016 (check local listings).
At the top of her show, SEE JANE SING!, Jane Lynch jokes that she always wanted to be the kind of TV celebrity that held an audience hostage for an hour as she dabbled in the art of cabaret. Luckily for us, deft comedienne Lynch surprises the audience by being a fantastic singer, leaving the audience begging her for more encores.
Last December, Texas treasure Holland Vavra made her 54 Below debut in Cuz We're F#cking Talented, a concert where a handful of artists showed off their skills. Last night, she made a special trip from Houston to premiere her tribute to Frank Sinatra, Holland at the Sands: My Blue Eyed Sinatra. With her own brand of lovable, quirky humor and her golden instrument, Vavra made her solo cabaret debut a delightful spectacle.
This year is the centennial of entertainment legends such as vocalists Billie Holliday and Edith Piaf, singer-actors Frank Sinatra and Alice Faye, composers Billy Strayhorn and Bart Howard, and pianist Cy Walter. In its annual tribute concert, The Mabel Mercer Foundation celebrated all these artists in 1915: It Was a Very Good Year at Carnegie Hall's Weill Recital Hall, presenting a great variety of musical talent, each with a personal take.
Seven outstanding vocalists, songwriters, and musicians born in 1915 were honored at Weill Recital Hall on Tuesday, June 9th, at 7:30 p.m., when The Mabel Mercer Foundation presented their annual concert, "It Was A Very Good Year." Cohosted by the Foundation's artistic director KT Sullivan and the distinguished critic Rex Reed, the one-night-only event celebrated the centennial birthdays of (alphabetically) Alice Faye, Billie Holiday, Bart Howard, Edith Piaf, Frank Sinatra, Billy Strayhorn, and Cy Walter.
Seven outstanding vocalists, songwriters, and musicians born in 1915 will be honored at Weill Recital Hall tonight, June 9th, at 7:30 p.m., when The Mabel Mercer Foundation presents the annual concert, 'It Was A Very Good Year.' Cohosted by the Foundation's artistic director KT Sullivan and the distinguished critic Rex Reed, the one-night-only event celebrates the centennial birthdays of (alphabetically) Alice Faye, Billie Holiday, Bart Howard, Edith Piaf, Frank Sinatra, Billy Strayhorn, and Cy Walter.
Kathy Evans, Founding Executive Director of Rhinebeck Writers Retreat, announced the 17 writers and 8 new musicals selected for the fifth summer of weeklong retreats. For eight consecutive weeks beginning July 5th, each writing team will have a residency in Rhinebeck, New York. Writers are provided a private home, transportation, food, and a $400 stipend. This year's writers include Obie winner Kirsten Childs, Tony nominee Elizabeth Davis, and 2015 Jonathan Larson award-winners Charlie Sohne, Tim Rosser, and Sam Willmott, who also just won the Kleban Prize.
Seven outstanding vocalists, songwriters, and musicians born in 1915 will be honored at Weill Recital Hall on Tuesday, June 9th, at 7:30 p.m., when The Mabel Mercer Foundation presents the annual concert, "It Was A Very Good Year." Cohosted by the Foundation's artistic director KT Sullivan and the distinguished critic Rex Reed, the one-night-only event celebrates the centennial birthdays of (alphabetically) Alice Faye, Billie Holiday, Bart Howard, Edith Piaf, Frank Sinatra, Billy Strayhorn, and Cy Walter.
Urban Stages' Board of Directors and founding artistic director Frances Hill will hold their annual benefit at the Boathouse in Central Park at 6:30PM on May 18th. This event will honor philanthropist Henry Buhl for his contributions to Urban Stages and the New York Community as the Founder of the Association of Community Employment for the Homeless (ACE). Brilliant singer and actress, KT Sullivan will receive the first Musical Theatre Award for her work with Urban Stages and as director of the Mabel Mercer Foundation which produces the New York Cabaret Convention.
Eric Comstock and Barbara Fasano exude warmth. Both superb musicians, they're polished without ostentation, symbiotic without deferring individual fortes, and infectiously (enviably) appreciative of one another without becoming saccharine. Original arrangements never trade lyrical meaning for novelty. Their recent one-night show at Birdland, Only In New York: A Big Apple Valentine, is a collection of songs in which the charming marrieds express the vicissitudes of love, bracketed by affection for the city. Many are sophisticated, some are unexpected, and all are empathetic.
This past Thursday night, a group of die-hard music enthusiasts, vocalists, and musicians packed a private home in Chelsea for the latest iteration of Will Friedwald's Clip Joint. The monthly series, which was launched in the summer of 2013 by the Wall Street Journal columnist, night crawler, and music historian who has authored of eight books on music and popular culture, screens highly curated musical performance on film and video with every third session promoted as an “extravaganza,” additionally featuring live performers.
Kathy Evans, Founding Executive Director of Rhinebeck Writers Retreat, announced that applications are open for the fifth summer of retreats for musical theatre writers and are due February 23. Rhinebeck Writers Retreat will host 8 writing teams with 8 individual weeklong residencies in a private home in the countryside near Rhinebeck, New York. The retreats will take place between June 28 and August 30. Applications are due February 23 and the submission fee is $25.
Twelve orchestras and composers have been selected to receive Music Alive: New Partnerships grants of $7,500 each, the League of American Orchestras and New Music USA announced today. Matching composers and orchestras who have not previously worked together, the program will support a series of one-week residencies between 2014 and 2016, each culminating in the performance of an orchestral work from the composer's catalog. Orchestras with operating budgets of approximately $7 million and below were eligible to apply.
Kathy Evans, Founding Executive Director of Rhinebeck Writers Retreat, announced that applications are open for the fourth summer of retreats for musical theatre writers. Rhinebeck Writers Retreat provides a writing team with a weeklong residency to work on their musical in a private home near Rhinebeck, New York. There will be eight one-week retreats offered between June 29 and August 31st. Applications are due February 15 and the submission fee is $20. The submitted musical can be at any stage of development, as long as it has not been published or licensed. All information, guidelines, and online application can be found at www.rhinebeckwriters.org.
The League of American Orchestras and New Music USA have announced grants to five orchestras and ten composers to participate in the Music Alive program. Now in its 14th year, Music Alive supports composer residencies in the concert halls and communities of orchestras throughout the country by providing funding and resources for multi-year orchestra-composer collaborations.
Copland House has just announced the six fellows chosen to participate in CULTIVATE, its new, annual emerging composers institute. Launched last year to considerable acclaim, CULTIVATE is a week-long, all-scholarship creative workshop and mentoring program for highly-gifted composers in the earliest stages of their professional careers.
