To keep up with the ultra-fast pace of the modern age is difficult for most 'normal' people. Dealing with emotional pain or loss on top of average daily strife can be overwhelming. It may easily destroy a life and those connected to it as well. In the Pulitzer Prize winning Next to Normal, the problem is presented via a wife and mother, who has been diagnosed as bi-polar. Her behavior patterns show extreme mental instability verging on insanity, and the effects on her husband and teen daughter are astronomical. Eventually a heartfelt loss from the past unravels that is at the core of the woman's suffering. Structured in a most unique way, Next to Normal is akin to a rock opera, but it is not completely sung; there is intermittent dialogue. The most emotional moments, though, come through song, so the music and book flow together, and with the three tiered open set and loosely structured staging, it all comes together as an unparalleled musical drama.
Next to Normal, with music by Tom Kitt and lyrics by Brian Yorkey, is making its west coast premiere at the Ahmanson Theatre in Los Angeles. With a thrilling contemporary score, 'Next to Normal' is an emotional powerhouse of a musical about a family trying to take care of themselves and each other. The Tony Award and Pulitzer Prize-winning musical features original Broadway star Alice Ripley, who won the Tony for her performance. Next to Normal also features Asa Somers (Dan), Curt Hansen (Gabe), Emma Hunton (Natalie), Jeremy Kushnier (Dr. Madden/Dr. Fine) and Preston Sadleir (Henry).
Next to Normal, with music by Tom Kitt and lyrics by Brian Yorkey, is making its west coast premiere at the Ahmanson Theatre in Los Angeles.With a thrilling contemporary score, 'Next to Normal' is an emotional powerhouse of a musical about a family trying to take care of themselves and each other. The Tony Award and Pulitzer Prize-winning musical features original Broadway star Alice Ripley, who won the Tony for her performance. Next to Normal also features Asa Somers (Dan), Curt Hansen(Gabe), Emma Hunton (Natalie), Jeremy Kushnier (Dr. Madden/Dr. Fine) and Preston Sadleir (Henry).
The startling new musical NEXT TO NORMAL, winner of the 2010 Pulitzer Prize for Drama, will start the Denver Center Attractions 2011 season on an dramatic high note, playing the Ellie Caulkins Opera House January 4-16.
The national tour of 'Next to Normal' opens at the Ahmanson Theatre on Sunday, November 28, 2010. Previews of the Tony Award and Pulitzer Prize-winning musical begin November 23; performances will continue through January 2, 2011.
Alice Ripley, who received the 2009 Tony Award® for Best Actress in a Musical for her performance in the Pulitzer Prize and Tony Award®-winning Next to Normal, will reprise her acclaimed performance in the musical's 36-week multi-city North American tour, launching in November. It will play in San Diego January 18 - 23, 2011 at the Balboa Theatre, as a Broadway/San Diego ~ A Nederlander Presentation.
Today, we are talking to the international TV icon herself - most recently having conquered Sirius satellite radio - the incomparable comedienne, actress, activist, filmmaker, producer, writer and stage performer Rosie O'Donnell. In this BWW WORLD EXCLUSIVE InDepth InterView we discuss her upcoming comedy show at Town Hall as part of the New York Comedy Festival coming up this Friday, November 4th, as well as the first news about her new daytime hour-long television discussion show on Oprah's OWN Network beginning in September of next year, plus plans for a New York art gallery showing of her art in 2011 and hopes to return to Broadway in James Lapine's thirtieth anniversary revival of the beloved musical ANNIE - making a girlhood dream come true. All this, and a top-to-bottom discussion of all things Broadway - from Rosie's Theater Kids and their self-written musical MY LIFE that just premiered at NYMF, to her own favorite shows, songs, scores, divas and Broadway performance highlights from her own talk show, to TABOO and her theories on what makes Broadway an American institution. Plus, the first news of her role on CURB YOUR ENTHUSIASM Season Eight! Over the course of our engaging and enlivening conversation Rosie proved she is the Queen of Nice in addition to being that unparalleled queen of Broadway patronage. See why - and much, much more - here.
Alice Ripley, who received the 2009 Tony Award for Best Actress in a Musical for her performance in the Pulitzer Prize and Tony Award-winning Next to Normal, will reprise her acclaimed performance in the musical's 36-week multi-city North American tour, launching November 23 with a six-week engagement at the Center Theatre Group/Ahmanson Theatre in Los Angeles. Following the premiere, the tour has confirmed engagements in Denver, San Diego, San Francisco, Seattle, Des Moines, Providence, Hartford, Pittsburgh, St. Louis, Chicago, St. Paul, Cleveland, Philadelphia, Charlotte, Washington, DC, and Toronto.
The Hartt School alumnus Steve French, a 2003 graduate of Hartt's Actor Training program, joins the acclaimed cast and creative team of the New York City premiere of the new musical The Burnt Part Boy, a co-production between Playwrights Horizons and Vineyard Theatre. The performance runs from April 30 through June 13.
