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BWW Review: CPH's MARIE AND ROSETTA Points the Spotlight on Future-Inductee Into the Rock and Roll Hall of Fame

When Sister Rosetta Tharpe's name appeared on the Rock and Roll Hall of Fame Ballot, there were many who thought, Sister who? Little did those not familiar with the history of the genre, know that 'she was wailing on the guitar before Chuck Berry, shouting call and response before Little Richard, and swaying rhythmically to the music long before Elvis shook his hips.' In fact, Elvis may have learned his slim hip swiveling from the Sister Rosetta's pelvis thrusts.

Obie and Drama Desk Winner Deirdre O'Connell to Star in TERMINUS

Monk Parrots announce casting for their New York premiere of Gabriel Jason Dean's (Princeton Hodder Fellow, Dramatist's Guild Fellowship, Broadway Blacklist) critically acclaimed play TERMINUS, directed by Lucie Tiberghien (The Other Thing, Don't Go Gentle, Soldier X, Hoodoo Love, The Pavilion). TERMINUS runs from February 17 - March 10, 2018 in a limited engagement at NEXT DOOR at NYTW, located at 83 East 4th Street between Bowery and 2nd Avenue in New York City. Previews begin February 17 for a February 20 opening.

Cleveland Play House's 102nd Season Continues with THE INVISIBLE HAND

The 102nd Season at Cleveland Play House (CPH) continues with The Invisible Hand by Pulitzer Prize-winning Author Ayad Akhtar. The Invisible Hand tells the story of American investment banker Nick Bright as he risks everything to return to his family. Held hostage in Pakistan by Islamic revolutionaries, his last chance for freedom depends on his ability to play the stock market to benefit his captors. This sharp geo-political thriller from Pulitzer Prize winner Ayad Akhtar takes us to the treacherous intersection of terrorism and capitalism, where greed and deceit prevail and no one escapes without blood on their hands. Directed by Pirronne Yousefzadeh, The Invisible Hand runs February 17th through March 11, 2018 in the Outcalt Theatre at Playhouse Square.

Obie & Drama Desk Winner Deirdre O'Connell to Star in TERMINUS at Next Door at NYTW

Monk Parrots announce casting for their New York premiere of Gabriel Jason Dean's (Princeton Hodder Fellow, Dramatist's Guild Fellowship, Broadway Blacklist) critically acclaimed play TERMINUS, directed by Lucie Tiberghien (The Other Thing, Don't Go Gentle, Soldier X, Hoodoo Love, The Pavilion). TERMINUS runs from February 17 - March 10, 2018 in a limited engagement at NEXT DOOR at NYTW, located at 83 East 4th Street between Bowery and 2nd Avenue in New York City. Previews begin February 17 for a February 20 opening.

Broadway By Design: Beatty, Zuber, Stanton, Bennett & 59 Productions Bring JUNK from Page to Stage

In Broadway by Design, BroadwayWorld is shining a spotlight on the stellar designs of this Broadway season, show by show. Today, we continue the series with a design dream team- John Lee Beatty (scenic), Catherine Zuber (costumes), Ben Stanton (lighting), Mark Bennett (sound), and 59 Productions (projections), who put together Lincoln Center's provocative new play, Junk.

New Work For The Stage: Sundance Institute And MASS MoCA Announce Theatre Lab Projects

Four projects representing diverse world voices, each with bold and independent visions of how art can elevate the human experience, comprise this year's selected projects for the two-week Sundance Institute Theatre Lab at the Massachusetts Museum of Contemporary Art (MASS MoCA), convening December 3-17, 2017, with a public performance of another project slated for December 9. The Theatre Labs process is rigorous and generative. Dedicated to the creation and development of forward-thinking theater; projects are cast individually, rehearsed daily and benefit from concentrated, uninterrupted time and resources.

Stage Version of Ta-Nehisi Coates Book, David Adjmi's STEREOPHONIC and More Among 2017 Sundance Institute Theatre Lab Selections

Four projects representing diverse world voices, each with bold and independent visions of how art can elevate the human experience, comprise this year's selected projects for the two-week Sundance Institute Theatre Lab at the Massachusetts Museum of Contemporary Art (MASS MoCA), convening December 3-17, 2017, with a public performance of another project slated for December 9.

BWW Review: Gasps All Around at Mirvish's DISGRACED

A lesson in what not to say at a dinner party, Mirvish's presentation of Ayad Akhtar's DISGRACED is tense and unsettling. Originally a production from the Hope and Hell Theatre Company, director Robert Ross Parker discusses the play as having 'the power to make us uncomfortable.' Certainly true. As the play dove into controversial discussions of identity politics, gasps were audible all around.

Florida Rep Seeks Submissions for 2018 PlayLab Festival Of New Works

Florida Repertory Theatre, an Associate Member of the National New Play Network, is seeking submissions for its 2018 PlayLab Festival slated for May 3 6. The fifth annual festival is an intensive weekend of rehearsals, readings, talkbacks, and development that brings professional playwrights, directors, and actors together to hone up to six new plays in a laboratory setting.

THE INVISIBLE HAND Extends at Steep Theatre

With only a few tickets remaining for its original run, Steep Theatre has added four more performances of The Invisible Hand. This powerful play has fascinated audiences and critics alike. The Invisible Hand will run through Saturday, November 18.

TV: Go Inside JUNK's Priceless Opening Night on Broadway!

Lincoln Center Theater presents Junk, a new play by Ayad Akhtar, directed by Doug Hughes, which just opened last night, November 2, at the Vivian Beaumont Theater (150 West 65 Street). BroadwayWorld was on hand for the special night and we're taking you straight to all of the action below!

BWW Review: Steven Pasquale Deals To Deceive in Ayad Akhtar's Wall Street Drama, JUNK

To the average working stiffs among us, money is a tangible thing. We can count it by the number of dead presidents in our wallets and the reasonably manageable digits in our modest portfolios. But to the financially elite, figures ranging in billions on top of billions become so impossible to represent as legal tender that they're said to take on an abstract, nearly fictional quality.

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