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BWW Reviews: The Gilbert and Sullivan Society of Houston's H.M.S. PINAFORE is a Feel-Good Indulgence

In 1874, W.S. Gilbert and Arthur Sullivan wrote their first of 14 comedic operas together. As a duo Gilbert and Sullivan enjoyed early success with their notable operas H.M.S. PINFORE and THE PIRATES OF PENZANCE. Moreover, modern musical theatre traces its roots to this influential theatre duo. Therefore, it is no surprise that the comedic operas penned by Gilbert and Sullivan still delight and enthrall audiences all these years later. The Gilbert and Sullivan Society of Houston was founded by a handful of Gilbert and Sullivan aficionadas in 1952. Their inaugural summer performance was THE GONDOLIERS. This summer, they are producing a charming and enchanting production of Gilbert and Sullivan's H.M.S. PINAFORE.

Photo Flash: THE PIRATES OF FINANCE at NYMF, Now Playing Through 7/20

The 2013 New York Musical Theatre Festival (NYMF) and Pirates Musical LLC present The Pirates of Finance a world premiere musical comedy written by Charles Veley with music by Sir Arthur Sullivan. The prodcution, which opened last night, runs through July 20. Check out a first look below!

Photo Flash: TheatreWorks New Milford's EARNEST OR WHAT'S IN A NAME?, Now Through 8/3

TheatreWorks New Milford presented the worled premiere of the musical comedy EARNEST OR WHAT'S IN A NAME?, an original adaptation of Oscar Wilde's 'The Importance of Being Earnest' on July 12. The show features book, lyrics, and music by New Milford resident, Leonard Diamond. The show will run through August 3. Check out a first look below!

TheatreWorks New Milford Presents New Musical EARNEST OR WHAT'S IN A NAME?, Now thru 8/3

Tonight, July 12, TheatreWorks New Milford will host the world premiere of the musical comedy EARNEST OR WHAT'S IN A NAME?, an original adaptation of Oscar Wilde's 'The Importance of Being Earnest' in the style of Gilbert and Sullivan. Book, Lyrics, and Music are by New Milfordresident, Leonard Diamond. The show opens at 8 p.m. for a four-week run.

TheatreWorks New Milford to Present New Musical EARNEST OR WHAT'S IN A NAME?, 7/12-8/3

On July 12, TheatreWorks New Milford will host the world premiere of the musical comedy EARNEST OR WHAT'S IN A NAME?, an original adaptation of Oscar Wilde's 'The Importance of Being Earnest' in the style of Gilbert and Sullivan. Book, Lyrics, and Music are by New Milfordresident, Leonard Diamond. The show opens at 8 p.m. for a four-week run.

Lynn Craig, Christopher de Angelis & More to Star in PIRATES OF FINANCE at NYMF; Full Cast Announced!

The 2013 New York Musical Theatre Festival (NYMF) and Pirates Musical LLC present The Pirates of Finance a world premiere musical comedy written by Charles Veley with music by Sir Arthur Sullivan. Gary Slavin directs a cast of twelve including Lynn Craig*, Christopher de Angelis*, Preston Ellis*, Amber Nicole Guest*, Alex Krasser*, Janice Landry*, Heather Lundstedt, Carter Lynch*, David Macaluso*, Sydney Ransom, Deborah Jean Templin*, and Jacob Thompson*.

BWW Reviews: PRINCESS IDA Produced by Gilbert and Sullivan Society of Austin is Hysterical and Current

There's certainly a reason why the works of Gilbert and Sullivan have remained a fixture in popular culture for nearly 150 years. Their operas are fun, frivolous, and tinted with social and political satire. Though Princess Ida, their eighth operatic collaboration, may not be as well-known as some of their other works such as The Pirates of Penzance, H.M.S. Pinifore, or The Mikado, it is just as silly, entertaining, and smart, as the current production by The Gilbert and Sullivan Society of Austin wonderfully illustrates.

Gilbert & Sullivan Society of Austin Stages PRINCESS IDA, OR CASTLE ADAMANT, Now thru 6/23

The Gilbert & Sullivan Society of Austin is proud to present its Summer 2013 Grand Production of Princess Ida, or Castle Adamant. We are performing this classic, which was Arthur Sullivan & W.S. Gilbert's eighth comic opera out of fourteen, for the first time in our history. Sullivan's score is majestic, and many consider Gilbert's libretto one of his funniest.

'The Showtune Mosh Pit' for June 5th, 2013

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. The Jeff Awards, the Tony Awards (and our BWW Chicago Tony Award Viewing Party!), the return of two special events, 'West Side Story,' upcoming seasons of musicals, and my June 13th cabaret concert, plus more!

TheatreWorks New Milford EARNEST OR WHAT'S IN A NAME?, 7/12

This summer, TheatreWorks New Milford is honored to host the world premiere of the musical comedy EARNEST OR WHAT'S IN A NAME?, an original adaptation of Oscar Wilde's 'The Importance of Being Earnest' in the style of Gilbert and Sullivan. Book, Lyrics, and Music are by New Milford resident, Leonard Diamond.

Gilbert & Sullivan Society of Austin to Stage PRINCESS IDA, OR CASTLE ADAMANT, 6/13-23

The Gilbert & Sullivan Society of Austin is proud to present its Summer 2013 Grand Production of Princess Ida, or Castle Adamant. We are performing this classic, which was Arthur Sullivan & W.S. Gilbert's eighth comic opera out of fourteen, for the first time in our history. Sullivan's score is majestic, and many consider Gilbert's libretto one of his funniest.

BWW Reviews: John Cranko's ONEGIN at American Ballet Theatre

John Cranko's Onegin was recently presented by American Ballet Theatre. As I expected, the reviews weren't great. It seems Cranko never commands much respect over here. The reviews all describe the work in the same way: empty, boring, sleep-inducing. But I don't agree. Sure, the ballet could be shortened, but aren't there many ballets like that. One thing it does offer: wonderful acting parts for dancers.

BWW Review: High Seas Highbrow For The Lowbrow

PIRATES OF PENZANCE at the American Repertory Theater's Loeb Drama Center is tantamount to a three-ring circus being held at a beach volleyball tournament. There are beach balls, kiddie pools, beach chairs, and a grass cocktail shack. The cast performs as roving troubadours, each proficiently playing an instrument. The singing voices are good across the board and the songs are delivered with brio. As an acting troupe, The Hypocrites fit nicely with the A.R.T. aesthetic, making a strong connection with the audience both physically and emotionally. Director Sean Graney's vision serves as an introduction to the great work of Gilbert and Sullivan, albeit equivalent to a 'Reader's Digest' abridgement, and one might hope that it would motivate the previously uninitiated to learn more about them.

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