Playwrights Horizons and Vineyard Theatre are presenting the New York premiere of the new musical THE BURNT PART BOYS. With a book by Mariana Elder, music by Chris Miller, lyrics by Nathan Tysen and direction and musical staging by four-time Helen Hayes Award winner Joe Calarco (Shakespeare's R&J), the joint production opened on Tuesday, May 25 at 7PM. The limited engagement will run through Sunday, June 13 at Playwrights Horizons' Mainstage Theatre (416 West 42nd Street).
Now in previews, the Playwrights Horizons (Artistic Director, Tim Sanford; Managing Director, Leslie Marcus) and Vineyard Theatre (Artistic Director, Douglas Aibel; Executive Director, Jennifer Garvey-Blackwell) co-production of the New York premiere of the new musical THE BURNT PART BOYS began performances on Friday, April 30.
Previews begin tonight, Friday, April 30 for the Playwrights Horizons (Artistic Director, Tim Sanford; Managing Director, Leslie Marcus) and Vineyard Theatre (Artistic Director, Douglas Aibel; Executive Director, Jennifer Garvey-Blackwell) co-production of the New York premiere of the new musical THE BURNT PART BOYS.
The Hartt School alumnus Steve French, a 2003 graduate of Hartt's Actor Training program, joins the acclaimed cast and creative team of the New York City premiere of the new musical The Burnt Part Boy, a co-production between Playwrights Horizons and Vineyard Theatre. The performance runs from April 30 through June 13.
Playwrights Horizons (Artistic Director, Tim Sanford; Managing Director, Leslie Marcus) and Vineyard Theatre (Artistic Director, Douglas Aibel; Executive Director, Jennifer Garvey-Blackwell) have announced complete casting for their co-production of the New York premiere of the new musical THE BURNT PART BOYS by Mariana Elder (book), Chris Miller (music) and Nathan Tysen (lyrics).
The Hartt School alumnus Steve French, a 2003 graduate of Hartt's Actor Training program, joins the acclaimed cast and creative team of the New York City premiere of the new musical The Burnt Part Boy, a co-production between Playwrights Horizons and Vineyard Theatre. The performance runs from April 30 through June 13.
Playwrights Horizons (Tim Sanford, Artistic Director; Leslie Marcus, Managing Director) has begun accepting entries this morning, Wednesday, April 21 for its popular LIVEforFIVE online lottery for $5 tickets to the New York premiere of the new musical THE BURNT PART BOYS.
Playwrights Horizons (Artistic Director, Tim Sanford; Managing Director, Leslie Marcus) and Vineyard Theatre (Artistic Director, Douglas Aibel; Executive Director, Jennifer Garvey-Blackwell) have announced complete casting for their co-production of the New York premiere of the new musical THE BURNT PART BOYS by Mariana Elder (book), Chris Miller (music) and Nathan Tysen (lyrics).
Next up on the mainstage at Playwrights Horizons is the new musical BURNT PART BOYS, a co-production between The Vineyard Theatre and Playwrights. Rehearsals began today, March 26, and in celebration, the cast and creative team met the press.
While the Northern East Coast of the U.S. was hammered with blizzard-like conditions last week, Broadway vet Kevin Kern was busy with the launch of THE MUSIC OF ANDREW LLOYD WEBBER, the concert revue he co-stars in, which compiles many of the prolific composer's musical hits that are in turn interpreted by six talented, well-known performers of the Broadway stage. Luckily, he and the extraordinary cast will get the chance to thaw out a little bit when the show pays a visit to the Orange County Performing Arts Center for a limited, one-week engagement on February 16 through 21. Kern-whose theater credits include Broadway's Wicked, The Wedding Singer, and Les Miserables, as well as the pre-Broadway runs of 9 to 5: The Musical and Next to Normal-recently took some time in between performances to talk with BroadwayWorld/Costa Mesa to discuss the concert, as well as his early work in the original casts of Altar Boyz and 9 to 5 (in the latter, he divulges his early star-struck shyness towards a certain Ms. Parton). He also breaks the exclusive news (to us first!) about his upcoming involvement in a hit Broadway musical that's about to cross the pond over to London!
Eloquence without the elegance is how I'd describe Michael Stuhlbarg's scruffy, hyperactive and somewhat nerdy take on the title role in director Oskar Eustis' amusing hodgepodge of a production of Hamlet. Though perfectly placid for the first several minutes of his performance, silently contemplating his father's death and his uncle's marriage to his newly widowed mother at a downstage eternal flame that perpetually flickers its symbolism throughout the evening, he's soon wildly wringing his hands with nervous excitement, flailing his arms about in range and stomping his feet to the floor like the kind of actor he'll later be warning his players not to be. In fact, it's not until the prince starts feigning madness that he begins resembling a grown-up. It's not an interpretation that will tug at your soul, but it'll damn well get your attention without taxing your brain.
