The Broadway at Birdland concert series presented singer/pianist Steve Ross in “Songs I Love” last night. Steve looked back at his long career and revisited songs from his first recording (1979) and his more recent efforts celebrating Alan Jay Lerner, Noel Coward and Stephen Sondheim. KT Sullivan who is currently appearing with Steve at the Irish Repertory Theatre in LOVE, NOEL: The Songs and Letters of Noel Coward (written and devised by Barry Day) joined Steve for a few songs.
Singer KT Sullivan and singer-pianist Steve Ross present Love Noël: the Songs and Letters of Noël Coward, from July 26 through August 25 at the W. Scott McLucas Studio Theatre. The show was devised by Barry Day and is directed by Charlotte Moore. Through Coward's songs, stories, and personal letters, the two cabaret stars will summon up timeless memories of an era that may be gone, but is never to be forgotten.
Irish Repertory Theatre announces the full cast and creative team for Little Gem, written by Elaine Murphy (Shush) and directed by Marc Atkinson Borrull (Outlying Islands). Performances begin on July 17, 2019 on the Francis J. Greenburger Mainstage with an opening night set for July 25, for a limited run through September 1, 2019.
Irish Repertory Theatre announces two new productions for summer 2019. On the Francis J. Greenburger Mainstage will be Little Gem by Elaine Murphy (Shush) and directed by Marc Atkinson Borrull (Outlying Islands). Performances begin on July 17, 2019, with an opening night set for July 25, for a limited run through September 1, 2019.
Two legends of the art form of Cabaret KT Sullivan & Steve Ross sang the music and lyrics of Noel Coward which were weaved together by reciting the numerous descriptive letters the playwright/composer/performer wrote to his mother and others. This captivating and elegant evening was written and introduced by Barry Day, the Literary Advisor to the Noel Coward Estate, who has written extensively about Sir Noel Coward. His writings include, The Complete Verse, The Letters of Noel Coward, Coward on Film Coward Coward Screenplays and the forthcoming Coward on Theatre.
Continuing its 35th Anniversary season, Urban Stages (Frances Hill, Founding Artistic Director; Tom Toce Producer) proudly announces the line-up for this year's award-winning series, WINTER RHYTHMS 2018, which will begin Wednesday, December 12 featuring some of New York's best musical performances through Saturday,December 22, 2018 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).
Continuing its 35th Anniversary season, Urban Stages (Frances Hill, Founding Artistic Director; Tom Toce Producer) proudly announces the line-up for this year's award-winning series, WINTER RHYTHMS 2018, which will begin Wednesday, December 12 featuring some of New York's best musical performances through Saturday, December 22, 2018 at Urban Stages Theatre (259 West 30th Street, just East of 8th Avenue).
The Raymond F. Kravis Center for the Performing Arts is once again offering audience members a dazzling, star-packed lineup of amazing shows, memorable concerts, insightful lectures and very special events during the months of March and April.
In its first segment, THEATER TALK focuses on the play TINY BEAUTIFUL THINGS, now in a highly successful run at The Public Theater. It was adapted for the stage by one of the episode's guests, actor/writer Nia Vardalos, who also stars in the production, co-conceived by the other guest in the segment, writer/columnist Marshall Heyman.
The Raymond F. Kravis Center for the Performing Arts continues its star-packed 25th anniversary season in February 2017 with 30 amazing productions and events, including one of the biggest hits now running on Broadway, three international orchestras, a couple of impressive symphonies, two legendary dance companies and incredible line-up of musical headliners and a truly memorable NIGHT OF STARS.
Forbidden Broadway creator Gerard Alessandrini visits THEATER TALK to discuss his newest and perhaps most au courant theater parody Spamilton, the critically acclaimed 'skewering' - for which he is writer and director - of Hamilton, the biggest Broadway hit of our time. The cast of Spamilton, currently at The Triad Theatre, joins him and performs highlights of three numbers from the show.
Forbidden Broadway creator Gerard Alessandrini visits THEATER TALK to discuss his newest and perhaps most au courant theater parody Spamilton, the critically acclaimed 'skewering' - for which he is writer and director - of Hamilton, the biggest Broadway hit of our time. The cast of Spamilton, currently at The Triad Theatre, joins him and performs highlights of three numbers from the show.
Curtain's up. Light the lights. Strike up the band. Roll out the red carpet - the upcoming 25th anniversary season of the Raymond F. Kravis Center for the Performing Arts will offer a nonstop series of audience-dazzling performances by show biz legends and super-hot headliners throughout the upcoming 2016-2017 season - an exciting and unforgettable array of international artists and stage shows, from every discipline from rock to pop to classical music, from Broadway to Hollywood to Nashville, from your TV screen and iPhone, and from some of the world's hippest nightclubs and most impressive concert halls.
NOËL COWARD, a one week festival devoted to the English playwright, actor, singer, composer, lyricist, director, screenwriter, and wit, will run at Film Forum from today, May 13 through Thursday, May 19.
Musicals Tonight will offer FIVE classic revivals in their 19th season - Funny Face, Hoi Polloi, Louisiana Purchase, Mr. Wonderful, and I Can Get It for You Wholesale. A subscription costs $146.25 and single tickets will go on sale after Labor Day. Performances are at the intimate Lion Theatre (88 seats) in the Theatre Row Studios complex at 410 West 42nd Street.
NOËL COWARD, a one week festival devoted to the English playwright, actor, singer, composer, lyricist, director, screenwriter, and wit, will run at Film Forum from Friday, May 13 through Thursday, May 19.
This April, Criterion is pleased to announce a thrillingly diverse slate of titles, encompassing nonfiction groundbreakers, contemporary art-house hits, and romantic dramas from the golden age.
Cabaret has never suffered a dearth of French female singers. In the 1970s and 1980s and well into the 90s, Jeanne Beauvais, Baronne, and Greta were among the very masters/mistresses of the art form. Yvonne Constant has completely and utterly established herself among them.
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