Leah Sprecher, as the fictional Barbara Dixon, satirizes the autobiographical cabaret shows of song-and-dance broads like Elaine Stritch, Liza Minnelli, and Barbara Cook in this uniquely hilarious show. You won’t believe your eyes (or ears) as Barbara over-shares her way through a whirlwind tour of her life and career.
BroadwayWorld has teamed up with renowned caricature artist Ken Fallin, a life-long theater enthusiast, who has drawn many Broadway and Off-Broadway productions. Below, check out his illustration of David Byrne in American Utopia, now playing at the St. James Theatre.
BroadwayWorld has teamed up with renowned caricature artist Ken Fallin, a life-long theater enthusiast, who has drawn many Broadway and Off-Broadway productions. Below, check out his illustration of Adam Godley, Simon Russell Beale, and Adrian Lester in The Lehman Trilogy, now playing at the Nederlander Theatre.
The York Theatre Company has announced show-only tickets are now available for the 29th Oscar Hammerstein Award Gala, honoring musical theater legends Richard Maltby, Jr. & David Shire on Monday evening, November 1, 2021 at The Edison Ballroom.
BroadwayWorld has teamed up with renowned caricature artist Ken Fallin, a life-long theater enthusiast, who has drawn many Broadway and Off-Broadway productions. Check out his illustration of Will Cobbs, Peter Simpson, and Emily Davis in Is This a Room, which just opened on Broadway at the Lyceum Theatre.
What is Bemelmans Bar without Caruso and Stritch? It's not the same, that's for sure, which is why the gentlemen return to The Caryle for Sundays in October and November.
And so sweet readers, with the combo of fine dining and even finer entertainment, Bobby has no choice but to give the DIAMOND SERIES: LAURA BENANTI our full … Five Out Of Five Rainbows
Eleri Ward's concert tonight at Rockwood Music Hall served as an album release of sorts. She performed selections from her new album A PERFECT LITTLE DEATH for a very appreciative audience comprised of both Sondheim fans and fans of indie music alike. If you weren’t a fan of Eleri Ward coming in, it’s unlikely that you left without being captivated by her. Her voice is crystalline pure, inhabiting the same effortless soprano world as Judy Collins before her. Her arrangements are rhapsodic and filled with yearning. She was visibly moved to be performing in front of a live audience again. Her performance was intimate and vulnerable and touching.
The York Theatre Company has announced the roster of performers for a concert celebration at the 29th Oscar Hammerstein Award Gala, which will honor musical theater legends Richard Maltby, Jr. & David Shire, and Elisa Loti Stein.
The York Theatre Company will honor musical theater legends Richard Maltby, Jr. & David Shire (Baby, Big, Starting Here, Starting Now, Closer Than Ever) with the 2021 Oscar Hammerstein Award for Lifetime Achievement in Musical Theater and Elisa Loti Stein with The York Theatre Company Founders’ Award at the 29th Oscar Hammerstein Award Gala.
The one constant in all Sierra Boggess' roles is a heavenly voice that sounds so effortless it hides the stunning technique that lies beneath. She has a lightness of tone that is completely conversational in every register and diction that is enviable. But beyond all these technical gifts, Boggess is masterful at living inside any given lyric without imposing anything on it. She just lets the words do the work. In that, she is a worthy successor to Barbara Cook.
Multi-awarded cabaret singer Jeff Harnar will make his Feinstein’s at Vitello’s debut with his cabaret act I KNOW THINGS NOW: JEFF HARNAR SINGS SONDHEIM September 30, 2021. With a lengthy resume as an opening act. Jeff has played some of the biggest venues, including Carnegie Hall, all over the world. Had the chance to find out what THINGS Jeff KNOWS NOW.
THE GREEN ROOM 42 presents the NYC premiere of “Everything's Coming Up Barbara” -- following a successful stint in Los Angeles at the famed Groundlings Theatre.
The next Musical Theatre Melodies broadcast, hosted by Rob Morrison on 96.5 FM on Tuesday, August 31st will mark the 50th anniversary of Claibe Richardson and Kenward Elmslie's THE GRASS HARP (based on the novel and play by Truman Capote), the 1971 Broadway musical which starred Barbara Cook, Karen Morrow, Carol Brice, Russ Thacker, Ruth Ford and Max Showalter.
Penny Fuller may have had the quote of the evening when she and Anita Gillette unveiled the new version of their show SIN TWISTERS. She was quoting the great Barbara Cook, who said 'I wish someone had told me I was working in The Golden Age. I would have paid attention.' That is a mouthful. Anita Gillette (Carnival, All-American, Mr. President, They're Playing Our Song, Chapter Two) and Penny Fuller (Applause, Rex, A New Brain, The Dinner Party, Anastasia) brought a bit of The Golden Age to the stage of Feinstein's 54 Below. And the audience paid attention. In fact, the audience was spellbound.
Although Anita Gillette & Penny Fuller have been in show business for a very long time, their close friendship is not even a decade old yet. Fans frequently mistake them for each other. This is the premise of their show SIN TWISTERS which will open at 54 Below Monday, August 16. The title, of course, is a Spoonerism. Fuller and Gillette explain that, and the mystery of their mistaken identities in the show. They also sing lots of fantastic numbers from the many stages of their careers. I recently caught up with Anita and Penny on Zoom. It was a chatty, delightful afternoon.
Michael McAssey is one of cabaret's busiest and most sought-after entertainers. The successful Broadway and Television actor made his cabaret debut in 1982 at New York City's famous DUPLEX in Greenwich Village.
In this episode, Ben and Daniel discuss the results of Roses and Daffodils: The Essential Follies Playlist. For this project, listeners voted weekly for their favorite versions of the Follies female solos, and 'Friends of the Pod' appeared with Ben and Daniel on 'Next Year, Some Year' to weigh in on the deeper cuts.
What do you get when you combine the pianistic finesse of Michael Feinstein, the smooth phrasing of Tony Bennett, and the bawdy wit of Bette Midler? You get Michael McAssey, who for 40 years has reigned as the clown prince of New York cabaret, and has enchanted as one of its most talented troubadours. He calls what he does 'schtick.' But that's undervaluing his unique blend of beautiful ballad singing and standup, or rather 'sit down' comedy.